KFJC 89.7FM

Howl In The Typewriter – Manifesto – [Pumf Records]

mickeyslim   2/6/2019   A Library, CD

This is a 64-minute long mindfuck shitshow by Godspink Collection veterans. Apparently they’ve been making music since the 80s, but nothing has passed through KFJC. This is a total antiestablishment, anti-capitalist, anti-advertising manifesto. Elements of punk, noise, soul, electronic music, and much much more.

“We don’t fucking want what your trying to fucking sell, shove it up your fucking arse, then fuck off and go to hell.”

Tender Age – “Becoming Real Forever” – [Sinis Records]

mickeyslim   1/23/2019   A Library, CD

Tender Age is Tauna Leonardo (Guitar/Vocals), Bryan Robertson (Bass), Elaina Tardif (Guitar/Vocals), Christopher Klarer (Guitar), and Olives (Drums). Recorded on a 16 track tape machine in a cabin on the Oregon coast in the summer of 2017.

Is it just me, or has music since 2016 gotten a little more somber? Probably just me… Tender Age plays somber, atmospheric, slo-fi pop. A space-aged teenage wasteland wet dream explosion. Angsty fuzzed out waves in a warehouse. Two black birds’ feathers rustling. A perfect cozy blanket of sound.

Mimmo, Gianni / Corda, Silvia / Orru, Adriano – “Clairvoyance” – [Amirani Records/Amirani Contemporary]

mickeyslim   1/23/2019   A Library, CD

“To be clairvoyant is to claim to see beyond the apparent, to intuit something over and above the brute facts given to ordinary senses.”

Here Gianni Mimmo (soprano sax), Silvia Corda (piano), and Adriano Orru (double bass) take improvisations to new heights. Abstract jazzic meanderings, floating among cosmos drawn tight by invisible strings, absconding to depths unseen. Bright-sounding dark tones. Recorded in Orru’s hometown of Cagliari, Sardinia.

Twin Peaks-Fire Walk [coll] – [Warner Bros.]

mickeyslim   11/21/2018   CD, Soundtrack

Soundtrack to David Lynch’s film and accompaniment to the TV series, Twin Peaks: Fire Walk with Me. Music composed by frequent Lynch collaborator, Angelo Badalamenti. Sexy, sultry, somber detective jazz. Smoky atmospheres, voices of Jimmy Scott, and damn fine cups of coffee…

 

Albert, Marco / Day, Bryan / Kreimer, Jay – “Mutation 1-6” – [Public Eyesore]

mickeyslim   11/14/2018   A Library, CD

Marco Albert on vocals and electronix, Jay Kreimer and Bryan Day on invented instruments. These three met at the 2017 Festival Internacional de Improvisacion y Musica Extrema in Mexico. Recorded in Oaxaca, Lincoln NE, and San Francisco. Kreimer plays an “amplified hammered dulcimer-esque instrument on a tripod” and Day has “an entire table of his creations including antennas, effects processors, a wooden trapezoid, and an instrument that uses five tape measures each extended to a different length.”

The pieces are wrought and tense. It is surreal and abstract. The voices in both Italian and English float almost unnoticeably under dark scratchy movements.

Thick, scraping mutations.

Kallidad – “Kallidad II” – [Self Produced]

mickeyslim   11/14/2018   CD, International

Self-proclaimed “thrash flamenco” from Sydney, Australia. This is three dudes, Jacinko and The Raven on classical guitar, and Senor Bang Bang on the hand drum /box thing. Influenced by thrash metal, classical, reggae, rock, etc. Amazing technical skills on guitar. Fun, enchanting, hypnotic. Kinda weird album, I’m not sure why I like this, and neither will you.

Sashash Ulz “Chtenie” – [Fourth Dimension Records]

mickeyslim   11/7/2018   A Library, CD

First CD release from Russia’s Alexander Shevchenko. First releases were on cassette and CDRs, making this his first real CD release. Whoosing ambience and watery jazz grooves, cascading beautifully over and under each other. From liquidy electronics to twangy ballroom guitar noodlings, it’s hard to tell if this is even strange at all. It has a nostalgic quality but seems unrecognizable at the same time.

Beautiful, spacious, omnipotent…

Your Ears Smell Bad [coll] – [Trashfuck Records]

mickeyslim   10/24/2018   A Library, CD

4-way split from Trashfuck Records/Pickle Dick Records. Lt. Dan is a hardcore/grindcore band, one track being recorded live from Zombieland! in North Oakland. Redsk is noisy noise, stormy and harsh, Noise Pancake style. ‘Seven Morons on Nyquil’ is cut-and-paste harsh noise with short poetic quips (a few FCCs in this one). Shanaynays with Shillelaghs clocks in as most harsh, with circuit-bent vocals and epic intros (i.e. ‘Olestra Molestra’). HEADCLEANER has two tracks, on fifty five seconds long, the other just over 15 minutes, which is spacey, thick ambient noise, with a Sal9000 quality. One in a series of other ‘Your Ears’ releases from this label. Solid weird shit that is sure to hit a note with broken ears station-wide.

FCC: 6

Bowles, Nathan – “Whole & Cloven” – [Paradise of Bachelors]

mickeyslim   10/17/2018   CD, Country

This is the third release from Durham, North Dakota native Nathan Bowles. He is one of the performers at 2018’s The Thousand Incarnations of the Rose festival as presented and broadcast remotely by KFJC. Nathan does it all, playing banjo, piano, percussion, and providing vocals. Most of the tracks are instrumental, which I include track 3, Blank Range/Hog Jank II, among since the “vocals” are more of an ambient hum.

It’s ambient Appalachian folk meanderings. It’s cool and fresh, jumpy yet sedative. Some tracks are somber, others hopeful. This is folk for folks who don’t think they like folk.

Marion and S.S. – “Roach Collector” – [Madriguera]

mickeyslim   10/3/2018   A Library, Cassette

This album starts with what sounds like being in the fiery cockpit of a 747 crashing though the San Francisco fog. Suddenly the left wing rips off, instruments are malfunctioning. You can almost hear the sound of screaming passengers in the background. The plane quickly loses altitude and it seems the plane may crash into the water, extinguishing the flames. Everything gets real quiet. Where is your flotation device? Not all hope is lost… then it fucking explodes, fucking flames everywhere, faces melting off, no more hope. And that’s just the A-side…

This jet fuel melts steel beams!

Weeks, Tom & Emaillle, Camille – “Ghoast” – [Wolfsblood Records]

mickeyslim   10/3/2018   A Library, Cassette

Two killer musicians featured here, Tom Weeks on alto saxophone and Camille Emaille on percussion sounds. Recorded in Oakland 2016, what we get is what I’m calling surreal jazz. Certainly skronky, certainly noisey, and possibly jazz, but without leaning toward one or the other. Waspy wisps of wings around the corner, fluttering brushes, clips and clops, the bowing of a saw, perhaps, and what I’m sure is a goose having on orgasm high on acid.

 

Actual Trio – “Act II” – [Self Release]

mickeyslim   9/26/2018   CD, Jazz

Actual Trio is Bay Area jazz veterans John Schott (guitar/composer), Dan Seamans (bass), and John Haynes (drums). Recorded December 2016. The previous summer, apparently though, these compositions sounded happy and joyful. But after that year’s election (what the artists describe as “our looming national catastrophe”), they considered not making the recording at all.

What comes out of this is a technicolor palette of anxiety. I find that the music, while sometimes pretending to be cool and groovy, is in fact tense and jumpy. It has an improvisational feel most of the time, but is also clearly composed at other points.

Play it, spin it, slip it in…

Urine Analysis – “Yellow Album, The” – [Tombstone]

mickeyslim   9/21/2018   7-inch, A Library

Scuzz punk from Gresham, Oregon. Stevie Blunder on vox, Niko on drums, Vomit Master on guitar, and Ellis Dee (not KFJC’s Roland Blunt) on bass. Late ’80s punk, discernible vocals all on the theme of pee-pee. Whistle solo on “We’ve Come to Kill.” FCC clean, but definitely disgusting. Translucent yellow vinyl limited to 200 copies.

Uneasy Chairs – Everything You Need To Know About Nothing You Need To Know About [Self-Release]

mickeyslim   8/1/2018   A Library, Cassette

On the list of inspirations for this album that includes Keiji Haino and Syd Barrett, Patrick Neill Gundran cites, “that scene in Aliens when one of them gets shot in the head by Lt. Vasquez and writhes around in that air duct” as another major influence. This album is two 19-minute long tracks of subtly fluctuating improvised wall of noise. Recorded on high bias cobalt tape, this 2015 release will be the perfect accompaniment to your morning commute.

 

(((vol max)))

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