Originally called The Lovejoys, The Apollas were considered the Warner Brothers equivalent of the Supremes. Beginning in the early 60s as a quartet from The Bay Area, including one male singer, Ronnie Brown, they eventually ended as a trio anchored by the powerful growl of Leola Jiles. By her side was Ella Jamerson, and a rotating 3rd member (Originally 17-year-old Joann Forks, then Dorothy Ramsey, Billie Barnum, and briefly Blondell Breed). WB released their music on their short-lived LOMA soul imprint, before converting them back the main label for the remainder of their contract. During that time, they opened for Barbra Streisand and the Monkees, and performed on many nationally syndicated TV shows. Towards the end of the 1960s they toured extensively in Asia. The group called it quits in the early 70s due to a failure to break through commercially. Dick Glasser, who signed Jiles to a solo contract (stop me if you’ve heard this one) then promptly refused to let her audition under fair terms as the new lead singer of the Supremes, dashing her hopes for a mainstream career. However, the group singles found a new and enthusiastic audience in London’s Northern Soul scene. Since disbanding, all members have continued to perform as professional back- up singers, along with occasional solo tours, and most recently a reunion in UK in 2007. This is wonderful. A nice mix of upbeat RnB rockers, soulful strings, and melancholy heartbreak. Leola Jiles spectacular lead vocals burn hot and are very distinctive and memorable in my book. I’m glad we have the opportunity to share this collection, which includes some of Jiles solo cuts, with our listeners.