Three Word Review: Real neck breaker.
Driving guitar, drums, synthsizer(s), sparse effected and incomprehensible vocals that flirt with absurd repetition. Both primal and futuristic, offering a nod to its forebearers while peering toward future horizons and progressing relentlessly in to the past. It is alien and strange but uses an attractive, familiar, and hypnotizing language to elucidate space, grandeur, and perhaps intellect. Of feeling puerile and insignificant in the shadow of an indifferent juggernaut. Mastermind and composer, San Francisco’s Steve Peacock (Ulthar, Pandiscordian Necrogenesis, Mastery) has rallied the troops around his solo-project Apprentice Destroyer to lay waste to the poseurs, posturers, and hapless bystanders alike. Adding three other (lead) guitarists including, Shelby Lermo (Vastum, Uthar), Leila Rauf (Vastum, Hammers of Misfortune), Nick Stanley, and Bob Renz, synthing from Max Bonick, the drumming of Brandon Thomas (Pale Chalice), might give an allusion to the sounds found on this album while being mastered for vinyl by James Plotkin may provide yet another clue. And though I hear many other projects in this record, Boris, Big Black, Pelican, (none of which are mentioned to by the band, instead referencing Swans, Glenn Branca, Neu and Tangerine Dream on their bandcamp page), you still might not guess as to its greatest quality. It is unique. A singular entity. One of power and of promise. An epic album with an appropriate title. Permanent Climbing Monolith.