A new 2019 album from this long running (since 1988) surf band from New York City features lots of twang, good energy and arrangements. Nice use of keyboards, vibraphone and marimba add an original touch. Surf’s up in the Big Apple!
In Paris, Luis Briceno recorded interviews and music that were broadcast in Chile 2013-2016 featuring musicians from before the 1973 coup d’etat that toppled Allende’s government. There is an “old is new” theme to this album (1) that these musicians of the past will be new to many Chileans and (2) that the old flexidisc format within this book will be new to many who play it.
The music is very enjoyable and the sound quality is surprisingly good. It features flutes, guitar, drum and vocals in Spanish. Just flip the page to the disc that you want, put the book on the turntable, and drop the needle! More here https://vimeo.com/269718583
Cool limited edition surf music – the musicians met in San Francisco – Will (The Rantouls, The Hysterians, The Shrouds, The Teutonics) is from the Bay Area, Dario (The Picoletones) is from Spain. Fun and energetic, kind of punk and lo-fi.
Three pieces composed by Matthew Barnson. The first one for orchestra is mysterious and based on grief – it reminds me a bit of George Crumb’s Black Angels. The other two compositions are for smaller ensembles and are provocative and at times whimsical. Fine examples of original takes on modern classical music.
Excellent instrumental work from this 4-piece ensemble from Toholampi, Finland (about 500 kilometers north of Helsinki). All original compositions by lead guitarist Mika Jamsa. Twang, surf, jazz influences with some extra instruments and electronics that add interesting touches to the guitars, bass and drums. Something a little different to play in your surf set.
David Shea (student of Morton Feldman, collaborator with John Zorn) wrote or recomposed these tracks in 1997. Instruments and samplers show a great variety that includes piano, percussion, Tibetan singing, vibraphone, etc. Captivating, frequently lovely, original, magic!
From the 8th KFJC surf battle held in May of 2019. Each of the 13 bands has a track on the CD and a video of a track on the USB drive. Held every 2 to 3 years for the surf music community to say thanks to KFJC for its support.
This surf/tiki trio from Los Angeles is here at their spookiest, zaniest best. Great instrumentals and arrangements with all the scary touches such a howling, chimes, birds, cats, whistling wind, horses neighing, gunshots, squealing tires, growling and moans. Good fun with the horror, but good music even without it.
An absolutely stunning retrospective of surf music and other genres from guitarist John Blair. Track 1 is blue grass, Tracks 2-4 are rockabilly, and the last rather mellow tracks are acoustic guitar duos with Marty Tippens. The line notes describe his history as a musician and the meticulous detail reminds me of his book The illustrated discography of surf music, 1959-1965. If someone asks you for a definition of surf music, just play Geronimo (CD1, track 15). Fun radio ad for a show on CD1, track 11. Highest recommendation!
These are works from faculty and students of Oberlin’s TIMARA (Technology in Music and Related Arts) School. The tracks are not too long and give very intriguing examples of electroacoustic music using electronics, field recordings of voices, sax, bassoon, didgeridoo and more. Quite unique and very good listening.
PGM – Track 3 seems to be silent.
This four-piece band is from Sonoma County. Although they have traditional surf music influences such as spy, space, and Tiki, their jazz influence is especially interesting. For example “Surfin’ Wes” is referring to jazz guitarist Wes Montgomery. Some nice dreamy stuff, well played with a delightful difference.
Eric Penna is a guitarist and in this release a multi-tasking musician, composer and recording engineer. The album is instrumental and certainly can pass for surf music but is much more giving us glimpses of psych, spaghetti Western, and exotica. Nice touches of the Hammond B-3 and trumpet on some tracks. Interesting, different and well played.
(Trabants are East German automobiles.)
Three piece surf music band from Southern California headed up by guitarist Bernard Yin (who has been in many bands including Brazil 2001), his wife bassist Rebecca Ramirez, and Derek O’Brien on drums (Social Distortion, Agent Orange). Excellent playing on these tracks, with some Latin, spaghetti Western and country tinges. Good twang and reverb and I hear that these guys actually surf!
David Ireland turned his house at 500 Capp Street in San Francisco into a work of art by uncovering its bones and human experiences. (See https://500cappstreet.org for more information.) Phillip Greenlief went through the house responding to its space by playing his saxophone. Reedy, strange, eerie improvisations.
The Mermen from Santa Cruz call their work “psychedelic instrumental ocean music”. Embraced by surf music fans as well as others. Fine playing from Jim Thomas on guitar, Martyn Jones on drums and Jennifer Burnes on bass. Good energy on some tracks like (1), others are more easy going and relaxed. An especially good album from a long excellent band – all killer, no filler.
These four tracks by a saxophone quartet (Steve Lacy on soprano, Ned Rothenberg on alto, Roy Nathanson on tenor and Eric Sleichim on baritone) are from a live performance. Breathy and honky but it never gets monotonous. Very pleasant in an abstract way. The enthusiastic audience response make me think it would have been fun to see and hear this live.
This three piece surf band from Mcminnville, Oregon is named for a Japanese science fiction monster (pronounced ga-do-ra)and has a heavy sound. Very good energy and playing with some punk and noise rock weirdness that goes with the masks they wear when performing.
Here is a winning surf music album from the beyond compare St. Petersburg, Russia band Messer Chups. “Gitaracula” Oleg plays with a complex, wet, surfy, energetic twang. The beautiful “Zombierella” Svetlana on bass and Eugene on drums are an outstanding rhythm section. Mostly original compositions but with a couple of soundtrack references (track 7 and 11) and even a quote of Rachmaninoff’s Prelude in C-sharp Minor (track 4). Outstanding!!
This is an homage to the great electric guitarists of the 1950’s and 1960’s. Represented are surf, blues, psych and exotica as played in fine Bill Frisell style. Purists might complain that the tracks are not like the originals while Frisell fans might find it a bit light weight, but I think it is just right.
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