Beyond Captain Orca! are a purely improvisational band out of Seattle featuring the psychedelic guitar work of Jack Endino. The tracks ebb and flow as the musicians play off of each other on their meandering journeys. When one idea is played out, a new idea quickly emerges. There are three tracks on this release spanning two live performances. The third track also features Ganjas’ guitarist, Pablo Giadach, from Chile. At roughly 10, 20 and 30 minutes, there is a track length to fit your needs.
Ambient. Meditative. Would work well at the Monterey Bay Aquarium. Perfect for losing yourself in the Kelp Forest, Jelly Fish, or the Deep Sea.
This is the debut album of Somali Yacht Club, a Ukrainian band from Lviv Ukraine. This power trio moves between, and blends, Stoner rock, Psychedelic rock, Shoegaze, Post-metal, Post-rock, Dub, Doom, and Space rock, to create heavy prog-like journeys. Their ability to move about the musical universe is amazing. If I had to pick something to criticize, it would be that they do it just a little bit too well.
This is a unique double LP. It is basically a kit for blending a narrated interview with a Psych/Experimental/Electronic bed. The first LP is a reissue of a series of interviews narrated by Jack Jenkins from 1966, with the vintage sound and production you’d expect. The interviews are all with people who have either seen UFO’s, interacted directly with aliens, or have some other relevant expertise. The second LP is designed to be the bed for the first LP and consists of a collection of pieces by various musicians, including some A-listers like Mugstar, Kikagaku Moyo, and White Manna. These contributions have been overlapped and cross faded into one continuous track per side. What’s great about this format is you can create your own blending by substituting something for one of the LPs. Or forgo the mixing and just play any part standalone. The point, I think, is to have fun with this.
This is electronic, art-noise-rock created by a married duo from Brooklyn. The tracks form a set of hypnotic vignettes that all follow a basic formula – one or two bar electronic and percussion groove loops with added, and slightly buried, guitar and synth tracks. The tracks capture a range of styles within this limited structure. While each track is a blend of styles, the following groupings might guide your selections. Surf (Tracks 3 and 7), Noise (Tracks 1 and 4), Pop (Track 2), and Psych (Tracks 5 and 6). Also, the homogenous textural forms of the tracks lend themselves to be used as beds.
This is solo acoustic guitar. Mostly distinctly American music (i.e. blues and folk), but with some international influences (e.g. Sehkarhji has a Indian feel with a sitar sound). Matt Sowell hails from Minneapolis, and describes himself as “American Primitive”. It’s contemplative, lonely, and melancholic. Reminiscent of the empty despair captured in Ry Cooder’s “Paris Texas”, or the woven rhythm and melodies of Leo Kottke, though more profound than Kottke and without the “wow-factor”. A review on Bandcamp described it as having “reflections on the darker textures of our human condition”, which really nails it. I can imagine Otis Redding listening to this when he spent the day sittin’ on the dock of the bay.
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