KFJC 89.7FM

Music Reviews

Butcher ABC – “North of Hell” – [Obliteration Records]

atavist   2/18/2019   A Library, CD

Nice “South of Heaven” reference. The thick crust presented here will otherwise ward off comparisons to Slayer. Beautifully satisfying, thick, disgusting riffs. Apparently these folks have been pummeling Japan for two decades, so their filth is pretty tight and old-school in an early nineties sort of way. Most tracks clock in at three minutes or less (the shortest track is 1:14). Track 2 is 5:01, and the last track is a protracted grind jam/amalgamation running to 8:36 where the band allowed themselves to deviate from the format employed in the rest of the album.

Dalt, Lucrecia – “Anticlines” – [Rvng Intl.]

Phil Phactor   2/15/2019   A Library, CD

Lucrecia Dalt is a former geotechnical engineer from Colombia, now settled in Berlin, who has previously collaborated with Julia Holter and Laurel Halo. While her early work has been described as “experimental indie pop,” on this album she leaves the “indie pop” behind. Dalt is an exceptionally skilled sound designer, deftly weaving industrial aesthetics into the conventions of minimal electronics. The result is a sound all her own: raw, rough, tactile, but also precise, polished, icy-cold. And then there are the vocals (T1, T3, T5, T6, T9, T11), spoken-sung and subtly processed, they draw you in and push you away at the same time. These are short tracks (1-3 minutes) that nonetheless evoke a sense of geologic time, of a stasis that masks the presence of tremendous power.

Laugh Queens “Bathcolor” [Self Release]

mickeyslim   2/13/2019   A Library, CD

Stephanie D’Arcy is the mastermind on this freshman release from this SF-based project. D’Arcy on guitar and vocals, Ryan Albaugh on drums, Giancarlo Arzu on bass, and Yaryn Choi on keys and providing vocals. Their lo-fi grunge-pop is a slightly off-kilter, head-boppin, house party and you’re sitting in the corner with your head down, all the voices and music faded and muted in the background. First part of the album hits hard, while the last part is not as impressive. Definitely worth a listen!

Vacuum Tree Head “Aasraa” [Pest Colors Music]

mickeyslim   2/13/2019   A Library, CD


1 part brass band, 2 parts lounge jazz, one part noisy meanderings, this EP is the sister release to Botafogos in Shadow Position. Buzzing, skronky, cloudy, weirdo sounds. You find yourself lost in a Dali-esque circus show, whose entire show is amalgamated up in a mere 15-minute extravaganza! Let the show begin!

Mineta, Tetsu – #4 – [Union Pole]

Louie Caliente   2/11/2019   A Library, CD

Tetsu Mineta is a Japanese guitarist and singer. He’s a member of the rock group “Both Cheese”, but here he’s solo with an acoustic guitar and tape recorder. As the album title implies, this is his fourth release, all on cassette.

Most of the album is slow, soothing, lo-fi acoustic guitar work layered over quiet beds of tape recorder hum, indiscernible distant rustles, and occasional backwards instrumentation (T2, T6). Fahey-esque at times, but shrouded in a mysterious opium haze. “Nova E.x.P.” (T4) is a rich, blissful stoned-out guitar drone.

The first track, “Moshpitloser”, is unlike the rest. A quick rhythmic percussion riff featuring bongos, toms, cymbals, and a cowbell played faster and faster until the whole thing blasts off like a spaceship.

Burnside, R.L. – Come On In – Fat Possum Records

mickeyslim   2/10/2019   Blues, CD

Mr. Fat Possum Records, R.L. Burnside’s houserockin’ blues. This is one of the few remaining records from this bluesman that we don’t have. For those unfamiliar, R.L. Burnside was born November 1926 in Lafayette, Mississippi, and started playing blues after hearing John Lee Hooker. He got a later start than others, but still knows how to bring the heat. Burnside helped define the sound of Fat Possum Records alongside Junior Kimbrough. His son, Cedric Burnside (who plays the drummer in the film Black Snake Moan), makes an appearance on track 4. Electric, fuzzy, scuzzy, blues.

Come on in, the water’s fine….

Narcisi, Francesco Maria & Giacomo Fidanza -Accordion Sessions, The – [Time Released Sound]

humana   2/10/2019   A Library, CD

This lovely music finessed by Narcisi breathes in and out in a chill way like an accordion, the instrument which Fidanza brings to the table on tracks 6 through 9. Electronic manipulations and field recordings are what’s in store on this release, and listening to it will take you through time quite easily and dreamily. Track 9 even sounds like it has a vox humana which indeed sounds like the celestial voice indicated by the track title. Enjoy.

Vassalotti, David – "Guitar Dream" – [Wharf Cat Records]

humana   2/10/2019   A Library, CD

Some of these songs written and performed by Vassalotti are down-tempo and ballad-like, while others are more upbeat. Throughout, Vassalotti’s guitar weaves his stories together while his echoey voice delivers the lyrics. My favorite track is “The Other Light.” The lyrics are thoughtfully included inside the CD cover, so pull out your magnifying glass and contemplate what this musician is communicating to you.

Madagascar Pays Merina [coll] – [Ocora | Radio France]

humana   2/9/2019   CD, International

This is lively, spirited music from the Merina, an ethnic group in Madagascar that lies in the center of the island. The zither, lute, and flute are featured in these folk songs, along with some vocals chiming in. Track 18 is especially fun, with children’s voices accompanied by earth drum and rhythmic games that will spark joy in many a set. Great add for the International Collective.

Hill, Z.Z. – "That's It" – [Kent Records]

humana   2/9/2019   CD, Soul

These recordings from 1964-1968 on the Kent Recordings label are perfect for our Soul Collective. Alternating between the catchy pizzazz of soul and the ballad-like nature of blues, Z. Z. Hill’s hearty, smooth baritone skates those soul-rock-blues lines with ease. You can choose almost any song on these two CDs and be assured of finding a gem for your set.

Fado Lisboa-Coimbra 1926-1931 [coll] – [Fremeaux & Associes]

humana   2/9/2019   CD, International

This 2-CD compilation is perfect for our International music collective. These popular Portuguese songs from the “bad boys” of Lisbon are often melancholy and accompanied by mandolins and guitars. The first CD features women singers whose voices are a bit grating to me; in the second CD the women seem to have softened their voices, or maybe I just got used to them. All recordings from a time long ago that must not be forgotten.

Howl In The Typewriter – Manifesto – [Pumf Records]

mickeyslim   2/6/2019   A Library, CD

This is a 64-minute long mindfuck shitshow by Godspink Collection veterans. Apparently they’ve been making music since the 80s, but nothing has passed through KFJC. This is a total antiestablishment, anti-capitalist, anti-advertising manifesto. Elements of punk, noise, soul, electronic music, and much much more.

“We don’t fucking want what your trying to fucking sell, shove it up your fucking arse, then fuck off and go to hell.”

Hay, Emily / Liebig, Steuart – “Nomads” – [Pfmentum]

Phil Phactor   2/6/2019   CD, Jazz

Emily Hay and Steuart Liebig at the 2016 Norcal Noise Festival

Almost 75+ minutes of bass/flute/vox improv explorations from these two veterans of the scene, both of whom are well-represented in our library. They waste no time getting started with Santa Ana Noise Festival (T1), a 90-second blast of rumbling bass and rapid-fire treble that quickly makes their intentions clear. What you notice right away is Emily Hay’s unique ability to switch effortlessly from flute to voice and back, often several times in the same phrase. Flute lines, caterwauls, trills, screams all part of a single organic mouth-instrument. Saint Mark’s, which follows, is more stately, almost operatic, but a subtle menace pervades the proceedings. My favorite track might be the 17-minute Shapeshifter Lab 01 (T4), in which both performers skillfully use electronics to broaden their palette and flesh out the sound. Plenty here for adventurous ears!

D.J. Sparr – Electric Bands – [Innova/American Composers]

Naysayer   2/5/2019   A Library, CD

D.J. Sparr is an American contemporary composer from Lubbock, Texas. “Electric Bands” is selection of four of his works that showcases his unique style full of rich sound that must be influenced by Charles Ives. “I Can Hear Her…” is a five part song cycle wtih Sparr on his electric guitar and the stunning soprano, Kristina Bachrach, singing the poetry of Patrick Phillips. “Meta444” uses Sparr’s guitar work along with percussive instruments, acoustic violin and piano to create a rich mood piece and study of the interplay of these instruments. “String Quarter: Avaloch” is Sparr’s string quartet ,the Momenta Quartet, performing a piece created at the Avaloch Farm Music Institute. It includes the performers triggering pre-recorded music on their own personal phones. The five parts of “Earthcaster Suite” include guitars, Hammond organ, viola, double bass, mandolin and banjo. This is all a new vision of contemporary classical music, pushing into new territory while holding on to familiar styles. Intriguing, stunning and so beautiful. Such a hopeful work.

Pontiac, Marvin Legendary Marvin Pontiac,The Greatest Hits Northern Spy Records

Naysayer   2/5/2019   Blues, CD

Marvin Pontiac was a blues singer of posthumous legendary status. Institutionalized at Esmerelda State Mental Institution, Marvin’s history is rich: only 3 photos were taken of him because of his belief that his soul would be taken by the camera, his abduction and probing by aliens, born in Mali, said to be a gifted musical genius, killed when hit by a bus, and he made some pretty great songs. The 14 songs on this recording deal with strange topics: Pontiac being a doggy, him obsessing on pancakes and rocks, him watching a fly drown in his soup. Many seem to be metaphors or puzzles into his past. They are humorous if not for the possible fact of their sickness. But wait: is this for real? Not so. Marvin Pontiac is actually John Lurie’s (Lounge Lizards) made up outsider artist. The project was” a wry and purposeful sendup of the ways in which critics canonize and worship the disenfranchised and the bedevilled” as stated in The New Yorker. Interesting considering Lurie’s own strange story written in the New Yorker about being stalked, disappearing, art and confusion. Look it up and ponder the relationship. A good, deep joke of high quality.

Rabson, Ann – Struttin’ My Stuff – [M.C. Records]

Naysayer   2/5/2019   Blues, CD

Ann Rabson was a blues singer, guitarist and piano player of renown in the blues world. She was recognized for her smoky voice and easy style that ran through the songs. “Struttin’ My Stuff”, Ann’s second recording, showcases both her instrumental skills and vocal excellence. Whether finger picking the songs or elegantly playing the piano, Rabson’s style is one of ease and assuredness. Her vocals are so smooth and easily carry through each song. Though she sings about many typical blues issues, her power and lightheartedness bring a unique quality to the sounds. Ann was probably a person who could hold her own: she sings about her love of whiskey and how she’s a big woman not to be messed with. Each song, whether honky tonk or Chicago blues style is a pleasure to listen to. I kept finding myself coming back to this CD over and over, for so many reasons, but mainly for it’s shear quality. A true gem.

Maioli, Walter / Gales, Fred / Piccinelli, Pit – Amazonia 6891- [Black Sweat Records]

Louie Caliente   2/4/2019   A Library, CD

Semi-synthetic fantasy field recordings from the heart of the Amazonian rain-forest. Accurate, intricate, and immersive.

Recordings of real Amazonian animals and artifacts mix with electronics, drums, and reeds — all faithfully mimicking a dense jungle. Birds chirp, cackle, and caw. Insects hummm. Rain drops puddle and splash. Distant tribes sing and dance, engaged in a mysterious ritual.

Amazonia 6891 was recorded in 1985, after Italian artist and composer Walter Maioli crossed paths with ethnographer Pit Piccinelli and his collection of South American artifacts. Maioli recorded their sounds and later shared them with anthropologist and electronic musician Fred Gales. The two musicians performed a 30-minute live mix of jungle and electronic sounds, a work that was then released on cassette via Sound Reporters records. This new 2016 CD edition is from Italy’s Black Sweat label.

Track 1 is the main event: a 30-minute visceral Amazonian jungle experience. Overwhelming growth. Overwhelming fornication.

Track 2 contains all the raw recordings that were used as material for the first piece. A listing of the exact sounds and their sources can be found inside. Although it is less “composed” than Track 1, it still manages to flow nicely, and is a compelling and interesting listen the whole way through.

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