Music Reviews

Thee Sacred Souls – “Thee Sacred Souls” – [Daptone]

aarbor   6/6/2023   CD, Soul

Daptone recordings are known for their old school all analogue/strictly tape recording studio sound, and this one is no exception. You are transported back into an earlier time with a very retro sound which moves away from Daptone’s established James Brown-inspired funk ‘n’ soul. Instead it offers an enticing mix of Latin soul, neo-soul, and the type of vocal harmony-based R&B popularized by acts like Curtis Mayfield and The Impressions. This release from 2022 can fool a listener into believing they’re listening to a 40 or 50 year old record. Some of the tracks are a bit too saccharine for me, but others have appealing more modern elements. The Daptone label is still recovering from the deaths of Sharon Jones and Charles Bradley. Recently Daptone Co-Founder Gabe Roth launched Penrose, a California-based imprint that hearkens back to the soul stylings of the early ’60s which is how Thee Sacred Souls came to record on Daptone. These guys are pointing the way to Daptone’s future. AArbor

Kool and the Gang – “Kool and the Gang” – [De-Lite Records]

karma   6/3/2023   12-inch, Soul

Unless you’ve been living under a rock since the Johnson administration, you know Kool and the Gang. This is their 1969 debut album, 4 years before ‘Jungle Boogie’ and their mainstream success of the 70s. This all instrumental album is a prototype of the band that became a household name. This album is R&B focused as opposed to their later funk/disco releases, and has been reissued on beautiful purple vinyl.

Fields, Lee – “Sentimental Fool” – [Daptone Records]

aarbor   3/21/2023   12-inch, Soul

Lee Fields is from North Carolina. Listening to this record it’s obvious that he’s been recording as a soul singer for over 40 years. This is his first recording on Daptone and it has the wonderful warm, analog sound you would expect and It’s on amazing orange vinyl. It has the sound, look and feel of a ’60s record. Even though I always expect polished instrumental playing from the Daptone musicians, I wasn’t prepared for Fields’ artistry as a soul singer. He’s over 70 and he’s still on top of his game. Every track is worth a listen. AArbor

Diamond Ortiz – “Bulletproof” – [Needle to the Groove]

karma   1/27/2023   12-inch, Soul

Diamond Ortiz was raised in Oakland, and he and his family played with funk musicians from Graham Central Station at an early age. He is now a modern/street funk musician in LA, and has also done session work for many hip-hop/rap artists (such as Snoop Dogg and Nipsey Hussle). This album pays homage to classic funk and hip-hop, and sometimes mixes them (the funk cover of California Love can duke it out with the orchestral version of the song from Sly5thAve). Ortiz’s talkbox skills and infectious optimism are a welcome dose of serotonin for the dark, cold nights of Soul Patrol. Or anytime!

Movements vol. 11 [coll] – [Tramp Records]

aarbor   12/30/2022   CD, Soul

Movements is a series compiled by Tobias Kirmeyer of Tramp Records in Germany. This is the newest release in the series and it’s just as fresh as its 10 predecessors. The series covers a wide spectrum of genres: early R&B, Soul Jazz, Latin Soul, James Brown style Funk and mid 70’s pre-disco. The tracks are in chronological order. The notes are well researched and give you background on each track and the people who contributed. All the tracks are worth playing. My favorites: 4, 11, 13, 14, 17. AArbor

Sly 5th Ave – “The Invisible Man: An Orchestral Tribute to Dr Dre” – [Tru Thoughts]

aarbor   8/24/2022   CD, Soul

Sylvester Onyejiaka is Sly 5th Ave. He’s from Austin, TX, a multi-instrumentalist, producer, arranger, session musician and this release is what put him on the map. He toured a a session musician for Prince in his 20’s, and “had the privilege of directing Bernie Worrell before he passed. The last thing Worrell said to Sly after the show was “Beautiful, you’ve got it man. Now… it’s on you.” Essentially he made orchestral arrangements of Dr. Dre’s work. I hear a bit of Herbie Hancock, a bit of Funkadelic, some beats, some jazz. It’s orchestral hip hop. I have to mention that it’s on the Tru Thoughts label which is always a plus for me. The album is dedicated to all the marginalized people in America. AArbor

Deep Street Soul – “Deep Street Soul” – [Freestyle Records]

aarbor   8/3/2022   CD, Soul

Deep Street Soul are a soul/funk band from Melbourne, Australia. This is their first release from 2009. They are known for their delivery of hard-hitting gritty funk. Formed in 2006 as a Hammond-led instrumental four piece, they honed their sound in the Melbourne soul scene paying homage to their heroes from the late 60’s, in particular the sounds of the Meters and Booker T & the MGs. AArbor

May, Ego Ella – “So Far” – [Tru Thoughts]

puplaif   7/20/2022   CD, Soul

Ego (pronounced eh-go) Ella May is a South London based singer and songwriter. She started writing in her early adolescence and got more serious with singing, guitar playing, and producing by her late teenage years. ‘So Far’  is an anthology of her recorded songs, compiled and re-released on Tru Thoughts in 2019. She considers the album to be a final farewell and shedding of her old self. Despite this departure, the tracks here represent an important passage in her evolution as an artist. Her balmy, incandescent vocals meld with compositions and beats cooked up by a number of contributing producers. Together they create a delectable fusion of neo soul, jazz, and alternative hip hop flavors. Her lyrics give you a little peak into what’s going on inside her head as she tells stories about love, music…the things that make the world go round.

Coll: Home Schooled – “The ABCs Of Kid Soul”- [Numero Group]

Mister S   6/4/2022   12-inch, Soul

A collection of child bands that sought to follow on the success of the Jackson 5. Check out the liner notes of this double LP gatefold for an interesting history of the recordings. A collection of adult promoters who in some instances are altruistic and others exploitive taking advantage of commercial opportunity. Musically if you’re a fan of RL Burnside, The Jon Spencer Blues Explosion, early Jackson 5, and Motown recordings you will be enthralled by this collection. Tight rhythm sections. Delicious wah guitar and twisty vocals by young unknown vocalists. Not one but two  dynamic LP’s.

Bradley, Charles – “Black Velvet” – [Daptone Records]

aarbor   3/2/2022   CD, Soul

“Black Velvet” was the name Charles Bradley used when he worked as a James Brown impersonator early in his career. Other names he used were “The Screaming Eagle of Soul” and even “James Brown, Jr.” Gabe Roth (a/k/a Bosco Mann) co-founder of Brooklyn’s Daptone Records discovered Bradley. His debut album was released (on Daptone) in 2011 (he was 62) and he spent the last years of his life recording and touring with Daptone. He died in 2017. This album (his last) was released posthumously in 2018. The Menahan Street Band, with which Bradley recorded for many of his releases, is outstanding here. Some have described this album as a “love letter to his fans”, others as a collection of B-sides. It encapsulates the funky heart and soul of Charles Bradley and has great instrumentals. AArbor

Diasonics, The – “Origin of Forms” – [Record Kicks]

aarbor   3/2/2022   12-inch, Soul

Recorded in Moscow, Russia in 2021 this debut album is mostly instrumental funk from the Diasonics – a tight knit 5-piece funk band that calls its music “Hussar Funk”. They blend cinematic instrumentals with Eastern European melodies and boom-bap rhythms, with a touch of lingering psychedelia. They are fans of the recording techniques of the late ’60s and early ’70s. The album was recorded at the Diasonics’ own Magnetone Studio in Moscow and was mixed by Henry Jenkins in Melbourne. Enjoy! AArbor

King, Ben E. – “Spanish Harlem” – [Atco Records]

Cousin Mary   2/6/2022   12-inch, Soul

This was Ben E. King’s first solo album after his success as the lead singer of the Drifters. A big production with orchestra accompaniment, it features his huge hit Spanish Harlem. The other tracks are well known Latin American standards, sort of a unique choice for a soul album. The lyrics in Sweet and Gentle concern his cha-cha compulsion. King’s gorgeous voice carries it all.

Shirley and Lee – "Complete Singles As & Bs 1952-1962, The" – [Acrobat Music]

aarbor   10/13/2021   CD, Soul

Shirley Goodman and Leonard Lee were teenagers in New Orleans who were pioneers of the boy/girl R&B duo style in the early 1950s. Their biggest hit was “Let the Good Times Roll” [Disc 1 track 23]. They hardly ever harmonized. Instead they sang separate verses and choruses using a call-and-response style, mostly because Shirley’s voice was piercing, sat in a narrow range, and she often sang a bit sharp or flat – hard to harmonize with. They recorded at the important Cosimo Matassa’s J&M Studios which created the New Orleans R & B sound. Shirley and Lee were dubbed “The Sweethearts of the Blues” although the relationship they supposedly sang about in their songs (on CD1) may not have been real. I preferred CD2 for the better arrangements and more interesting songs. AArbor

Brown, James / Live At Home With His Bad Self

carsonstreet   8/31/2021   12-inch, Soul

This album is a complement to the 50th anniversary release of Live at Home With His Bad Self (which itself is an expansion of a 1969 live show that was heavily edited into the LP ‘Sex Machine’), this Record Store Day Black Friday exclusive is the after-show set, featuring extended versions of rare cuts, new mixes, a duet with Marva Whitney and some revealing stage patter.

GWP NYC TCB [coll] – [Ace Records Ltd./Virgin]

aarbor   7/28/2021   CD, Soul

GWP = Gerard “Jerry” W. Purcell a [white] “colorful New York music business man who used the best back music talent to produce fabulous soul sounds for his GWP label”. In addition to his record label, he was a TV, concert and music producer, songwriter and artist manager (he managed Al Hirt, Nancy Wilcox, Eddy Arnold and Hugo Montenegro). These 24 tracks were recorded between 1969 and 1970 for one of these 3 labels: GWP, NYC or TCB. Some of these artists did a number of recordings but none became big stars. AArbor

Como Mamas, The – "Get an Understanding" – [Daptone Records]

aarbor   4/14/2021   12-inch, Soul

In 1959 Alan Lomax visited Como, Mississippi and recorded some “porch sessions” with Miles Pratcher and his friends. In 2005 3 guys returned to Como on a trip to the South to film a documentary about local musicians. They discovered the angelic voices of Miles Pratcher’s granddaughters Della Daniels and Angela Taylor who with their friend Ester Mae Smith became The Como Mamas. This live recording was made on June 4, 2005 at their church. The stories of these 3 women are classic: poverty, hunger, clothing from flour sacks, ruined dreams… their singing helps them deal with the trials in their lives. They sing like angels. AArbor

Clinton, George & Parliament Funkadelic – "Live At Montreux 2004" – [Montreux Sounds]

aarbor   1/27/2021   CD, Soul

George Clinton et. al. Live at Montreux in 2004 playing some of their standards, but not all of these tracks are in our collection. The tracks here that are new to our collection are: Flashlight/Get Low (definitely worth a play), Yank My Doodle, Not Just Knee Deep (in which they get the audience to scat along with them), and a cover of Sentimental Journey. Of course some tracks are for late night listening. Enjoy! AArbor

Troutman, Roger – "Many Facets of Roger, The" – [Warner Bros.]

aarbor   1/20/2021   12-inch, Soul

This is Roger Troutman’s first solo album from 1981. Before going solo he and some of his brothers started the band Zapp in 1979 and was signed by George Clinton. Zapp influenced West Coast hip hop because its music was sampled a lot. Later he collaborated with Bootsy Collins. Later in his career Roger was best known for his use of a specialized “Talkbox” to create interesting vocal effects. Apparently the cover of I Heard it Through the Grapevine and the song So Ruff, So Tuff on this album were very well received. Most of the tracks are funky and the last track is Blues. AArbor

Jimmy Castor Bunch, The – "Jimmy Castor Bunch, The" – [Cotillion Records]

aarbor   1/20/2021   12-inch, Soul

From 1979, this album is upbeat, funky and danceable. The last 2 tracks are notably slower than the earlier ones. Castor is vocalist and alto sax player here. He is best known for several songs (none of which appear on this album: Hey Leroy Your Mama’s Callin’ You (1967), the Bertha Butt Boogie (1975), It’s Just Begun (1972) and Troglodyte (Cave man). He also recorded a soprano saxophone cover of A Whiter Shade of Pale (1973). AArbor

Worrell, Bernie – "All The Woo In The World" – [Tidal Waves Music]

aarbor   1/13/2021   12-inch, Soul

Bernie Worrell (who died in 2016) was a founding member of Parliament/Funkadelic, also known for his work with Talking Heads. This is his first solo album, originally released in 1978. Featured artists include: P-Funk alums like George Clinton, Bootsy Collins, Maceo Parker, Fred Wesley and Eddie Hazel. One reviewer described it as “so funky you can smell it through the dust jacket.” This beautiful slab of orange vinyl has much of what you’d expect from Funkadelic: layered sounds, amazing horns, toe-tapping midtempo beat – a classic platter of cosmic slop. AArbor

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