14 tunes between 8:22 & 1:38. ESP Disk. Mostly jazz with chamber, electroacoustic & noise. Heavy, not swinging: repeated destabilizations, shocks & devaluation underpin tension, crisis & terror. Mouthpiece sounds, processed audio, silences. Inhabits a unique space, not the usual skronk. Cool book.
Hemroid The Leader
Classic reggae sax sound of Dean Fraser, playing 11 reggae-jazz hybrid tunes. Light, groovy take on things. Idris Muhammad shares the drum credit with Sly Dunbar. Nimble rhythm section. Sometimes more jazz than others (9, 10) with sounds like George Adams. Opens with cool “Dick Tracy”
somehow. understanding partially the extremely high spiritual power of Augustus Pablo – he intends to give us the Love of God, with the understanding of our human position in this purgatory planet – I aimed in my mind to taste this nectar.
This is not just a band out for fun: this seemed more like a pilgrimage with a mission: to impart this taste of love of God in humility and human blues-reggæ: the music onto the King. 😊
That said: He plays all his distilled nectar.
Going back on these notes: He went with his herbalist doctor: armed with beautiful powerful herbs to help a dying Horace Brady/Augustus Pablo deliver this Crucial Message to JAHpan. this is I guess a vague idea of the instruction/communication imparted.
That said: rhythm section are headhunters: these guys ain’t jokin’. Difficult to mike and mix the melodica – but we get it. JAHpanese engineers must have been blown away. 😊
fans of: God: the JAHpanese Archipelago, refined”spaghetti” westerns depicting the struggle between Good and Evil – the good..- Pablo!: many quotes we recognize of Pablo’s melodies as sung!: “Africa must be free” even Wailers’ and many Studio One / Lee Perry recorded melodies: as Pablo was at home there. A hundred JAHmaican melodies here. after a few listens I am sure I’ll catch the Cuban Archipelago”Peanut Vendor / El Manicero”.
pss: indeed: on multiple relistens you hear I-JAHman Levi”s “Early in the morning”…
This album should be sitting comfortably between I-JAHman’s Haile I Hymn and Rico Rodríguez’s Man from Wáreika. tops
Byrd, John & Taylor, Walter – "Complete Recorded Works In Chronological Order 1929-1931" – [RST Records]
John Byrd & Walter Taylor (1929-1931), Complete Recordings in chronological order
18 Rare country blues. Split LP, Byrd on side A; Walter Taylor (“Washboard Walter”) on the flip. Acquired taste, low-fi stuff for completists, Mickey Slim, & Pete Dixon. From Joe Bussard’s basement collection.
A1 & A2 recall spirituals, set up with John Byrd playing guitar & sermonizing, accompanied by a singer and a few congregants. Byrd is a cool guitar player. B side is kind of pedestrian.
Art-damaged variety from Vienna-based American composer. Songs in English. 80s stuff is out there. #2 libretto from Margaret Atwood.
First 2 tracks run 8 & 11 min. Next 24 tracks all under 4:00, 16 of them under 2:00. Cont. Play Etudes or Fantasies.
10 instrumental reggae tunes, 4-7 minutes each, acoustic, bright jazzy sound, throwback “mento’ style. Dedicated to foundational mento saxophonist Barber Mack, who blew smoke into his sax and emerged from backstage with smoke “emitting from every orifice”(!).. Use it to nice up your show when you’re getting down. Sly on drums. They do ‘Stop That Train’ as well as ‘Fade Away’, and the rest are Ranglin tunes.
Finnish composer Einojuhani Rautavaara (pronounced AY-no-yu-hah-ni ROW-ta-vah-ra) was born in Helsinki on Oct. 9, 1928. Cantus Arcticus & Symphony No. 5 performed by the Leipzig Radio Symphony Orchestra. String Quartet No. 4 performed by the Sirius String Quartet.
Canticus Arcticus (1972) is a Concerto for Birds and Orchestra. Foggy & textural gradients. 3 movements, 17 min.
String Quartet No. 4 (1975) cool postwar quartet, Schoenberg 12-tones. Indeterminate pitches. Meditative. Different from the usual Western stuff. 3 movements, 22 min.
Symphony No. 5 (1985) is big and ambitious, a little disjointed here and there, maybe from the large scale. Entertaining and likeable. Maybe listen to the first half. 31 min.
Twenty #1 smashes, 1948-91. Boleros and romantic ballads from Los Panchos, one of the top trios of all time. Formed 1944 in NYC. Soon after, they had a dedicated timeslot on XER-AM, Mexico City’s top station. International tours, movie appearances, millions sold. Varied orchestration: some with strings, others sparser.
Chanting blistering banging clanging meat science rituals and cult field recordings to wake up Satan in Hell recorded in Haiti by filmmaker-Voudoun acolyte Maya Deren and released on Lyrichord 1980. Cool insert.
Rec. ’69, Folksinger Frederick D. Douglass Kirkpatrick is backed by The Hearts for these 10 soul square dances. Great add to our collection of both artists. Side A is the hokey-pokey and other mellow fare. The Rev’s call-and-response with the Hearts insistent backing gets hot on Side B. Outstanding book, in case you need more direction.
Mapuche, ALERCA CDAE 0334
Early 80s rituals from unconquered Aracaunian (Chile/Argentina) jungle telepaths. Folded branches, rope knotting, & the secret language of triangles. Voices, jaw harps, horns and percussion.
1-6 VOX 7-15 INST
1985 dancehall smash recorded at Channel One in Kingston, Jamaica, backed by Roots Radics. Ubiquitous classics “Here I Come” GTA: San Andreas; “Under mi sensi” #41 UK singles chart. But other tracks reward mightily “A Yah We Deh” “Cool and loving”.. all of them.
Beautiful, alien sounds from the 13 Explorer Series: Africa albums. Recorded ’69-’83, in Ghana, Nubia, Zimbabwe, Burundi, Burkina Faso, Niger, Mali, Uganda, Zaire, Kenya, and Tanzania. Cool booklet.
Ad-hoc, non-linear, or improvised situations. Recommended to just pick one.
Track 16 is a Rhinoceros.
Periferico means periphery
Big-concept mixture of instrumental, field recording, electronic, even rap sounds.
Emanating from threatening zones of silence, defying commodification and ruining the world-view, this 2007 CD was the 10th in the Sonic Arts Network CD series, selected by Angolan composer/theorist Victor Gama to pierce prophylactic safe zones.
Postwar choral works from the Danish composer Pelle Gudmundsen-Holmgreen performed by Vocal Group Ars Nova.
Unreasonable optimism becomes impotent through attempts to reconcile the ascetic and ecstatic. These works exist in crisis, as sober quandaries: the opposition of serialism and nihilism is a thing of the past now that sonic pluralism has opened new avenues of sensuality.
Ars Nova sings with beautiful intonation.
1973 debut, 2015 reissue. Badness to rock your body line. Deejay/ toasting wasn’t yet an accepted form. He was the leader of the Zukies. He didn’t leave the ‘enforcer’ lifestyle behind for another 3 years. If you eat pork there is a message here for you. Other messages too! +++
Smooth R&B reasonings- but the sentiments are as contemporary as the production is dated. Great vocal performances. Lyrics convey profound deep wisdoms. Now-time meditations – see ‘homeless’. Many others
Released 1997, a month after the classic Black Woman & Child.
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