A Library, CD
Avante-garde noise art by Italian composer Walter Marchetti. La Caccia (meaning “the hunt”) is a 42-minute long masterpiece of forest/jungle music, chirps, birds, wisps, honks, horns, whistles, all spaced out between short silences. The first track is broken into two parts, indoor and open-air. From the liner notes:
>the performers execute the sound actions with the use of birdcalls, whereas the non-sound actions make use of signals of a different nature: visual, touch, taste, olfactory, etc.
>each letter of the alphabet corresponds to a different, freely-chosen call. if the number of available birdcalls is fewer than the letters of the alphabet, a single call can be assigned to two or more letters.
>the rests, or silences, that follow each sound are produced by pacing off the number of steps – in any direction, from any starting point – which is scored as a figure of one, two three or four digits.”
>the sound actions are performed as above.
>the silences that follow each sound are produced by silently counting off numbers of one or two digits, slowly, quickly, or at any speed one likes; with figures of more than two digits, use is made of only the third or the last two.”
Make of that what you will….
The last two tracks are electronic drone pieces, the first being very literally that, a single drone sounding like a power saw from across the room. The second is a more harsh-noise-based wall of sound and has more depth to it than the first. The first track could very well be played simultaneously with either of the following tracks; the stark contrast between naturally- and electronically-made sounds is very apparent.
Another excellent release from Italian label Alga Marghen.