12-inch, Hip Hop
Zeroh (aka Edwin Liddie Jr.) sure adds up, when he sings “We are one but not the same” he’s talking about the message and the means at work here. During the sonic storm of “Sworn Free” a lion’s voice rises above to howl “Who am I?” If his identity follows the tricky steps of his voice, then the chase is on. His vocals get stretched, flexed, multiplexed and digitally pockmarked, he pulls the bass down a lot, but can lift up his falsetto and sting. The album has flow, but it’s a darker ooze that floats all tracks, the album does not come up for breaths from one track to the next. Like the world, it can almost pull Zeroh and the listener under. The fluid nature features trace elements of Detroit techno where Zeroh spent time as well as puffs of Los Angeles psychedelic smog-hop post that Project Blowed helped huff and where Edwin is currently flipping lids. The lead-off title track is a dizzy blender of sample and sound, by the time we hit “Hydro” the sound is spun backwards, dammed and damned with scorpions, ninjas and Julie Andrews all drifting between the tick and tock waves, he shipwrecks hard from that into choppy vox and rocks of percussion. Then submerges into a void before emerging into an amazing quick breather “You Can’t Unsee It.” Another high point : “The Lord & Nature” which feels like a Conlon Nancarrow rip, check out how Zeroh rests it but then cardiac arrests it. The album has definite psychoactive elements, CIA burnt spoons and shroom in ashrams, holy smoke and Ras G (RIP) residue. The lyrics are a swirl of consciousness and again spun through vocal/robo filters. Zeroh speaks of being “blessed by predecessors” and winds up “reflecting on the water like a buddhist” his stirring of beats pours out a worthy weird elixir, lyrically he looks to turn the tide. Clarity in murkiness.
Zeroh Won, count on him. Sidewalk Surfer grinding on these grooves.