2018 beat tape, the fifth in a series from the Boxcutter Brothers, a collaboration between California beatmaker Drasar Monumental and Ayatollah, a prolific producer from Queens. On Side A, Drasar represents the West Coast with five tracks of dense and adventurous sampling, (including some Bollywood dance tunes on A3, dark piano loops and electro beats on A4 and A5). But despite the beautiful backing tracks, the feel on this side is aggressive, violent, and razor sharp. Side B cuts the other way – Ayatollah delivers the more laid-back of the two sides, but it still crushes. Killer soul samples, heavy beats, and a couple of cameos from Sun Ra (B5- amazing) and Barry White (B6). From local SF label 77 Rise. FCCs on A1, A4, A5
Beats to buck you up when you’ve got the blues, from LA producer Oso Blanco. Flipping a soul sample is a tried and true, and sometimes tired, beatmaking formula, but it’s done really well here, at times with the creativity of the legends themselves, Dilla and Madlib. There’s also weird touches that give this a sound all its own – glitches and skips, blasts of electronic noise, samples that dissolve into sine waves or swerve off the rails like they’re being played on one of our ancient tape decks (don’t worry I checked, it’s supposed to sound that way!) – that will either catch your interest or harsh your vibe. Still there’s some good, head nodding sections, and I might’ve stood up and danced when one of my favorite jams came into the mix about 20 minutes in on the A side. Though the tape’s instrumental, there’s lots of samples from (mostly breakup) movies, some with dirty words, sooo: FCCs on both sides.
Nice lil’ single from Tech N9ne bringing us that Midwest rap with the hard boom bap. Lyrics aren’t as fast-paced as some of the raps that have given his style recognition but it will definitely still get you movin’. This single has the radio version, the album version, the instrumental, and the acapella version. Radio version and instrumental run about 3:52 and album and acapella versions run about 4:04, it’s unfortunate that the album version skips at the end and worse still that the instrumental skips right at the beginning, also the album version contains FCC’s. Just put this here plate on yer record spinner and enjoy.
Witty, dark, gritty, post-apocalyptic horror-core hip-hop. The beats are bangin’ and the rhymes are crammed in there with baffling complexity and frequency. The one or two duds are a small price to pay for the rest of the album.
Natural Swing delivers 20 short instrumental and chill hip hop tracks designed as abstract melody concepts with lots of warble, mud, scratched vinyl noise and sonic wobble with this 2016 release. This is very much underground hip hop with a stream of consciousness approach to samples and compositions that could be composed today with various computer tools to extend samples into more dreamlike expansions. This results lead to experiences of short bursts of introspection into unknown areas that maybe even the originators didn’t expect themselves. Some of the highlight tracks — for me — was LFO, Trane and Goodie, mostly due to the jazz influenced chord sequences. This kind of broken beat art maybe works best in small doses.
ID the Poet is a Hip Hop artist raised in LA who now lives in San Diego. iD does most of his own production using Ableton, Protools, and live instrumentation on a Macbook. This is the first of two EP’s. Tracks 4 and 5 were my stand out favorites with the last 30 seconds of track 5 going into a nice switch to take it out. Language on track 2 FCC warning BULLSH*T.
This is Elektro4’s (Mike Schofield) 2016 release full of psychedelic-soul instrumental hiphop tracks — kind of like The Avalanches on acid or if Orb would suddenly get inspired by the NYC scene. The beats create canvases with introverted movie-style scenarios and oddities appear and disappear between the speakers. This is the closest you could get to a pre-dawn hip hop party where alternate realities are explored. The fascination with other cultures make entrance on many tracks, including dubby side tours. Note the tracks melt into each other so you need to catch the transition from one song to the next. This one is a great include of underground hiphop into our library.
Fringe Character is: nuelectrosoulhop music; an expanding nebula of like-minded creators; all original music that combines the moving parts of soul, hip hop, dub, jazz, and electronica.
Let good things influence you.
A creative collab between friends REPEAT PATTERN & TA-KU,
This collection features both of them on a few traks along with other friends
And emerging artists. Dreamy bedroom beats, samples, loops.
Incoherent lyrical content. The most abrasive track is A4???s Divison,
filled with scrapes, cuts, and heavy breathing. Mostly it???s pretty mellow sound
snapshots with many layers and elements. You will catch something
new with every listen. All tracks a pretty cool, but Primm (B3) is my
personal favorite because of the 1970s easy listening flute intro
and underlying current.
After a 5-year hiatus, Dalek is back with another album of dark industrial hip-hop. Big walls of warm sound encompass angry quasi-political vocals. Heavy old-school beats and looped samples are soaked in fuzzy guitar feedback and soaring synths. Elements of drone, noise, ambient and shoegaze. Lyrics deal with themes of war, consumerism, and mass media. Check out the Chomsky sample on track 6.
Track 5 is instrumental. Track 1 is clean.
FCCs on 2, 3, 4, 6, 7.
newest EP release from LA-based rapper with south-bay roots; this is some real Bay Shit to an almost ironic extent: bingeing on local crunk/trap genre tropes in a hedonistic self-loathing purge. the lyrical content leans tongue-stuffed-cheek like the sex-obsessed 16 year old he always will be gettin loose in the club. his punk/hardcore background shows in the humor, with an i-don’t-give-a-fuck delivery, equally juvenile as it is critical while constantly maintaining personal elucidation. apparently he spent the past five years in isolation writing/recording this; i’d hate the world too.
Warning. Music is not always what it seems. FCC’s everywhere on everything and b3 has none in engrish that I can tell. took me a minute to groove into this collection and Boaz’s take me away is probably my favorite with the last track called roots calabash coming a close second. This is encryption cipher. Bass Heavy. Filthy Pirate Language. Action Bronson will take you to a new york delicatessen after the underground hookah lounge.
Backpack type hip hop. FCC FREE Each track accompanied by the instrumental fo yah mental. A side instr. 3:30~ Latin.Cubano.Piano.Guitar samples. quantized bass/ drum kit .
B side instr. 4:20~ Harp.Woodwind. Drum Kit shuffle snares. Vocal Sample.
Raw punk hip-hop mix-tape from Mykki Blanco, aka Michael Quattlebaum. Heavy industrial beats and pounding synths. Distorted grinds and gritty samples. Think Death Grips with less anger and more bounce.
Excellent rapping by Mykki and a cast of friends, including Cakes da Killa, Cities Aviv, and Kathleen Hanna (of Bikini Kill and Le Tigre).
First and last tracks are instrumental. FCCs on almost all others.
weirdo hiphop from outsider kid out of the LA area, like the dude that brought pot to all your LAN parties in middle school, and always showed up high to drama class; theater nerd – names himself after his favorite jaded character from Much Ado About Nothing; clever wordplay that maintains its juvenile toilet humor amidst intellectual eloquence. production that sounds like a 90s fantasy-rpg on casio, other times heavy metal noise rock – all self-recorded, probably spends all his time in front of a computer chopping up the hardcore/sample-heavy beats; did i mention he’s high as fuck?
This is the bonus 45 for Apollo Brown’s album Thirty Eight. Side A and B are both instrumental and FCC free. Crackle and sample hiss run like electric current throughout, giving a retro feel and resonant warmth. some guitar twang with the classic hey joe vibe on side A 2:55~ and a gritty jazz-hop narrative with female vocal laced boom bap drum kit side B Make Bread 3:00~
Sebastian Fraye???s VOL. 1 showcases a selection of instrumentals that were created between 2009 and 2014. A multitude of both sampled and recorded instruments, tools and techniques were used throughout the album. The thread that ties them all together is through the use of vinyl. Sebastian felt that with his first official album, he needed to honor the traditions of the beatmaking craft and the artists that came before him???not only musically, but visually as well. This record is fascinating, accomplished and sample heavy. Makes for a great study.
Recorded in a basement in Jamaica, Queens NYC. All instrumental break beats. Use this to funk up your mix. Pepper in some paradiddles, rudimentary rolls, and ride a groove into the next track. FCC’s on tracks A9, B4, b8, B9.
Track Times and Description:
A1. 0:21 Lead in
A2. 0:36 Bridge Break
A3. 0:17 Lead in
A4. 0:22 Down Tempo
A5. 0:32 Lead in/Bridge
A6. 0:11 Punch
A7. 0:47 Down Tempo
A8. 0:31 Heavy Ride Cymbal
A9. 0:58 FCC In or Out
B1. 0:11 Mellow Switch
B2. 0:16 Toy Monkey
B3. 0:18 1,2 Snake Charmer
B4. 0:17 Double Time FCC
B5. 0:40 Lead in Afrostyle
B6. 0:18 Eric B Mahogany type
B7. 0:23 roll in 4/4
b8. 0:23 FCC
B9. 1:22 ** FCC I Like it
BledJon is an American hip hop recording artist from the Bay Area, California. At the age of 11, BledJon was diagnosed with glaucoma but miraculously his eyes were healed. Bumps Tracks 3** , 8*, 9**, 11* (cued -0:38 for interlude)
Los Feo Faces is an artist collective and independent record label based out of Honolulu, Hawaii, “Haters Camp” being a mixtape feturing artists from El Paso to Colorado back to Hawaii. Those who have phased out in the past and have yet to link up in the future have only the casuality of life to blame that they are not on HATERS CAMP, Feo’s first concentrated group effort. Featuring production by in-house producers Front Business, Everybody Knows and AIKER METATRON, HATERS CAMP becomes the screen on which this distorted and crass movie plays. Track 4, 6, 8**, 11**, 12** Track 5 has some cool switch digital switches @ 1:32 mark and cold drops @ 2:04 FCC’s and drug refs. are plenty