Ani DiFranco — er, sorry, ANTHONY DiFranco — is a current member of Ramleh and former member of Skullflower. You will also find a few albums in KFJC’s library that he recorded for the Freek label under the sobriquet AX. JFK is another solo project, working in a broadly Industrial mode. He seems to have first recorded under this name in the late 80s for Ramleh’s Broken Flag label, resuming operations a few years ago following a lengthy hiatus. The tracks on this 2018 LP could be lazily segregated into Industrial Techno and Death Industrial (although, despite having done a split with The Grey Wolves, I’m sure DiFranco would scoff at the latter designation).
The tracks I’m arbitrarily dubbing (pun intended) the Techno tracks are vaguely similar to Hospital Productions artists such as Vatican Shadow and Ron Morelli, but with focus shifted from atmosphere to listener alienation. Perhaps Hands Records mainstay Winterkalte would be a better reference. Comprising A2, A3, A4, B1 and B3, the beats account for the majority of the material here. A2, B1 and B3 are built around stuttering, off-kilter drum machine rushes and sound not unlike Footwork made by zombies, while A3 flirts with Dub Techno. A4 unnervingly goes full four-on-the-floor, definitely danceable but also definitely soulless, like Daft Punk’s ‘Robot Rock’ following attack by a serotonin vampire. It would spin better in the control room of a CIA drone base than on the dancefloor of a nightclub.
A1, B2 and B4 are in more familiar (to me) Rhythmic Noise territory, rich in a sense of imminent doom. I was reminded of Deutsch Nepal and, specificially on B2, the fetishistic sequencer sound of Britain’s Iron Fist Of The Sun (a project actually not unknown to dip into Dub-inspired frequencies itself). The sonic pallette is consistently experimental across the whole album, though, and my rubric for thus partitioning it is largely tempo. It’s all dark shit, but it goes down fairly easily for all that. I suspect this one will have wide appeal among KFJC DJs.