Note for the Goodwrench DJ Review send two KFJC boxtops to the station…
You could start at the Beginning, side A listen for a few minutes to the upright bass question mark, over organ drone and gong/rim-shot/tap of drums, and take a guess where they are from. The land of Art Ensemble, of Underground Duo/Quartet/Orchestra Something about Chicago that produces the slinkiest, suavest grooves. This album feels like a separated at birth twin to Joshua Abrams’ “Represencing” – mystical winds blowing in off the Lake? Charlie Kirchen’s bass leads the meditation, Ryan Packard’s percussion is aquatic, but keep an ear on Paul Giallorenzo’s keys which hit your BuddhaMachine right on the third eye towards the end of this side long piece. Or perhaps start on the flip side with “The End” where Kirchen is more insistent, but still a man making a bass statement. His mates are joined by Ben LaMar Gay who percolates on his cornet for 10 or so minutes before Giallorenzo’s organ shimmers in for a calming respite. The quartet spends some time in a darker place before rising radiance before a solemn end to “The End.”
PS Hah, looking up Ben, he’s connected to the Natural Information Society helmed by Abrams. Chicago improv scene a small world with big sound!