Back on the Nordile track, Max Nordile that is (see Uzi Rash and The Trashies among other Oaklandish output in KFJC’s library). Max provides vocals and sax here, the sax he adds is nicely all over the place, skronky, slippery, sweet and multi-tracked as on “Red Tape.” He’s joined by Sam Lefevbre (Warm Soda) on drums and Alejandra Alcala on bass and also vox. In a slight way, their sound reminds me of Iconoclast as a sort of obtuse spin on the many angles of old school New York No Wave. But with Max on board, there’s a spazzy punky rant to the vocals. His voice is elastic; do muppets get drunk? Or do they hang out with Bobcat Goldthwait? Anywho I dig his “singing” but definitely it helps when Alejandra adds in some voice too. Her more tranquil spoken and sane approach helps to accentuate the wacky packages o’ lyrics. For example
“Just a nostril away” or
“Grandfather of the year very clean.”
Or on track 9 where Max and Alejandra repeatedly sing “Water Closet” back and forth to each other. And it might just be me, but my fave song “Flotilla” makes plenty of sense to me, and I’m not even a grandfather….as far as I know? Lefevbre’s drums keep the energy taught. Songs are short, fly by at 45 rpm. At times, like the instro title track, other sounds are dropped in like a plinky toy piano and trumpet, but it is really that odd take on a power trio plus the crazed cartoon vibe that make Preening keen!