Robert Montoya – Robert M (Accretions)
A dialectical synthesis of drone and beats with timing that is resolute yet spacey and textures that are synthetic yet lush. Anomalous and amorphous soundscapes (like euro-movie soundtracks at the moment of denouement) give a feeling of train travel through a foggy mountainous landscape. Montoya compiles sounds from television and layers them into soundscapes that transcend the medium and consciousness altogether. Tio Mate (5) is a compelling piece of pulsing soundwaves under Burroughs soundbytes. Sinestre (2) is a sonic colossus that attempts to communicate with other forms of intelligence – let them know you get the message- Play the shit out of this !
Robert Montoya – Robert M (Accretions)
Radio Phnom Penh – s/t (Sublime Frequencies)
More radio transmissions from SE Asia courtesy of Alan Bishop, this time from Cambodia. Authentic Asian 60’s pop with somewhat tribal beats sound underneath. The feel of classically trained musicians having fun in pop expressions of celebration. Lack of production quality is outweighed by the crisp execution of pop constructions that are probably well known by all in the village for generations. Familiarity to the point of an unstrained memory of passages that give a flowing sound around tightly arranged and performed tunes. If you liked Neung Phak’s “Tui Tiu Tui”, why not get a taste of the real thing !
Ellery Eskelin – Ten (Hat Hut Records)
10yr anniversary of the outside jazz trio of Eskelin, Parkins and Black. EPB explore underdeveloped textures in jazz. Forget the Grey Poupon Shit, ‘Ten’ is alive with spirited lyricism of theatrical quality and force. Marc Ribot appears on guitar on last half of cd. Jessica Constable delivers stellar vocal energy on 4 tracks, comparable to Fontella Bass w/ Art Ensemble of Chicago in feel. 2-8 minute tracks, adventurous sound. No formal attire required, just a head for sound reflection.
Ranaldo Licht Krieger DJ Olive Marclay – Text of Light (Table of the Elements)
Drifting, mesmerizing drone traverses the depths of sonic possibilities. Signals, feedback and transmissions pulsate in a collective continuum. Like a beam from a lighthouse, guitars cast in and fade out leaving you to ponder the complex ultra-ambient soundscape. Waves of combined sounds emanate up from the pulses of each artist’s contribution. Two guitars, percussion, turntables and electronics make for dense textures. Masterful timing gives this free improvised offering a stellar compositional quality.
18m=> play the whole damn thing !
William Hooker Quartet – Lifeline (Silkheart)
(1) Loosely woven alto sax runs accent the percussive conversation b/w Wm Parker and Hooker. Double sax solo opens into main theme followed by a Hooker recitation then 40m+ of blowing and pounding. Not as edgy as a Vandermark or Brotzmann piece, it flows fluently, unburdened by structural constraints, as if exploring the edges of familiar territory without wandering. (2) ts-trb-pn-dr, Chamber jazz w/choppped piano and recitation setting up a blowout. (3) same instr as 2, a Muhal Richard Abrams type blowout (Wise in Time-condensed w/o percussion). Refined yet relentlessly unleashed jazz energy.
3w: Flowing Forceful Free-verse
Parker Drumm Zerang – Out Trios Volume 2 (Atavistic)
A musical maelstrom of free sounds from 2 gtr w/ elec and drums of the organic noise variety with fuge-like interchanges as home base. Sounds like what the main character of Memento heard in his head when he tried to remember shit. Flashing, percolating meshes of sonic sorcery with sustained ferocity. The 2nd release of the Out Trios on Atavistic but definitely not 2nd place stuff. Ranges from an active continuum of surging flashpoints with chopped guitar to Hafleresque soundscapes with driving drums or chord progression mutations. Out of the Chicago scene, Parker (Chicago Underground Duo, Isotope, Tortoise), Drumm (Vandermark territorial band) and Zerang (Solisitice w/ Hamid Drake) get OUT and take you on their journey to the other side – the OUTSIDE ! “Onslaught” smashes the sonic barrier.
3w: Massive Memento Maelstrom
David S Ware Quartet – Oblations and Blessings (Silkheart)
No bowties here, this is the HARD stuff ! Jazz in attack mode elegance and ballad ballistics. Ware catches the TRANE out of town and out of the stratosphere, blasting the quartet’s way to new truths communicable only in phrases of music. The musical messages within have concise urgency like a war zone reporter on a 1m call to the main bureau. This is Ware in ’95 backed by Shipp, Parker and Dickey – a classic quartet of ts-pn-bs-dr whose heritage is of pure late Impulse era Coltrane Quartet stuff. Undeniable momentum forward, upward and OUT, leveraged by Shipp’s McCoy Tyner/ John Hicks style of comping.
3w: Coltrane Resurrection Revelation !
Deerhunter – s/t (Stickfigure Records)
Tight and dirty rock sound with standard song structures delivered with undoubtedly above standard, angry and pissed off vocals. Riffs reminiscent of SoCal early 90’s rock (Drive Like Jehu’s 1st, Distorted Pony) are hypercharged by the vocalist’s undying conviction that everything is still fucked – thus the necessity for a refrain of the straight ahead pissed off rock sound. 2 gtr-bs-dr with some other stuff occasionally dubbed on top, this foursome from Atlanta definitely give an urgent sound to otherwise familiar structures in this debut release.
3w: Repenting is Weakness
Se Piagi Se Ridi- Perfect for the next wake party you may be planning. Maybe like a Caroliner pop excursion if it existed. Funeral organ, banjo (?) and drums accompany this eulogy for the pop song. Childlike vocal wanderings call you to the netherworld where pop icons are smothered with makeup buff pads. Slightly disconnected and ethereal but luring nonetheless. A rather mature sound in an unusual space from a quite unusual band. Strawberry Banana- that lost backtrack to the Abba song that Bjorn farted around with for years but never found the right lyrics for- another stake in the false heart of pop music, the jokes on those who thought Deerhoof could never make it as a pop band.
3w: Caroliner on Prozac
This is one of the most memorable releases I’ve heard in awhile. Corrina Repp (her parents named her after a Bob Dylan song) is from Portland, Oregon and has been playing music in various bands for 10 years. This was released in fall 2004. In style it’s similar to Cat Power, with its spare instrumentation and lovely female vocals. Very subtle piano, guitar, and slight electronic moments. This is mystical! (added 2-8-2005)
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