Disc Four is “live recordings” from 1959 to 1988 – includes some versions of tracks heard on Vol 1 thru 3. Sammy’s spontaneity, humor and style really come through in these recordings. Some tracks have somewhat smarmy introductions. *review by Studebaker Hawk
Starting with a spoken intro from Captain Beefheart hiz own self, this collections spans about 50 years of roots blues, odd jazz (trad, swing and flute honks-n-squirts,) pre-psychedelic poetry, raw hillbilly/Hawaiian country, novelty tunes, raunch & roll and other nifty treats that influenced the young Don Van Vliet as he developed into the Captain of Beefheart weirdness. Not arranged in any chronologic order and the extensive LINER NOTES DO NOT MATCH THE TRACK ORDER! You will find some amazing stuff here, some that were eventually covered by the Magic band. Basically clean for language but there are some suggestive old blues (Black Snake tracks #6 & #7 especially) *review by Studebaker Hawk
Some Fun, Fine, Funky, Punky, Hip-Hop Jazz from Seattle. Saxophonist Skerik (he has been on many other recordings with groups like Critters Buggin’, Frog Brigade and Galactic.) There is a lot of variety here from Horn Driven Groove-Monster to Zappaesque Aligned Noodles, but nothing is too scary – I could have almost put this in A library… all tracks are instrumental – no vocals. No idea on Skerik’s real name. Recorded Summer of 2003 live in one session at the Owl & Thistle club in Seattle.
Track 2 has an odd Latin beat – not quite sure if it is a Rumba or something else, but it is way fun. Track 4 is just a short introduction to Track 5 a mostly very happy, pop rock jazz thing – let it play through! Track 6 features a twisted analog synth-piano and B-3 Organ duet with wild guitar.
Track 9 is a Double Bari-Sax Monster Mash -YOW!
The group name comes from the 1930’s Anti-Drug Czar Harry J. Anslinger – it was the term he used for the “Rhythmic and Moral Contamination that is Jazz? *review by Studebaker Hawk
Proving the often stated case that early Jazz Musicians were nothin’ but a lot of Dope Smokin’ Vipers that would soon corrupt the moral values of our “Youth”- this is a GREAT collection of songs that relate to the drug culture of the 1920s through the 1940s. There are solos, small groups and big bands singing about Dopey Joe, Minnie the Moocher, Jerry the Junker, Texas Tea, and all that other “Fine stuff.” These are some of the songs that inspired the revival of jug bands in the 1960s and the re-revival by groups like the Asylum Street Spankers and many others. Sometimes funny but there are some sweet-sad songs as well. Remember, grass was quasi-legal up until about 1937 so these were songs that fit into the culture of the times. Just the thing for your “4:20 Break” and as far as I can tell the lyrics are all clean (if suggestive…) 1996 release date. We also have another version in Blues *review by Studebaker Hawk
East coast project combining real and synthi musicians, cut-ups and complex editing for a lot of funny stuff. There are a lot of references to modern classical composition but more silly than most.
The long production ‘A Life in a Day of A Microorganism? is a take on those 1950’s elementary school science films that soon goes horribly wrong. Even broken into 3 parts it is a bit too long (and there are a few lame ‘Gay Jokes?) but it might fit somewhere in your show. The shorter tracks are outstanding and well worth a spin. There are some ‘self-promotion? sort of announcements but not overdone… *review by Studebaker Hawk
Every Track is Different! These are recordings done over the last 10 years with various combinations of musicians. They were ‘left for dead? on the shelf because Skerik was too busy doing other things to finish them, but he finally did it. This is not at all like Skerik’s Syncopated Taint Septet – not much ‘jazz? here at all.
Track 1: just a low voice intro.
Track 2: sort of a Tower of Power/JB Horns Groove thang. Shake it!
Track 3: goofy Vocorder + Parlament-Funkadelic feel – very fine!
Track 4: vocal + sax jazzy thing that has more than a touch of Zappa.
Track 5: rapping drum (real and machine) & bass low ride – clean vocals.
Track 6: violin feature over various vibes and marimbas
Track 7: Psycho-Klez with Idiot Flesh like craziness vocals – scary stuff but fun.
Track 8: the feel of track 7 continues instrumentally into the desert…
Track 9: Goof-Rap version of this Xmas classic – not just for December!
Track 10: continues the Santa thing into Hell- lots of guitars.
Track 11: Bonus track with string orchestral effects – very minimal.
All are interesting and worth a spin!!! *review by Studebaker Hawk
Walls of Genius were not the first to use a mix of goofy instruments, samples, vocals/spoken word and noisemakers in a post-punk/new wave experimental weirdo band but they were certainly among the early ‘well known? perpetrators of this kind of quirky SubGenious music that has since become a staple of KFJC’s library. This is a CD reissue of a 1984 cassette release, part of a series of about 30 tapes made between 1982 and 1986. Little Fyodor is still touring around the country, performing for secret societies in strange little clubs. He pronounces his name as: “fee-ay-dor” ‘Spazz Music of Macho Irony? is what the Rev. Stang calls it. More at letterstodanfogelberg.50megs.com/ and littlefyodor.com MANY FUCKS on Track 10 otherwise clean *review by Studebaker Hawk
All Time Favorite Dutch Truck Driving Songs (Volume 2)!
The Ones That Were Not Quite Favorite Enough To Make Volume One!
By A Completely Unknown Band!
Singing in Dutch! You Might Understand One Word In Twenty!
Check’em ALL out! (LIEDJES = Lye Ghezz, sort of. That means Song. Truck means Truck, dammit! for any other pronunciation talk to Ned Walker… )
Tien-Vier Goede Vriend! (Ten-Four, Good Buddy!) *review by Studebaker Hawk
Starting off with an old, scratchy recording of a pleasant little city park band (strings and horns) playing a waltz on a Sunday afternoon, the Grove County Philharmonic is a quaint look back at another century of music. THEN THE EVIL CLOWN HITS YOU IN THE FACE WITH A TURD PIE, KICKS YOU IN THE ASS WITH HIS FLOPPY SHOES AND STOMPS ALL OVER YOUR EARS WITH A SCREAMING, DISCORDANT MUTANT CIRCUS BAND FROM HELL!!!!!!
Actually, after that first shock things get stranger, nicer, and back to strange again – all over the place, musically until the band kinda just fades away down the road …. I like it! *review by Studebaker Hawk
Take a whole bunch of people to recording studios in Houston and New York and turn them loose – what you get is an amazing mixture of jazz, funk/soul, noodles, beats, poots and honks – some great, some don’t go much of anywhere (and they cut after a few seconds – watch out!) A few tracks have a ska/rock flavor but overall it is mostly more leaning towards somewhat structured jazz. Very nice when they get going… *review by Studebaker Hawk
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