Companion to the magazine…send listeners to
adbusters.org…they’ll head there mad & grow more
irate. This may be the first they have ever issued
a CD in cahoots, and DJ Spooky aka Paul Miller
resurrects some saints in his Jihad against McWorld.
Martin Luther King, Marshall McLuhan, Malcom X…
Several selections features Spooky collaborating with
Saul Williams to deliver their payload with the
precision of the smartest bomb in the class. Sun Ra
reappears with his formula Nuclear War=MotherF*,
Chuck D.’s voice is a good a rallying cry as you’ll
ever find. J-Live’s lyrics are laced with an extra
portion of truth. Nice introduction to Honey Barbara.
Overall, truth against advertising is the order of
the day. It’s all riveted together tightly, but worth
breaking off a piece to get the conversation flowing.
Companion to the magazine…send listeners to
Abderrahmane Abdelli is an Algerian musician (from the
“Kabyl” – an ancient Berber collective of musicians).
The “Kabyl” have historically been unflinching in their
assessment via song of the political powers that be, and
this does not sit well with the fundamentalist Islamic
leaders of Algeria. Thus Abdelli has worked in exile in
Belgium since the early 1990’s. This album was created
over three years, taking the basic songs of Abdelli’s
raspy yet sweet voice and his mandola (an instrument
like an oud). Then in the Real World manner, folding in
other spices, musicians, flavors and countries. Often
his mandola traces the vocals, as does flute at times
and some spiky fiddling as well. Spry slithering sounds
are slathered on the tracks, giving this the power of
gypsy music and the dramatic highlighting of Peter
Gabriel’s “Passion” soundtrack to “The Last Temptation
of Christ.” Pristine recording machinations do not
molest the stirring soul of these songs.
Apricot Morning is the 2nd full-length release by Quantic, a.k.a. UK-based producer and musical busy-bee Will Holland. This LP was released in 2002, when Mr. Holland was 22. (We have his 3rd LP, Mishaps Happening, in A on 12″ vinyl.)
In math a ‘quantic? is an algebraic function containing two or more variables. This seems appropriate to me because this release combines elements such as Latin and Afro beats, rap, and soul to come up with a music that is fresh and full of life.
Long-time collaborator Alice Russell sings on what I think are two of the best tracks on the album (B1 and C2). Aspects, a hip hop crew from Bristol, appear on B3. EQ appears on the Latin-inflected A3. His sisters, Jill and Lucy even help out with sax and double bass.
You’re sure to find something to fit your mood, as long as you are in the mood for dancing around.
Instrumentals: A1, A2, B2, C3, D1
(Other Will Holland projects include: The Quantic Soul Orchestra, Quantic Live, and Limp Twins.)
Science Fiction is Wale Oyejide, a hip hop producer who grew up in Nigeria, spent a few years living in UAE, went to college in Atlanta, and now lives in California. He has released two EPs and an instrumental LP before this full-length release. Before the hip hop bug bit him, he played guitar for an emo band and a Nirvana cover band.
This is instrumental hip hop. It’s spacey and soulful and a very personal album. Song titles like ‘Love Is A Cigarette In Gasoline Hands? give one an idea of what to expect.
Most tracks don’t have lyrics so much as fractured pieces of his interior monologue. After listening to it long enough I started to feel vaguely claustrophobic.
There is a bonus track not marked on the packaging (017), which is a remix of Hold On featuring MF Doom.
Future releases will be under his real name most likely. He has said in interviews that he finds the moniker Science Fiction ‘dorky.’ He adopted the name Sci Fi when starting out because he used to sample from B-movies all the time.
Play this album if it’s raining or if it’s too sunny.
This is a 3/2003 reissue of an album originally released in 1972.
Saxophonist Archie Shepp is one of the pioneers of free jazz. He has a degree in comparative literature, is a composer, and is a published playwright and poet. He’s also a radical who makes no secret of his anger about social injustice.
So given the topic of the Attica prison riots (in which a four day revolt was squashed by 1,000 state troopers who killed 29 inmates and 10 hostages) I was looking forward to popping in this CD and hearing about what a shit whitey is.
But Mr. Shepp is smarter than that. Plenty of rage is here, and you can hear it in his alto and soprano saxophone lines throughout the whole CD. You can especially hear it in the cacophonous funk-based free jazz (free funk?) of the title track.
The rage almost gives way to despair later in the CD with lyrics like ‘I would rather be a plant than a man in this land.’ Even on the prettiest song Ballad for a Child, discordant strings belie the lyrics ‘What the world needs is a baby’s smile.’
2, 4, and 7 are spoken word ‘invocations? of which 4 is the most interesting. ‘Blues for George Jackson? refers to the Black Panther leader shot to death under suspicious circumstances while in prison.
There are elements of R&B, soul, funk, and even big band underneath the jazz elements, making each track seem familiar but not quite comfortable.
Most of the songs track through, so watch the endings. Also, the last track features some spontaneous (to put it nicely) singing by a 7-year-old.
Thurston Hunger 1/3/2005 A Library
Five fingers of death from the hand of Jojo’s Alchemy label.
LSD-march provide a driven rain of rock with Fukuoka Rinji’s
violin slicing right through it on the first track, then go
down tempo for a ballad…and wind up with a very sparse,
morose number. The duet Doodles offers two appetizers for
the main course of their street-sweet-smart full length.
Miminokoto just are getting their ankles wet in the psyche
riff-improv rock of track #6 when they get potted out.
Their next two contributions are more gentle drift spaced
psych, mixed a little roughly. Chouzo haunts with their
spooky shizuka-y vibe…the general sense is lying on the
bottom of some liquid looking up. The Up-Tight work out
all the kinks, the jams, and any other hang-ups one may
have with solid, stand on the edge of the stage/abyss
rock and roll. Their “Sweet Sister” starts with a tribal
drum anticipation and reverbed vox that climbs up towards
an unavoidable guitar throttling.
the vanishing – “still lifes are falling” – [gold standard labs]
high energy aesthetics coupled with lo-fi production yields danceable dark wave goth featuring distorted reverb-soaked female vox, programmed and live drums, a sax that haunts, fuzzed-out synths that taunt. clean lyrics (except as marked) decry various aspects of the current state of the human condition: “buried beneath the plastic sheen / is a world that’s painted violently”
emotional joystick – “bellicose pacific” – [zod records]
enjoy this man-up from Milwaukee, WI: bleeps, blips ‘n breaks galore are to be found on this full length release from emo::joy and all tracks take aim to please! soundscapes and synths accompany breaktech beats a la aphex twin-esque abrasion mixed with more chill ‘n chunky loops as well. simple video-game like melodic lines work well with the harmonic progressions that back them with a sometimes sparse, sometimes symphonic, ever schizophrenic feel.
note: tr13 = bonus round / hidden track after ~ 3:o3 of silence
This is the first full-length release from a 5 member rock and roll band from Columbus, Ohio founded in 2002 by guitarist/songwriter Andrew Robertson. The CD was released 8/2004.
For lack of a better term, I would call this music ‘garage rock? though that wouldn’t give an indication of the years spent listening to and reverse engineering their rock and soul records, the excellent songwriting, the solid rhythm section that’s in no particular hurry, and – the first thing you will notice – Lara Yazvac’s tough and lovely singing.
In a good portion of the lyrics people are breaking hearts, getting their hearts broken, holding on, letting go, doing a lot of crying. (I don’t remember life in Ohio as being that dramatic.) Written down they would probably look silly, but with Ms. Yazvac’s voice and the band backing her up it works.
Here is a partial list of influences that I was scribbling down as I was listening: Kinks, Pretenders, Del Shannon, Shangri-Las, The Capitols (Cool Jerk), X Ray Spex, Lowell Fulson (Tramp), the entire Atlantic Rhythm and Blues box set.
Every convertible sold should come with a copy of this CD.
‘Domenico? is Domenico Lancelotti, and ?+2? is Moreno Veloso and Kassin. This is the second of three releases which feature one of the three. It was recorded between 10/2001 and 4/2002 but for some reason not released until 9/2004.
(By the way, the first release – ‘Musical Typewriter? by Moreno + 2 – is in the International library and filed under Veloso.)
All three of them are Brazilian, and Domenico is a drummer. As a result there are plenty of Latin beats. The lyrics are in Portuguese in all but one song, but you can read the translation in the liner notes if you want to read the lyrics that mainly concern themselves with leaving, desire, and waiting.
This is very smart and funky Brazilian pop with varied influences. They definitely took their Burt Bacharach pills before recording some of the tracks (2, 3, 6, 10, 11, 12, 13). 12 is an instrumental. Some tracks have a great funk feel (4, 5, 8) There are duets that made me laugh even though I had no idea what they were singing about (5, 11).
Language: 7 (suck your breast/suck your ass). Also 3 tracks right into 4 with no warning.
12345 S. El Monte Road Los Altos Hills, California 94022
Public Inspection File