KFJC 89.7FM

Music Reviews

Glenn Spearman – Free Worlds [Black Saint]

outlier   4/21/2005   CD, Jazz

Spearman lays down the heat in 3 sextet pieces, plays in an intimate raga vocal duet and leads the play on several blues, ballad structures. (1,8,3,6) Sextet pieces rule the release, JR Routhier’s solid body/dirty pickup gtr cookslike a blues master jammin’. GS,Marco Eneidi, and Raphe Malik create big band free form over JRR, Lisle Ellis on double bass keeps things tight and Donald Robinson on drums.Paul Plimley’s piano work on the quartet pieces are also first rate stuff(2,7). The raga with Pakistani vocal masters reminds of L’infonie.
3w: Badder Than SpyJazz

-Outlier

Mouthus – Loam [Ecstatic Peace]

outlier   4/21/2005   12-inch, A Library

Simple structures of gtr, loops and drums reverberate and resonate into monstrous ultra-drone maelstroms. Guitar overtones with soft hum feedback, loops and Sleep-like drum phrase timing emit sonic turbulence that gives the feeling of your world shaking at the foundations. Like early Gate (Julian Dashper w/more feedback and space or maybe an angier, more articulate Thela). It could be a group fronted by Morley’s bastard son.
3w: Jaw Dropping Shit
– Outlier

Gayle,Charles/Parker/Ali?”Touchin on Trane” [Free Music Production]

outlier   4/21/2005   A Library, CD, Jazz

STRONG evidence for status as present day tenor sax #1! William Parker and Rashied Ali give Gayle a moving target rhythm that allows him to soar into jet stream polyphonics or settle into modern interpretations of Trane voicings without losing momentum in the trio’s center of sonic gravity. Gayle controls notes unintended for the tenor sax with agile mastery and power where others sound as though sphincter blowout were imminent.
3w: Power Jazz Mastery
– Outlier

KK Null/John Wiese – “arc seconds”

outlier   4/21/2005   A Library

Arc Seconds (Helicopter)
Soundtrack for the Apocalypse. Scorching screed unloaded at mass volume specially engineered to induce a state ofmental peristalsis. Corporate jingles, Muzak buy messages and all other ‘productive? signals are culture jammed by this massive sonic onslaught, Deprogram Now ! It may not be too late. This short piece is antidote to all that comercially clogs your existence. Very Industrial sounds that remind of early Merzbow work.
3w: Anihilation Armegeddon Soundtrack
-Outlier

Gum – Vinyl Anthology [23five]

outlier   4/21/2005   A Library, CD

Waves of lo-fi analog dissonance ranging from disorienting cacophony of close-up raw noise emissions(D1) to more distant, ambient droning noisescapes(D2). Complete releases
from 1987-90, this documents the lo-fi noise experiments of Philip Samartzis and Andrew Curtis. Locked grooves, multi-track decks and effects boxes are the artifacts of Frankenstein recombination of collapsed sounds from vinyl destruction. Carnivalistic sex and violence themes give a tactile appearance to the pieces while the countercurrent of manipulated surface noise goes to work on your distracted subconscious. You are no match for the forces of dysfunction herein.
D2:trk1-fuck,cock,pussy/trk5-very quiet 10:40->9:40/
trk7-blank from 3:02->1:07
3w: Errors? Hidden Intentions
– Outlier

Futterman Jordan Fielder – Southern Extreme [Drimala]

outlier   4/21/2005   CD, Jazz

With the left hand of Muhal Richard Abrams and the right hand stride of Jaki Byard, Futterman permeates Kidd Jordan’s Maurice McIntyre-like sound on tenor sax creating a Cecil Taylor/Jimmy Lyons dynamic with New Orleans spice taking the place of euro-classical overtones. Forceful searching runs of ts +pn swirling and winding in hyperballad style climaxing with screaming reed over Tayloresque arpeggio rampage. Compositions embrace complexity as another incarnation of the New Orleans riff style of pre-WWII Dixie jazz and cook up some distinctly Southern style avant garde on tenor sax, piano and drums.
3w: N’Orleans Avant Garde
-Outlier

Ahmed Abdul-Malik – The Music of [New Jazz]

outlier   4/21/2005   12-inch, Jazz

Conversational, sociable, ‘happy ending? jazz where all turns out as expected and all the dinner guests behave. What saves this from Blue Note boredom is the uniquely North African (Sudan) influence on the song structures. Andrew Cyrille on drums and Calo Scott on cello give a lively, upbeat accent to the Arabic and calypso tunes. Abdul-Malik also plays oud to further accent the international flavor of the album.
3w: happy ending jazz
-Outlier

The Brunos – Bloody Knuckles [Skunkman]

outlier   4/21/2005   A Library, CD

Flute, mandolin, violin, accordion and drums color the modern authentic renditions of Irish traditional music. These next gen Chieftains do the homeland proud with tunes ranging from uplifting ‘top o the mornin’ stuff to slower thoughtful traditional
dance tunes. The title belies the moods of the songs. Lyrical instruments sound like a chorus of voices at times. Vocals on two tracks (7,13). 1-6 are light and upbeat, 7-14 are more serious in tone and the last 3 do the serious trad dance thing. Trk 16 is a medley of 4 songs so don’t let the false ends get ya’. The musicianship and tone of the songs are bleeding orange and
green for ya’, so here’s spittin’ in the Queen’s eye !
3w: have another pinty
– Outlier

Residents – ?Animal Lover? [Mute]

outlier   4/21/2005   A Library, CD

Marvelous timing, metered (mostly female) vocals and gamelan percussion accents filtered thru the Residents? archaeological musical perspective with rhythm tracks based entirely on animal mating noises (cicadas and frogs, whales and humans for longer wave stuff). Some psychedelic electro march but mostly very beautiful, dreamy songs with delicate childlike hymnal vocals. They escape their signature sound to embrace conventional song
forms with a subtle, simple yet powerful sense of composition and arrangement. If the Residents aren’t on your short list of great American composers, this release will help you get your shit together.
3w:Western Culture Sainthood
– Outlier

Dredd Foole?A Long Lost Battle With Eloquence and Intimance [ecstatic yod](33rpm)

outlier   4/21/2005   12-inch, A Library

Soul searching songs of lost love, second-guessed lifestyle and reflections on mid-life memories in an acoustic guitar and voice setting. An honest and fallible sound that is both haunting and cleansing. If its been awhile since you’ve examined your life, sit back and let this troubador of emotional journeys relate his undefined, incomplete wisdom with you. It’s not about hitting the right notes, its about striking the right chord of emotions and
Dredd Foole does with unashamed, intimate openness. Strength comes from confronting weakness and here is a performer that is willing to do the heavy lifting for you, open up and live.
3w: Foole for love
– Outlier

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