KFJC 89.7FM

Music Reviews

Mora’s Modern Rhythmists – “Mr. Rhythmist Goes to Town ” – [Mr. Ace Records]

David Richoux   1/15/2005   CD, Jazz

Much like the Bay Area band “Royal Society Jazz Orchestra,” Mora’s Modern Rhythmists from the LA area have worked very hard to recreate the early 20’s-30’s orchestra style of jazz. Meant for both dancing and listening, these “Society” bands had a smooth yet hot sound (very polite for jazz) playing in posh hotels, ocean liners and fancy parties. On this recording there is an interesting mix of tunes from the early eras of jazz and proto-swing. The style of singing and playing is not a total imitation of Paul Whiteman recordings, but there sure is a lot of influence. Fun stuff… *review by David Richoux

Clusone 3 – “An Hour With… ” – [Hat Hut]

David Richoux   1/15/2005   CD, Jazz

Like the other Clusone 3 recordings we have, this is some fun stuff! More bird inspiration, and I don’t mean Charlie Parker.
Reijseger on cello is WAY out there, but Moore and Bennink don’t do anything to bring him back. Goofy and silly jazz at times but then things settle into a groove – no explanations. *review by David Richoux

Amh Trio – “Live at Field & Frame ” – [Plutonium Records]

David Richoux   1/15/2005   CD, Jazz

Hoonkh, Blurt, Weerrbbble, Scree, Poot, Groan, Grummph, etc.
Fun stuff from the lower register from Albuquerque – Bari Sax, Tuba, Bass Clarinet and some higher things as well – very strange but not really scary when compared with some of the other things we have been getting lately. Seems to be total improvjazz but it is hard to tell these days… Mark Weaver on tuba is showing a lot of chops!
*review by David Richoux

New Orleans Ragtime Orchestra – “Grace and Beauty ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

While Ragtime was not invented in New Orleans, it was very popular and was a major part of the development of jazz in that city. John Robichaux (Row be show) had a band and did a lot of ragtime arrangements in the early 20th century. In 1965 these charts were found and a band was formed in 1967 to play them. The musicians on this 1967-1970 recording also played in the early Preservation Hall bands in the ’60s and some were playing jazz in the 1930s and ’40s.
Not a slick band (check out the New England Ragtime Conservatory band if you want polish) – there is some problem with intonation and the pace is a bit ragged, but these are some sweet tunes. All instrumental and of an era that will not come round again… *review by David Richoux

Jackson, Franz & the Salty Dog – “Yellow Fire ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

A recent recording (not a reissue) of the Salty Dogs, a Chicago style trad band from Purdue that has been around since the late 1950s! Still playing great music (most of the tunes on this CD could have been heard in some Chicago jazz joints since the early 1920s) this is just great, swinging, driving, hot jazz. Some good vocals, just a bit of hokum – but check them out!
*review by David Richoux

Beebe, Jim – Chicago Jazz – “Saturday Night Function ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

2 LPs in one CD, a bargain pack of great Chicago Style traditional jazz recorded in the late 1970s with an all-star lineup of musicians from the mid-west and west coast. Trombonist Jim Beebe had a great deal of experience before these sessions and the band definitely knows what it is all about. There are two trumpets (or trumpet/cornet) for that unmistakable King Oliver-Louis Armstrong style lead line. There are a lot of different looks here, from boogie-woogie to slow blues, swingers to New Orleans jazz standards. Some well placed vocals, but the important part is how this band really cooks, regardless of the line-up.
*review by David Richoux

Bukowski, Charles Readings, SF ?73 and Iowa City ’73 [N/A]

stingray   1/14/2005   A Library, CD

2 CDs of beat poetry from one of the masters. In his tired, gravely voice, Bukowski holds forth on sex, death, oppression, and whatever else comes to mind. No track titles on the CD, so I made some up after listening. For the most part each CD is a contiguous recording that was divided up into tracks. Whoever did this did a pretty lazy job of picking where to start tracks. Sometimes he will say the title of a poem on the end of the previous track. The sound quality is poor, but you can always understand what he is saying.
I *think* Disk 1, tracks 3-12 are the San Francisco recording (the sound quality is different and there is no discernable audience noise). The first 2 tracks of the 1st disc and the entire 2nd disc sound like they are from the same recording, which I assume is the Iowa City recording. It’s all good and heavy, drop the proverbial needle anywhere and let a couple tracks play (but watch for language!).
Language: Disc 1 – 3, 5, 7, 10
Disc 2 – 1, 3, 7, 8, 11, 16, 19, 20
Stingray

Apostle of Hustle – “Folkloric Feel” [Arts and Crafts]

stingray   1/14/2005   A Library, CD

This three-piece (plus guests) out of Canada delivers well written and produced psychedelic folk. There’s just a touch of electronics and feedback on some tracks. There are some Latin-folk influences (lead singer Andrew Whiteman had recently returned from a trip to Cuba where he learned to play the tres (a Cuban guitar)), especially on tracks 3, 7, 8, and 10. The sound is melodic and shimmery, and the production has resulted in an appealingly full sound.
Favorites: 1 (Prog-rock-influenced folk jam), 3 (great, but still mellow use of bongos and tamborine), 7 (a Latin-influenced contra style ballad), 8 (laid back swing beat, longuey vocals).
Track 11 is a :37 second long very quiet shimmery little chord.
Language: 3 (‘shit?), 4 (‘fuck’),
Stingray

Reverend Glasseye – “Happy End and Begin” [Music for Cats]

stingray   1/14/2005   A Library

Reverend Glasseye gives us an all-too-short 5 tracks of organ heavy gypsy folk rock. There are klezmer and Irish folk influences here. It’s the sort of music you could imagine a bar full of people singing along to at 1 in the morning. The instrumentation is very thick, with reeds, a trumpet, organ, guitar, bass, drums, and vocals. My favorites are 1 and 4, but they are all great!
Notes: Track 10 ends with about 7 minutes of ocean waves and seagulls.
Stingray

Man Man – “Man Man” [Ace Fu]

stingray   1/14/2005   A Library

Seemingly a normal man, but with all the powers of a man, it’s Man Man, answering the question: What if Frank Zappa had assembled an ensemble that included Tom Waits on lead vocals? This CD features Honus Honus? gravely vocals in front of an ensemble that includes percussion, horns, piano, guitar, synthesizer, violin, and a children’s chorus (track 1 only). Circus, folk, and klezmer influences combine to make something that is both unique and groovy. It’s cool. Check it out!
Favorites: 1, 3, 7 (instrumental), 9
Notes: Track 10 ends with about 7 minutes of ocean waves and seagulls.
Stingray

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