KFJC 89.7FM

Music Reviews

Get Hustle “Live at the Little Fawn” [self released]

Thurston Hunger   1/27/2005   A Library, CD, Format

our-only CDR for this Los Angeles three piece/no peace. They
whip up relentess rock led by Mac Mann’s electric piano which
undergoes cardiac arrest. Ron Avila (Holy Molar, Chromatics)
whips up a percussion slugfest. And there’s blood spattered
all over the sneering tough-enough-for-one-g girl singer (as
in one who singes) Valentine Falcon (nee Husar?). She’s got
a sort of drooly swagger kinda 70’s dirtbag rock. Apparently
they have frightened off all guitarists who normally pine for
such rock, well that’s a good thing..but Get Hustle might pay
too high a premium for authenticity, sacrificing any semblance
of polish. The songs here are sweaty, exhorting, gamey and a
bit samey. They are all live, which can attribute to that. My
favorite section on each tends to be the opening where they
let the stormclouds brew, Mann’s piano gusting some reverb
feedback, and sort of hovering before the huffing-and-puffing
kicks in and they kick out the family jams and jewels.

Giant Haystacks “We Are Being Observed” [Smart Guy Records]

Thurston Hunger   1/27/2005   A Library, CD, Format

Named after a famous British wrestler, this Oakland trio is
decidedly leaner. Spry guitar sparked rock. The album’s
initial three songs are brilliant, and create a momentum
that is hard to sustain. Seriously, every time I listen to
those first three I think this is going to be one of the
greatest albums of all time. They have a nice device of the
next song often leaping in on the tail of its predecessor.
Watch your segues. And pull your old Ex records. Speaking of
the Ex, these guys are best off when they likewise lyrically
vote their songbook. Less looking through a child’s eyes…
The busier the bassline, the better as well. Brittle guitar.
Vocals are drawn and flat at times, but then again the band’s
charm is built upon its complete lack of pretension. So that
tends to work better with talkshout vox. Goddamn it, I gotta
listen to those first three songs again. Plenty of pins and
needles in these Giant Haystacks.

Glass Candy “Bicicleta Emociona” [Troubleman Unlimited]

Thurston Hunger   1/27/2005   7-inch, A Library, Format

Ida No yelps and screams with the best of
them. Glam slammed rock…she’s traded in
her Bowie bent this time for a Bryan Ferry
fix. Her voice still has a unique frenzied
whorl to it. Johnny Jewel’s guitar is a
leather clad shark swimming around the
tank. More anachronism than anarchy…but
pure fun nonethelees. The Roxy Music cover
slips down through some tar pits to a drum
solo finish. Retro and active.

M83 – ?Before The Dawn Heals Us?

Tyke   1/26/2005   A Library, CD

Taking their name from a distant galaxy, the duo of
Anthony Gonzalez and Nicolas Fromageau (pronounced
From-a-zho) from Antibes, France, make beautiful,
otherworldly music that sounds like it could have been
lifted from a sci-fi movie. These two have traded in
their guitars and punk aesthetic for a supremely
lush, melodic sound that sometimes has that weightless,
floating aura that hasSigur Ros stamped all over it, and
at others has the driving fuzz blast of the My Bloody
Valentine shoegazer set, both of which mark them out
as absolute winners in my book. It’s a mix of vocal and
instrumental tracks, with the 10-minute finale being the
icing on a delicious cake that will have you ditching that
diet you’ve been hating and coming back for much more.

Terry Tyke

Kagel, Mauricio “Alexandre Tharaud” [aeon]

cujo   1/26/2005   A Library, CD

Indeed, Kagel’s humor is not the kind that makes you laugh. Pianist Tharaud & friends present 5 of the composer’s mid-career works. An underlying theme to these works is the re-presentation of “classical” ideas in a Darmstadtian vein (Beethoven, Liszt, & Chopin for the very discerning ear). Another theme would be general melancholical humor. “MM51” and “Rrrrr…” can also be found elsewhere in our library. The real gems are the ensemble piece “Ludwig Van”, an homage to Beethoven replete with whisperings, gurglings, and “Freude!”s, and “MM51”, a piece for piano & metronome which plays like The Tell-Tale Arhythmic Heart – replete with finishing maniacal laughter – be sure to play this track to the bitter end.

-Cujo in April 2004

Fucked Up “Baiting the Public” [Deganged]

Thurston Hunger   1/25/2005   7-inch, A Library, Format

Breakneck, breakface punk rock out of Toronto and a group
that was allegedly started as a joke, but a clever one at
that. Realizing that all bands ultimately lead towards
horrible fights, the idea here was to put a bunch of people
together who were already primed to go at each other. By
the sound of this, it was a complete success. Aggravation
fuels this 7″, with quick fisty drums, and good sawing
guitar. Basically we get a siamese twin of a song split into
two with different lyrics, but a shared chomping whole lotta
riff. The lyrics are punctuated by spittle, for “The Public”
the band meanders into some clarinet and sax spirals. All
in all a damn fine outing, as much fun if not more than the
photo inside. Double dirty ditties, take a grave shift just
so you can play this!

Fursaxa “Trobairitz Are Here From Venus” [self released]

Thurston Hunger   1/25/2005   A Library, CD, Format

Did you know that troubadors only referred to males, a
woman would be a trobairitz? Me neither. Tara Burke is
female, she is “Fursaxa” and she might not be human. A
galactic gypsy coasting through nebulae of sound. Pump
organ bellows send solar winds breathing neath Burke’s
drone-vox. Stilled syllables don’t let the words pass,
emotions do float by. This seems like the home-game
version of Ligeti. One woman chorus mushrooms out of
the alignment of air in organs and lungs. That heavy
atmosphere contracts some on “Backwards Alchemy” as
guest sorcerers are summoned, and space is opened up.
In particular, the severed fire extinguisher bells
of Matt Shiley really shimmer. Track three also has
some guitar feedhowlback. This is an all-live CDR
work pre-dating the outstanding and more diverse
“Madrigals in Duos” we’ve recently added.

London, Frank “Scientist At Work [Tzadik]

Thurston Hunger   1/25/2005   CD, Format, Jazz

Originally a limited self-release in 1999, now back after
some cosmopolitan surgery. Powerful overdubs added by
people like violinist Mark Feldman and vocalist Jennifer
Charles still retain that inherent crazy casbah (meets
caballah) sound. Many of the Shekhina Big Band are also
Hasidic New Wavers, but this release forsakes rock for
sand. Less chunky, more drifty. Horns and guitars are
blown about by wind, more seductive and shape-shifting.
“Alef” and its palindrome “Fela” are more bounce and
sunshine, I prefer the other darker tracks, especially
Feldman’s jagged violence in the shadows of #6. In
mixing middle eastern sounds and instruments with an
NYC jazz/rock duality, London has found his calling…
as have others, Matt Darriau’s work in this vein flies.
Is it time for “Nomad Wave New York”

Fortune, Sonny/Harper, Billy/Cowell, Stanley/Workman, Reggie and Hart, Bill “Great Friends” [Evidence]

Thurston Hunger   1/25/2005   CD, Format, Jazz

Originally this came out on Black and Blue records back in
1986. The interplay of Sonny Fortune (alto) and Billy Harper
(tenor) is the magnet to this release. On “Cal Massey” and
“Thoughts” they double down on a strong melody to make it
unbreakable. On “Synapse” a hanging phrase is repeated over
and over by Harper to allow Fortune to mingle with it, and
solo over it. Reggie Workman is nimble fingered as showcased
on “East Harlem Nostalgia.” When this album cooks it is
thanks to Workman connecting with drummer Billy Hart. Hart
gets to launch “Insight” w/ a minute of iced roll and crash;
that track seems to be in a rush to complete. The album then
closes with “Awakening” which seems like it will be a lonely
soliloquy for Fortune, but after a beautifully desolate
minute and a half, he is joined by his “Great Friends.” In
a way I preferred the isolation even more.

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