This CD is pretty much like wearing two different pairs of socks. The first 2 tracks are live, improv jazz jams, both around 20 minutes. Those two are Thollem (piano) along with Matt Lux (bass) and Avreeayl Ra (drums), 2019 in Chicago. Intermission takes place on track 3, which is completely silent. The following 9 tracks are Thollem along with Sunken Cages (Ravish Nomin) and are synth and drum driven psychedelic space, ethnic fusion, whispering words, even a little hip hop beats, and where I would apply the word astral. Recorded in Philadelphia, also 2019. Buckle up and enjoy Thollem’s travels!
This album is a complement to the 50th anniversary release of Live at Home With His Bad Self (which itself is an expansion of a 1969 live show that was heavily edited into the LP ‘Sex Machine’), this Record Store Day Black Friday exclusive is the after-show set, featuring extended versions of rare cuts, new mixes, a duet with Marva Whitney and some revealing stage patter.
By the late ’80s Miles Davis had radically overhauled his style yet again, incorporating prominent synthesizers and using an ever-changing cast of young backing musicians. This remarkable set took place in the intimate setting of the Coach House Concert Hall in San Juan Capistrano, California, on June 15, 1989, and was broadcast on American Public Radio. It features just two tracks, a tribute to Jaco Pastorius from Davis’s 1989 Amandla album and the title-track from 1986’s Tutu. Check out the insert with lots of additional information. This is on serious 180g vinyl and is a UK import.
Inspired sounds — flutes, woodwinds, harp, bass, and electronics — by this So Cal quartet. Interesting and enjoyable movements as the instruments combine, diverge, drop out, rejoin, combine, diverge… Four masterful players confidently expressing their ideas, each leaving plenty of space for the others. Another top notch release from the reliably remarkable Pfmentum label.
Studio recording of a 2015 Ligeti sound installation at the POLIN Museum of the History of Polish Jews in Warsaw. Difficult to describe, other than to say the music is mostly mournful and clearly coming from an Eastern European direction. Composer/percussionist Ligeti interviewed a wide variety of Polish Jews, from young to quite old, asking them to tell stories and sing songs that portray the Jewish experience through their eyes. Passages from these interviews and songs were included in Ligeti’s musical score for the piece, with a handful of Polish musicians and vocalists invited to play the score as well as improvise along with it. I must admit I delayed reviewing this CD for many weeks, as I felt I needed to be in a particular kind of headspace to tackle it. It’s deep, with many layers of meaning, and I wanted to attempt to do it justice. Ultimately, there is a lot to say about this CD and the liner notes do a far better job of it than I could, so please dive into them and learn more about this composition. It is one 44-minute piece divided into six tracks but meant to be listened to all in one sitting according to the composer. A noble, ambitious undertaking.
Ken Field (Birdsongs of the Mesozoic and other projects) plays sax, overlaying and processing the six tracks on this solo effort. Very atmospheric and beautiful, sometimes mysterious and occasionally experimental. The instrument is recognizable at times, but also morphs into a very different sound as it loops and echoes. A pleasure to hear!
Spooky unhinged extra-terrestrial Death Rock Bizarre rock meets disturbed electronic dance rhythms.
Blu Anxxiety is the encephalitic brain-child of one Dracula O (Chi Orengo) along with collaborator Justin Schmidt. Raised on Rap and perhaps raised from the dead, this project is clearly informed by the likes of Skinny Puppy and Nitzer Ebb but with diverse influences that rear their disjointed alien heads at the most subversive and perturbed intervals. Another beautiful bit of vinyl heresy from ground-zero for punk perversion: Toxic State Records.
NYC – 2019
FCC on B1 “fuck”.
Hideous Black Death
Devastatingly ugly bombast. Murky and bleak, unhinged growls and animalistic howls through a haze of terror, dissonance, and echoes. Searing guitar riffs, tortured cries, soupy bass, and buried drums propelling misery. An unhinged cacophony in the key of the savage hermit. Sometimes messy, often disjointed, but always reveling in discomfort and despair. A black series of psalms for the worship of the wretched.
From Encyclopedia Metallum: “Mylingar” is the plural of “myling”. In Scandinavian folklore, the word “myling” indicates a wandering ghost of an unbaptized child.
A compelling aside, Metallum also states ‘Members’ as ‘None”.
Tyranny and tortuous ruin without authorship adds value to this fiendishly sickening LP, their third offering in a feast of steaming viscera.
Sweden – 2019
Low fidelity Hardcore Punk outta Toronto..
Buried vocal antipathy with call and response from the gutter. A squealing guitar lays down frenetic pentatonic solos, vitriolic peals of feedback, ugly downstrokes with venom, simple hooks, and four on the floor bass attack. Impassioned sounds from this four-piece on Deranged Records – 2018.
FCC on A3 “fucking”.
In 2017, surf band Stories from Shamehill visited the United States including a live mic in the KFJC Pit. This EP was recorded in Los Angeles and celebrates that trip with two fine instrumentals. Limited edition from this 3-piece band from the Netherlands.
12345 S. El Monte Road Los Altos Hills, California 94022
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