KFJC 89.7FM

Music Reviews

Sophia – “This Year Give a Share to Sophia” – [Lichterklang]

Lord Gravestench   11/26/2018   7-inch, A Library

Just in time for the holydaze, here is the 2017 Christless single from Sweden’s masters of hopeless, gothic Martial Industrial. Bring it back again for this year’s meretricious airwave revelries. Hit the killswitch and be better than human as you learn to fail with members of Cold Meat Industry superstars Arcana, who bring you two hammering battlefield ballads of holiday blues resignation and distinctly Scandinavian moroseness. This material is more song-based than some of their earlier work, and perhaps even more so than the lyrically-driven compositions on 2016’s devastating ‘Unclean’ album. Peter Bjargo, the head Sophian, is also married to Arcana/Sophia siren Cecilia Bjargo. Continuing the 50s theme, hear Him on side A and Her on side B, both in full bah-humbug mode. More of an elegant Martial Pop sound on side A that gets into Allerseelen territory. Side B is the lurching, too-drunk-at-the-Christmas-party spiteful (Lina?) Barbie doll. Both sides are genius because this band can do no wrong. Plays at 45.

Bley, Paul – “Improvisie” – [Bamboo]

Naysayer   11/24/2018   CD, Jazz

Paul Bley’s “Improvisie”, finishes off his trilogy of experimental electronic free jazz explorations with Annette Peacock. Recorded live in 1971 in Rotterdam, Netherlands, the two selections have Bley on electric piano and synthesizer ( as in MOOG), Peacock on electric and acoustic piano, synthesizer, electric bass and vocals, and Han Bennick on percussion. Peacock supposedly was the one who pushed the MOOG on Bley and with much success for the both of them. This is at the beginning of the MOOG so folks are trying to figure it out. Bley was happy that a keyboard was added but now he and Peacock were figuring out all the nuances of the thing. The improvisational interplay between Bley and Peacock is stunning, displaying a real understanding of the others musicianship. Peacock adds agonizing vocals (in a good way, a really good way) to the second piece. It almost shocks the listener. The pleasurable surprise, though, is Bennick’s percussion performance. He does so many amazing things with the drums, cymbals and whatever else he had present, adding to, accentuating, and filling out the sounds of Bley and Peacock. It almost gets lost but is so necessary. Definitely take a hard listen. A wonderful piece of music by some masters who were really going for the extreme.

Twin Peaks-Fire Walk [coll] – [Warner Bros.]

mickeyslim   11/21/2018   CD, Soundtrack

Soundtrack to David Lynch’s film and accompaniment to the TV series, Twin Peaks: Fire Walk with Me. Music composed by frequent Lynch collaborator, Angelo Badalamenti. Sexy, sultry, somber detective jazz. Smoky atmospheres, voices of Jimmy Scott, and damn fine cups of coffee…

 

Pulse Emitter – Xenharmonic Passages

SAL9000   11/19/2018   A Library

Pulse Emitter is the project of Daryl Groetsch from Portland, Oregon. Xenharmonic Passages is the perfect synth atmosphere for meditation or zoning out late at night. All tracks flow as if they were all one, setting in motion a voyage to icy caves in outer space. It is super spacey, atmospheric microtonal ambience with frosty swirls and faint drums.
Xenharmonic Passages

Albert, Marco / Day, Bryan / Kreimer, Jay – “Mutation 1-6” – [Public Eyesore]

mickeyslim   11/14/2018   A Library, CD

Marco Albert on vocals and electronix, Jay Kreimer and Bryan Day on invented instruments. These three met at the 2017 Festival Internacional de Improvisacion y Musica Extrema in Mexico. Recorded in Oaxaca, Lincoln NE, and San Francisco. Kreimer plays an “amplified hammered dulcimer-esque instrument on a tripod” and Day has “an entire table of his creations including antennas, effects processors, a wooden trapezoid, and an instrument that uses five tape measures each extended to a different length.”

The pieces are wrought and tense. It is surreal and abstract. The voices in both Italian and English float almost unnoticeably under dark scratchy movements.

Thick, scraping mutations.

Kallidad – “Kallidad II” – [Self Produced]

mickeyslim   11/14/2018   CD, International

Self-proclaimed “thrash flamenco” from Sydney, Australia. This is three dudes, Jacinko and The Raven on classical guitar, and Senor Bang Bang on the hand drum /box thing. Influenced by thrash metal, classical, reggae, rock, etc. Amazing technical skills on guitar. Fun, enchanting, hypnotic. Kinda weird album, I’m not sure why I like this, and neither will you.

Li Jianhong – “1969” – [WV Sorcerer Productions]

lexi glass   11/13/2018   A Library, Cassette

Li Jianhong is a free-improvisational guitarist from Hangzhou, working since the 90s in several groups, including VagusNerve (in our library), and the founder of the experimental label 2pi. This 2018 cassette release from Lyon/Nanjing-based label WV Sorcerer collects Li’s solo works from 2008, right around the time when his album San Sheng Shi, was discovered by international audiences.

Three longform psychedelic guitar works. “Die in humble and warm” (T1) is a blazing, slowly developing piece, with bright guitar tones darkened and distorted by reverb and other effects. The calm gives way to “Revolution is only a sad illusion” (T2), a menacing feedback storm that rages and settles, like toxic smoke clouds, into a heavy, post-apocalyptic drone. The feedback flares again before the Side A ends. Side B holds the heavy “1969” (T3), with reverberating tones swelling into massive blasts of psychedelic delirium.

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Naysayer   11/12/2018   CD, Soul

Isaac Holt and Edee Young are solid members in the soul and rhythm and blues world and their “Soulful Strut” is a classic insturmental that everyone has heard. This collection of the “definitive” Young-Holt Unlimited paints a broader picture of this duo. The 20 tracks present a mix of insturmental and vocals treats that cover a wide blues and soul spectrum. Some of the instrumentals are so smooth, as if you were sitting in a bar in Las Vegas at 3 am listening to their show. It’s so perfect, cocktail lounge sounding and feeling with a smooth rhythm section that goes down easy. The vocals tell great stories of how they can get the girl, how great the girl looks, how the girl should hook up with them. Then there is the “Horoscope” song, a crazy, man, medium hard soul strut with horns a plenty testifying to the ladies about what they should do. Example: “To the Libra with yo’ scales in your hand. Come on baby, open up your eyes and kneel.” Whoa, and then whoa. Soulfulness aplenty.

Peterson, Lucky* – “What Have I Done Wrong?” – [JSP Records]

humana   11/11/2018   Blues, CD


Dubbed “The Best of the JSP Studio Sessions,” these blues songs are infused with rock and funk, which put them into an enjoyable blues league of their own. Lucky’s father and his wife collaborate with him on these tracks, and rarely has a family reunion such as this sounded so good. This should get plenty of play.