The Surfrajettes are an all-female surf band foursome from Toronto. Although their fame might be connected to the novelty of women playing surf, their music is high powered, energetic and well played. Great fun!
Fierce improvisational avant rock from this trio headed by Wendy Eisenberg, a Boston-based guitarist, composer, and member of the no-wave punk band Birthing Hips. When she was a student at the New England Conservatory of Music, Eisenberg was spotted by John Zorn, who connected her with two accomplished players, drummer Ches Smith (of Marc Ribot’s Ceramic Dog) and bassist Trevor Dunn (of Mr. Bungle, Fantomas, Nels Cline Singers, and more) . This 2018 release from Zorn’s Tzadik label is the result of this collaboration. Eisenberg’s bold playing is at the fore, as her strings contort from discordant but familiar sounds into skewed sonic shapes or heavy, electronic growls, like on the noisy opener “The Descent of Alette” (T1, a tribute to the poem by Alice Notely) . The trio’s exchanges begin as dispersed bursts that that build in to intense grooves (T1, T3, T9), loose jams (T5), tangled thickets (T6, T10) or driving attacks (T4, T5, T7). Staggering sounds from this talented newcomer.
Minimal Technology is an avant-garde trio from Santiago Chile that formed in the early nineties. They explored new forms of video art and sound sculptures, and performed only twice, both times at the University of Chile.
Tell Me What Will Happen Today (B-2) contains the recording of one of their performances, which was accompanied by a video installation. Traditional rhythmic percussion and flute mixes with chopped samples and slow throbbing synth waves.
The other two tracks were recorded and released in Tokyo on Kino Mitsouko’s record label Dinn International. Listen to this Example (A-1) consists of cut-up fragments of English and Spanish dialogue over a repetitive bass riff, mechanistic clicks and whirs, and what sounds like a dot-matrix printer. Se Armó La Rosca (B-1) is an experimental turntable piece that scratches and mixes a variety of Spanish music at different speeds, both forwards and backwards.
Per Bloland studied music composition at Stanford and now teaches at Miami University. He often composes for an electromagnetically-prepared piano of his own design. The piano has a series of electromagnets placed along different strings, each of which can be driven by audio signal. This allows the timbre, sustain, and dynamics of each note to be controlled, and enables new type of resonance and feedback.
Chamber Industrial contains 5 works for chamber ensemble inspired by a variety of literary works and performed by The Ecce Ensemble. Moods are tense and suspenseful, contrasting delicate flutes and bells with the discordant growls produced by the sax, double-bass, and piano. Bloland evokes the energy of industrial music through abrasive, distorted textures and simple motifs. The electromagnetically-prepared piano is featured on T4, while T2 and T4 are purely acoustic.
“What the f*ck is this?!” you say. It’s, like, a REAL jazz trio, but it’s Sun Ra… That’s right folks, Sun Ra on piano is joined by Hayes Burnett on bass, and Samaria Celestial on drums. Originally released on Sun Ra’s El Saturn Label in 1979, and re-released here on Cosmic Myth Records. This is a pretty straightforward jazz trio, with all songs composed and arranged by Sun Ra. Toe-tappin’ and finger snappin’, easy listening, very accessible for those not into traditional avante-garde Sun Ra jazz. Drop the needle already!
Spontaneous improvisational music from avante-garde jazz saxophonist Frank Lowe, his third release as bandleader, accompanied by Lester and Joseph Bowie, Abdul Wadud, Steve Reid, Charles Bobo Shaw, and Selene Feng. This pops, stings, and punches you in the gut. Warbley, skronked-out scrapes and screeches. Improv madness that waxes and wanes, an all-out physical assault AND sweet nothings whispered in your ear. Tread lightly, “Fresh” indeed.
This Los Angeles instrumental band straddles the line between exotica and surf. Guitarist Bill McGlynn’s wide interest in music shows in his compositions and arrangements for all tracks. Very satisfying, well played, and cool.
More fine instrumental work from this Nova Scotia surf trio. Now in their 24th year of playing together, they show no signs of being tired. Good energy on mostly original tunes, these tracks really rock!
Nothing is known about Willie Baker, except that he would, as a child, play in Patterson, Georgia and that he may have gone to a Robert Hicks medicine show in Waycross, GA.
Charley Lincoln on the other hand, was born 3/11/1900. He performed with his brother, Robert Hicks (the same as above), professionally known as Barbecue Bob, for many years. After his mother and brother passed away, Charley became a very heavy alcoholic. He shot someone on Christmas Day 1955, and ended up going to prison. He died there of a brain hemorrhage in September 1963.
Atlanta, Georgia blues. One man, one guitar, one front porch.
Andrew Tuttle is from Australia, but you wouldn’t know it from this enchanting slice of post-Fahey Americana. Tuttle layers his banjo and guitar filigree over luminous drones to predictably trance-inducing effect. On Meterological Warning (T5), he’s joined by viola and prepared lap guitar, while The Coldest Night (T8) sees the addition of electric guitar and trumpet. Soothing stuff.
12345 S. El Monte Road Los Altos Hills, California 94022
Public Inspection File