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Music Reviews

Cold Storage – “Fractures” – [Rural Isolation Project]

whngr   9/21/2022   A Library, CD

Slow Miserable Avalanche

If Br’er Fox chased  Br’er Rabbit into the briar patch and couldn’t get out for twenty-three minutes and twenty-nine seconds and affixed to the thorns of the briar patch were contact mics, his blood was white-noise generators, and if poor Br’er Fox were strapped to a broken modem (on battery power) from 1997 you might be approximating “Fractures” by Cold Storage. Not the harshest noise but not at all comfortable either. Put it on at the end of your set to avoid spreading any residual strains of plague that might have collected in your reeking facemask and delight in the discomfort of the next volunteer and/or listeners that stumble upon the charred remains of your normally delightful and eclectic sets.

I could find absolutely nothing on this project other than it may have been recorded in Texas, just the way I like my abstract and unsettling artists…. invisible and mysterious.

West Texas – 2022

Doctor Who – Series 12 – [Silva Screen Records Ltd.]

Sir Cumference   9/21/2022   CD, Soundtrack

More of Segun Akinola’s music for Doctor Who. Unlike the series 11 release, this set is presented in story order, so it feels a little more of a mix. There’s still a lot of the kind of atmospheric tracks that Segun brought us in the previous series, plus he gets to branch out a little bit more. Some of the highlights (for me) was the Bond-esque music – especially in “Doctor, The Doctor” – a little playfulness in “The American Sense of Humour” and the sad Celtic fiddle of “Brendan” and “The Fall”. Of course, being a Doctor Who music CD, you can never go wrong with the title music – the best of the current era, but do enjoy some of the other offerings. -pi2r

Tuba Skinny – “Some Kind-A-Shake” – [Self Release]

aarbor   9/21/2022   12-inch, Jazz

Tuba Skinny is a jazz band from New Orleans. For over 10 years the band has evolved from a loose collection of street musicians into an ensemble of excellent players dedicated to bringing the traditional New Orleans sound to audiences around the world. Their range of musical influences is from spirituals to Depression-era blues, from ragtime to traditional jazz. Their sound evokes the musical heritage of New Orleans. Their loyal following likes their distinctive sound, their commitment to reviving long-lost songs, and their live performances. This release is from 2019 and is primarily ragtime and traditional jazz. Instruments: sousaphone, trombone, clarinet, cornet, alto sax, banjo, guitar, percussion. Some of their other recordings include a washboard (frottoir). AArbor

Mori, Ikue – “Tracing the Magic” – [Tzadik]

aarbor   9/21/2022   A Library, CD

Ikue Mori was born and raised in Japan. She says she had little interest in music before hearing punk rock. In 1977, she went to New York, initially for a visit, but she became involved in the music scene, and stayed. Her first musical experience was as the drummer for the no wave band DNA. Though she had little prior musical experience (and had never played drums), Mori quickly developed a distinctive style: One critic describes her as “a tireless master of shifting asymmetrical rhythm”. This is her latest release on the Tzadik label. There are 7 tracks, each paying tribute to a woman who has inspired her. Mori’s notes give you a sense of each woman. Each track is quite different with somewhat different instrumentation although all include digital electronics. Of note are: track 2 which includes traditional Japanese instruments and sounds as well as prepared piano, and track 7 which includes bagpipes. AArbor

Big’n – “DTS25” – [Computer Students]

Max Level   9/19/2022   12-inch, A Library

This Illinois hardcore-math-punk band was around throughout most of the 1990’s, unbeknownst to me. Here is the 25th anniversary deluxe 2-LP reissue of their ‘Discipline Through Sound’ album and it’s surprisingly great. Record 1 is the original LP, recorded by Steve Albini so you know it’s going to be satisfyingly loud and sharp. Record 2 contains demos of the songs and some outtakes, and tracks from a split EP they did with Oxes. Solid playing throughout. One of my first impressions was that Big’n sounded a bit like US Maple would sound if you owed them money and they came to your house and slapped you around. Then I found out the guitarist is USM vocalist Al Johnson’s brother. So there’s that. Speaking of vocalists, the singer in this band is the epitome of full-tilt throat-wrecking mayhem. These are love songs about doubt and torment and misdirected passion. Add to that some angry yet precise guitar, bass, and drums and… man… this thing rocks hard. Super hard. Turn it up!

Mortuous “Upon Desolation” [Carbonized]

atavist   9/19/2022   A Library, CD

The latest full-length release from this legendary Bay Area death metal collaboration, and their first full-length in four years. Relentless pursuit of concussive obliteration. Sudden tempo changes, super-tight and cacophonous. It’s hard to predict where they’ll go from one passage to the next within one song. “Nothing” has a great breakdown in the middle of the track with a violin part deftly mixed into a brief period of relative respite and calm. They want to explore all the sounds of death, like the unhinged high-register guitar solos in “Metamorphosis”. Clear the path for “Days of Grey”, a more straight-ahead driving maelstrom that devolves into a dirge befitting the title. It has a cohesion some of the other tracks don’t have, though the discohesion of those tracks is part of their allure. Blastbeats welcome us to “Defiled by Fire”, while the violin returns to take us out. Soaring guitars amidst the churning murk of “Burning Still…”.  Most tracks clock in around 4 to 5 minutes and all are worthy, each skillfully presenting a variety of delirious and devastating sounds with dizzying technical precision and, most importantly, unchecked fury.

Ulthar – “Providence” – [20 Buck Spin]

whngr   9/14/2022   12-inch, A Library

Lovecraftian themed technical Death Metal three-piece execute their demented crawl through a deranged gauntlet of sonic malevolence with considerably complex arrangements and deranged psychedelic and doom elements. Frenzied and precise, many of the medium length compositions plough through more notes than centuries Cthulhu has slept. Do colors exist at hyper speed or do they melt like the mind of a lunatic in the presence of the Old Ones? Does the syrup fail to drip as winter descends on New England?

Members of Pandiscordian Necrogenesis, Vale, and Vastum among others.

I was initially drawn to this release by the cover art by one Ian Miller who captured my youthful but critically scarred heart when I fell under the spell of the table-top strategy war games of Games Workshop in the late 80’s and inspired and corrupted me further into the decrepit realm of the Chaos Legions. He was an incredible influence on my developing brain and an excellent match for this album, which in my opinion, would be more than suitable aural backdrop for a hardcore miniature painting session. 

 Oakland, CA / Alexandria, VA – 2020

Nightfell “A Sanity Deranged” [Parasitic]

atavist   9/14/2022   A Library, Cassette

Massive layers of drums, bass, guitar, and vocals rendered by two Portland-based doomslingers in teeth-buzzing clarity by the evil wizard Greg Wilkinson. This is death metal shot through with sorrow and regret, to the extent that their slower passages, like the beginning of the track “To The Flame” moves into funeral doom territory, complete with a clean, lamenting choral element in the background. “Holiness Digested” is a short segue track before the epic title track is unleashed. Hear the darkness that has collapsed upon the self to torture that which would seek the light, only to find a prison of its own making, circling paths of infinity…

Melt Yourself Down – “100% Yes” – [Decca]

puplaif   9/14/2022   A Library, CD

Melt Yourself Down (MYD) is a London-based band led by saxophonist Pete Wareham and vocalist Kush Gaya. 100% Yes is their third full-length album. Driven by a desire to create new sonic pathways, the band’s jazz foundation is infused with Afrobeat, pop, and punk influences. The musicians here feed off one another, fueled by a heavy dose of adrenaline that makes for a very energetic and attention grabbing album. Beefy drums, rhythmic sax, groovy bass, and in your face vocals spew social and political commentary, and an invitation to move your body and come along for the ride. 

Bento Box – “EP” – [Parallel Recordings, Ltd.]

karma   9/14/2022   A Library

1999 release by three ambient house DJs: Jonah Sharp (Spacetime Continuum), Kevin Burtt (Me-Sheen), and Jason Williams (Velocette). Spacetime Continuum popularized the ambient house genre, music for the club scene that should encourage socialization. While this album is the perfect soundtrack to turning on your dial-up modem to boot up Netscape Navigator and AIM, it isn’t dated. It harkens back to a simpler time in house music’s second decade, the 90s, when house music – and life – didn’t seem so heavy.

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