Music Reviews

Jackie-O Motherfucker – “Change” – [Textile Records]

Daryl Licht   3/22/2003   12-inch, A Library

Jackie-O Mofo checks in with this field report as they continue on their journey
down the path of musical exploration and cut-out bin obscurity. Always a fairly
‘free? unit, Jackie-O has toned down the louder, more raucous elements of
their earlier releases in favor of a more textured, organic approach. The
opening track, ‘Everyday?, sets the standard for that new (sub)genre that all
the alleged ‘Americana? experts have completely missed: late-night, downcast,
‘free country?. ‘Sun Ray Harvester? is an eastern-tinged piece of atmospheric,
bang and clatter, basement improv/psych. ‘7″ is a 47 second waste of vinyl.
‘777 (Tombstone Massive)? mines a similar vein as ‘Sun Ray Harvester? ,
except the eastern influences are replaced by more jazzy elements and the
track is way more chaotic, in general, due to the abrupt changes that occur as
a result of the track’s ‘cut and paste? editing.The album’s final track, ‘Fantasy
Hay Co-Op? is another tense, late-night offering that centers around a couple
of repetitive figures and is, as a result, more focused and satisfying (IMHO) than
‘777 (Tombstone Massive)? . Overall, this is quite an interesting and enjoyable
release. Play! DL

Kinski – “Airs Above Your Station ” – [Subpop]

Daryl Licht   3/17/2003   12-inch, A Library

After 30+ years of psych/spacerock, it takes something pretty special to really make an
impact on me. Unfortunately, this latest full-length from Seattle’s Kinski (their third) is
not such an album. It is, however, an enjoyable record of (mostly) instrumental contemporary psych/spacerock, filled with the standard elements of the (sub)genre: analogue synth tones and drones, Krautrock rhythms, and thick, shoegaze, distorto-haze, applied in different combinations and intensities on various tracks to create music that is at some times spare, delicate, and melodic and other times is propulsive and soaring. ‘Semaphore? (which should already be familar to you, as a live version of it was included, under a different title, on KFJC’s, ?…Devil’s Triangle, Vol. 4? compilation) and ‘Rhode Island Feakout? are the most straight-up rockers on the album. Both versions of ‘I Think I Blew It? are blissed out, ambient solo pieces by leader Chris (Ampbuzz) Martin. I find ‘Your Lights Are (Out Or) Burning Badly? to be reminiscent of GYBE, but in a shorter and way stripped down form. ‘Schedule For Using Pillows And Beanbags? is the album’s epic centerpiece. As I said, certainly nothing groundbreaking, but still an enjoyable listening experience. DL

Migrantes – “Monsoon Moods ” – [Eclipse Records]

Daryl Licht   2/19/2003   12-inch, A Library

This is the second full-length release from the Arizona Duo, Migrantes.
Two tracks (A2 and B2) are actual songs in a folk psych vein. The
remaining four tracks are more ‘otherworldly?, Featuring mainly droning
organ and Caroline’s ethereal, effected vocals. ‘Gesture?, which
features Jason on electric guitar, is the most loud/aggressive of these
tracks, while ‘Baboquivari?, offers the most pure drone bliss. A nice
soundtrack for rainy days and late nights. For those about to float…DL

Davis Redford Triad – “Code Orange ” – [Holy Mountain]

Daryl Licht   2/5/2003   A Library, CD

Hot on the heels of their recent stunning live performances (one at the Hemlock and one here
at KFJC), comes this new disc from the Davis Redford Triad. ‘Code Orange? is a live collage of
performances from their Spring 2002 tour. It includes material from their prvious releases, as
well as rocked-out, electric versions of material from leader Steven Wray Lobdell’s excellent solo
album, ‘Automatic Writing By The Moon?. In addition, there are three new pieces, which will
appear onthe next DRT studio album. All the tracks are instrumental psych jams, some more
Krautrock influenced, others more middle-eastern tinged, but all driven by the unique,
effects-laden, colorful sonic attack of Lobdell and his old ES335. Overall, this certainly is worth a
spin or two, but I can’t deny that it seems a little pale in comparison to the scorching brilliance of
their recent shows. More proof that Dolphy was right. DL

Shipp, Matthew – “Equilibrium ” – [Thirsty Ear Recordings]

Daryl Licht   1/15/2003   CD, Jazz

Anybody who has been at KFJC for, oh, more than a week or two, should already
know that Matthew Shipp is widely regarded as the finest pianist in Jazz today.
What is, perhaps, even more impressive to me than his incredible talent as a pianist,
is the fact that he continues to explore new territories, rather than resting on his
laurels. He could easily and, quite rightly, be satisfied with the adulation of his
coll and fans and withy the fact that he, unlike the majority musicians of any style, can
make a living creating music he loves. But Shipp, through both his performances and
his work as curator of Thirsty Ear’s peerless ‘Blue Series?, continues to push his limits
and expand the concept of what Jazz is and can be. This outstanding release is the
logical ‘next step? down Shipp’s personal path of sonic exploration, in that it brings
together all the aspects of his recent recordings into a seamless mix of Jazz, beats,
and electronic music. There are tracks (3) that remind you of the organic, ambient,
post-music soundscapes of the ‘New Orbit? CD. There are tracks (2 and 4) that mix
Jazz with electronics and beats, as heard on the ‘Nu Bop? CD. The remaining
material is reminiscent of his ‘Pastoral Compusure? CD, in that fairly ‘straight ahead?
Jazz tracks combine, in a less heavy handed manner, some of the elements described
above to organically morph into a more modern, new form of Jazz. This is a brilliant
album that, truly, can (and should) be played on almost every show. Don’t be afraid of
the blue dot. Enjoy!!! DL

Sole – “Selling Live Water ” – [Anticon.]

Daryl Licht   1/9/2003   12-inch, Hip Hop

Anticon member, Sole, returns with a very ambitious and successful
second full-length release. Musically, he throws everything but the
kitchen sink at you, as jazzy horns, vibes, ambient drones, bleeding
Krautrock electronics, and seductive pop guitars are all integrated
quite comfortably with traditional hip-hop beats, scratches, and
classic soul samples. Lyrically, he also covers a lot of ground, with
compelling rants about things we can all relate to (work, relationships,
life/death, geo-politics) and deeply personal, soul baring sketches
(that you also might be able to relate to, depending on your particular
psychoses), as well. Overall, this is a stunning release that fulfills the
goals of the Anticon’mission statement? by transcending the
traditional preconceptions/lmitations regarding what hip-hop is and/or
could/should be. Music for the advancement of hip-hop, indeed! Play! DL

Drake, Hamid and Assif Tsahar – “Soul Bodies, Vol. 1 ” – [Ayler Records]

Daryl Licht   1/6/2003   CD, Jazz

Having been duly impressed with, ‘Piercing The Veil?, Drake’s outstanding
2001 duo release with William Parker, I was looking forward to this release
with great anticipation. As the liner notes indicate, Drake is currently one of
the most respected percussionists in the Free Jazz scene and, like Parker, his
playing impresses in seemingly every context. Tsahar, while less known, has
been a major contributor in the NYC Free Jazz scene for the last decade or so,
through his performances and his efforts as the head of Hopscotch Records
and co-founder of the awesome Vision Festival. After the useless introduction
track, there are three lenghty tracks. Two of them (the first and third tracks)
are awesome freedom chases that are reminiscent of John Coltrane’s duo
blowouts with Rashid Ali. The first of these, ‘Soul Bodies?, starts out slowly,
with Tsahar soloing, before it really takes off; whereas the latter, ‘Heart’s Mind?
is pretty scorching from beginning to end. The second track, ‘Clay Dancers?, is
an excellent Middle-Eastern flavored piece in which Drake chants in Arabic
while playing the frame drumand Tsahar adds some very tasteful bass clarinet.
Excellent! DL

Howard, Noah – “Live at the Unity Temple” – [Ayler Records]

Daryl Licht   12/18/2002   CD, Jazz

Like all but the biggest names in free jazz, Noah Howard has labored in relative obscurity for many
years, despite performing with such luminaries as Albert Ayler, Archie Shepp, and Sun Ra and
having releases on such legendary labels as ESP, Freedom, and so on. On this release, Howard
leads his long-running and very tight quartet through five original compositions, including two of
his signature pieces, ‘The Blessing? and ‘Schizophrenic Blues?. Howard’s playing is crisp,
melodic, and clear: alternating intense freedom chases with passages of mournful,
Coleman-esque alto wailing. Pianist Bobby Few is also quite impressive on this date, providing an appropriate foundation in every instance for Howard’s alto flights. In fact, my only real complaint
with this release is that Few’s incredible assaults on the keyboard are often times difficult to fully
hear (and appreciate) amongst Howard and Duncan’s sonic attack; such is the nature of live to
two track recordings. Overall, a very satisfying blast of free jazz – enjoy! DL

Mus /Coti Split Single [coll] – [Pop Art Records]

mitch   7/16/2002   A Library, CD

COTI is famed producer/sound engineer on the Greek electronic
indie scene; he has 2 LPs out on of mostly ambient
electro melodics, and one more recent on that veers
toward a deep listening, gentle Moor Music / harmonious landscape.
???Crab Promenade??? is an outtake for those sessions, using a seaside
melody as backdrop, it skips along over ascetic rocks & sensual
whirlpools in an unflagging example of clean + sedate parallel melo-
harmonics/percussive electronica. Much the left-brain at the beach
to this, the left side, that is. The MUS track previously appeared on
???Little Darla Has a Treat For You V. 18???, and strolls the fashion
runway with a definite andalusian couture; subtle, stylish & serene ???
small jacket, flared skirt over layers of lace and tulle, detailed perhaps
with beaded frills and a bliss-out of pristine dimensions. Delectable,
of elaborate embroidery, as if finding a slow moment in this messy
world, ???Dexase Apagar??? is a pause of serenity in a swelter of frivolity.
Sanguine sounds from Greece and Spain.
MITCH July 2002

Carissa’s Wierd – “You Should Be at Home Here ” – [Brown Records]

mitch   7/16/2002   A Library, CD

Improving on debut, ???Ugly But Honest???, producer Chris Walla
delivers a recording of immediate/emotional power within a
carefully balanced parameter of acoustic string instruments,
resonant lo-fi percussion and songs that are like secrets,
veiled in violin & whispered in sleeping beauteous emulsion.
CARISSA???S WEIRD founders Mat Brooke + Jean Ghetto
front this 5-piece, which also includes accordionist Jeff Hellis,
Sarah Standard on violin & drummer Ben Bridwell; having
emigrated from Tucson AZ to Seattle with dreams of wistful
contemplation (note somber tones + musical shades of grey)
and a not-to-be-outdone riffing that adds a nice low-end punch
to the material. Picks???.???Brooke Daniel???s Tiny Broken Fingers???
???I did not think those screams were for real???.??? Opening with a
woeful violin line, it arrives finally with a medical solution???.the
haunted ???The Color That Your Eyes Changed??? is a sad, blurred
waltz of elegant harmony & displacement???..???Blessed Arms That
Hold You Tight??? is Ghetto???s finest moment???.??????it???s all long good-
byes???..??? sung with such an ephemeral nondeliberation of beauty
that it becomes clear why the band scribbled out their lyrics in the
accompanying booklet???.no point in overstating the obvious.
MITCH July 2002