KFJC 89.7FM

Music Reviews

Relics: A Transmat Compilation [coll] – [Buzz] (33 rpm)

Hunter Gatherer   12/1/2004   12-inch, A Library

‘From Belgium to Detroit – with respect’ it says on this LP, a re-release by Belgium’s Buzz Records of this compilation of early Detroit techno music.

It was originally released in 1992 on Derrick May’s Transmat label, and it covers Detroit techno from 1986 to 1990 with tracks from Carl Craig (Psyche, BFC), Juan Atkins (Model 500), and mostly Derrick ‘Mayday’ May (Rhythim [sic] is Rhythim [sic]) who has over half the tracks on this album.

Some of Mr. May’s tracks hadn’t been released before or even been given titles. They show up titled as ‘A Relic’ or ‘Another Relic.’ In between each track is a weird little ‘interval’ less than a minute in length performed by Messrs. May and Craig.

The artists on this album were influenced by Alvin Toffler, and in Detroit in the late 80’s the decline of the Second Wave was more than a abstract concept. Amid the decay they created a musicical version of the Third Wave, in which man and machine (in this case a Roland synthesizer) would merge and form something far funkier than the sum of its parts. The use of the word techno to describe the music was lifted from the techno rebels in Toffler’s book Future Shock.

All tracks are instrumental and entirely synth-generated. The beats are relentless, and everything else – melody, synth-strings, chords – are merely there to support the beat.

–Hunter Gatherer

Triosk – “Moment Returns” – [Leaf Label Ltd]

Funkminsta Fulla   11/30/2004   A Library, CD

triosk – “moment returns” – [leaf label]

triosk administers measured yet delicate doses of minimalist meanderings and moody muses to create an aural tonic that is smooth, sensitive and sophisticated… no bitters here. “moment returns” mixes well with both psychoacoustic sound clash and downtempo acid jazz with equal ease. sparse sound samples form an interactive organic environment which complements this contemplative piano trio nicely.

mad hatter

Tinariwen “Amassakoul” [world village]

Thurston Hunger   11/23/2004   CD, Format, International

Founded in the late 1970’s by guitarist Ibrahim Ag Alhabib,
Tinariwen has been a loose collective of soul soldiers and
guitar shamen ever since. If blues is born of pain, then
these Tamashek men and women, driven from their native Mali
for a stretch, still feel that sharp emptiness…it’s built
into their name which allegedly translates as “desert” or
“empty spaces.” The burrowing guitar is a striking signature,
present on all cuts here except the floaty flute and chant
drone that closes the CD. The guitar is usually under chatty
call-and-response vocals that are infectious enough to sing
along with despite no clue what is being said. While the
guitar can recall the pluck of the Ex, and the electric zap
of Junior Kimbrough, it really is a unique flavor to savor.
Elements of sauntering reggae rhythm, gnawa loops, french rap
are captured as well. Dig that mod mad nomad sound!

Theramin “We Were Gladiators” [Psychotica Records]

Thurston Hunger   11/23/2004   A Library, CD, Format

Solid battering-ram rock from Italy’s Theramin targetting our
shores with english lyrics… and “talks” too, as featured
on “Near by the Saint Leonard river” which wisely tells us not
to think too much. Drummer Sacha Tilotta offers said talks,
and when he’s not a ponderer, he’s a pounder. Drums on this
album sound great and fight for life. Tracks often go through
stark passages where either Sacha’s drums or Stefano Garaffa
Botta’s guitar drop out for a few bars before dynamics damn the
torpedoes and full boar ahead. Good yelping female guest vox
by Giovanna Cacciola on “In My Place.” String suite sweetens
“To Be Away” which like much of the album features prominent
and vital basswork by Michael Herman, a key to heavy-hitting
rock. And this here is some kinda Italian Kung Fu which lands
every punch.

Zu “Igneo” [Amanita]

Thurston Hunger   11/21/2004   A Library

Igeno ain’t bliss, but it is burnished and blistering rock
done as if by magic without a lead guitar. Black magic indeed
with smoke coming out of Luca Tommaso Mai’s saxes, on two
tracks Ken Vandermark doubles that damage. Additionally two
other Chicago Brotzworkers join in the fiery festivities,
but Zu really needs no assistance. The rhythm section of
Massimo Pupillo on bass and drummer Jacopo Battaglia, they’re
sort of an Italian answer to the Ruins. They provide an
infernal (lower-case m) magma of sound. Pupillo’s basswork
is active, with chord flashes and quick fingerwork to make
one almost swear that guitar is present. Or maybe that’s the
contribution of live soundman Alberto Mattaroccia. Crunch
and feedback whinny fit so well with the angry horn work.
A powerhouse release, with unquenchability.

Panicsville “Imperfections of the Organism” 33 [Nihilist]

Thurston Hunger   11/17/2004   A Library

Panicsville “Imperfections of the Organism” 33
————————————————————-
Transmission jamming frequencies emanating from Chicago, with
Andy Ortmann the main dialer/dealer of this sordid sound.
Wet whispers, geiger ticking, round bouncing waves supplying
secret rhythms. Pseudo-stuck scratches, laboratory alarms,
turntable twists, faulty ignition sequences, all systems
are gone, way gone. Atari games to the death? Robovox gets
passive aggressive in the middle of the socket stew of “Radio
Wizard” leading up to warped discharge on women’s periods at
the end. Chaotic but never a cacophony…really a diverse
delight for tired ears. Occasional human yelps, duck calls(?)
and other swiped sounds, but ultimately the hero of this story
is electronic equipment, with its own many flavors of stunning
imperfections. The band name is taken from Patty Duke’s
exclamations (where does her empire of influence end?). Aside
from the split 7″ with John Wiese, this ought to really put
Panicsville indelibly on KFJC’s map. Visit often. -Hunger

Bettye Swann – “Bettye Swann” – [Honest Jons]

Hunter Gatherer   11/10/2004   CD, Soul

This collection by Honest Jons covers semi-obscure soul singer Bettye Swann’s career with Capitol from 1968 and 1970. (Her work with Money Records was recently released on Kent Records.)

This is country-inflected soul music that will have you singing into a hairbrush or crying into a beer, depending upon your disposition.

–Hunter Gatherer

Chris Joss – “You?ve Been Spiked” – [ESL Music]

Hunter Gatherer   11/10/2004   A Library, CD

ESL Music has re-released sound engineer and Frenchman Chris Joss’s 3rd album and added two tracks from his 1st album The Man With A Suitcase and a Flash video of the single Discotheque Dancing.

This album is paying homage to the 70’s with its waka-waka guitar, disco beats, and Hammond organ while at the same time the clear production, occasional sample or scratch keeps it sounding fresh and new.

The tracks sound like the theme song of a cop show I wish I could have seen or a porno ‘I’m glad that I didn’t. You can’t go wrong playing one of these instrumentals.

If you ever find yourself evading the police in a stolen Ford Torino make sure to pop in this CD.

–Hunter Gatherer

Zoomers “Exist” [hyped2death]

Thurston Hunger   11/9/2004   A Library, CD, Format

Another fine reissue/revival from Chuck Warner’s Hyped2Death
efforts (aka Homework #204 on that label). Check the liner
notes. While this has one sort of ambling jam (“Freak at the
Greek”), most of the tracks are short tightrope walks over
inner anxieties and damp, cramped tape e.q. It sounds pretty
swank for 1981 cassette culture, though every once in a
while a track sorta goes through a tunnel of sound, some of
that those is a result of flanger fanaticism. Lyrics are
delivered in bursts, that sort of romance vs. robot approach.
The vocals often accentuated by a gasp or a whisper and oft
times both, they are nicely up front in the mix. Drums keep
time, squeeze in some rat-a-tight snare fills, occasionally
get completely lost. It’s the odder guitar fills (and sax,
piano and especially synthesizer with well-detuned delivery)
that augment the angst and make this a Louisiana winner. “All
We Need” is just too strange and estranging to simply file as
“rock” but this album (even that track) has moments that rock
solidly and artfully. There are some really wrong notes at
exactly the right moments on this!

Kahil El’Zabar & David Murray – “We Is” – [delmark]

Funkminsta Fulla   11/3/2004   Jazz

Kahil El’Zabar & David Murray – “We Is” – [delmark]

an intimate yet brightly mic’d live recording at the Bop Shop record store in Rochester, NY does well to capture these animated players’ performance.

tr1 grooves like the gospel of A Love Supreme; in lieu of Coltrane’s Elvin Jones on trap, here we have the capable Kahil El’Zabar (Ethnic Heritage Ens.) to deliver us the sermon with spirited hand percussion, tasteful trap rhythms and soulful call & response.

tr2, 5 feature upbeat splatter trap ‘n bop squaks – slightly challenging yet ultimately accessible invites to walk amongst the hallowed halls of hard bop

tr3 – delicate thumb organ open, warm vox sing truths throughout, beautiful development of Murray’s sax, rich conversation at -9min then solo vibes kiss with water-like bliss before pump organ confessionals draw this ‘Blues Affirmation? to sombre close

tr4 – swank bass clari + hand perc. that hits right + Band of Gypsys-esque vocal / lyrical feel makes for a toe-tapping time!

mad hatter

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