KFJC 89.7FM

Music Reviews

Enbilulugugal – “Another Fucking Pointless Enbilulugugal Compilation” – [Self Produced]

lexi glass   1/15/2019   A Library, CD

2015 compilation of three old releases from this disgusting black metal noisecore band from Central California. Non-metalheads might delight in the sound of all of black metal’s conventions as they are fed slowly, hooves first, into a meat shredder, maybe with some contact mikes fitted onto the blades to pick up every delicious gargle. The tracks from the 2002 split Memento Mori (T1-T8) have more of a noisewall quality with lots of pervasive static, while 2002’s YOU WILL BE GLUTTONED!!! (T9-T15), with all its samples and aggressive electronics, resembles PE. Maybe they should’ve just given up back in 2001, as the Filthy Satanic Pork demo from that year is my favorite stuff on here: just confusing guitar torture (I especially enjoyed the sloppy shredding on “Smearing Feces Into the Face of the Fucking Catholic Bishop”, T19), lead vocalist Izedis Apirikubabadazuzukanpa’s nonstop strangled howls, and a thick crust of distortion.

T12 FCC SHIT

Mania – “Little Pieces of Violence” – [Phage Tapes]

Louie Caliente   1/15/2019   A Library, CD

Mania is Texan Keith Brewer, well-known for his psycho-sado-sexual power electronics project “Taint”. “Little Pieces of Violence” is his latest full-length album, released on Phage Tapes.

8 untitled tracks soaked in uncomfortable tension. Surprisingly sparse at first. Echoing rumbles, dragging metal, banging pipes. The pieces build in intensity, exposing the pure hatred and agony within. Piercing screeches. Electronic sizzlings. Feedback enters the mix, followed by screams of rage and horror. The layers compound and magnify. Earfuls of raw aggression. Watch the levels!

Features some nice dentally-damaged album artwork from Brewer himself.

ATM – “Inglewood Tapes Vol. 2” – [Radical Documents]

Thurston Hunger   1/14/2019   12-inch, A Library


Three dudes looking to make bank?!? Or rob one with the
ransom note track listing? We don’t have Vol 1, yet….
The promising and peculiar Radical Documents label from LA
is back with ATM’s second release straight outta Inglewood.
ATM acronymically being Alex (Becerra), Tony (Mackenzie)
and Matthew (Green). Proud and dorky with echoes of the 80’s.
Chop suey of choppy beats, sonic synthy styles and a little
pico de gallo. The album feels like a lark among three
friends, they meet us and immediately “Pull Down Your Pants”
which cycles some canned gamey show applause in and out with
a simple descending octaves on the bass end with squiggly and
flitty keys above it. Next up, it’s almost Men Without
Hats but instead trip the lightly lysergic on “No Time.”
“Sad Onion” and later “Slow Skronk” go electro flow and
drop in respective bursts of violin and sax improvy paroxysms.
“Sad Onion” makes me hungry. “Rave Nature” has these goofy
gyroscoping woooohs. “MDMA Bliss” attempts a romantic feel
with digital handclaps, and sorta goes Peaking Lights while
doing so. “Poetry” is pure B.S. Eliot. “Asco” easy come
easy go, with the best little riff over a galloping
drum machine. Dumb fun smarter than Brexit and NAFTA
combined, economically comic and again that Radical
label, dood!
-Thurston Hunger

Bender, John – “Pop Surgery” – [Superior Viaduct]

Thurston Hunger   1/14/2019   12-inch, A Library


The original CB? Circuit Bender? 1983 was when Bender’s
third and then final release came out, reissued right on
time 35 years later by Superior Viaduct. Well there was
some Record Slut and also mighty Vinyl-on-Demand action,
but the notion that Bender was ahead of this time is
pretty clear. Synthesized Cincinnati eclectic electronics
in the attic. Calling it “Pop Surgery” was a nice slice
of genius, as the tracks have a catchy wave to them,
it’s not a series of knob goblin spins. The percussion
too is almost cute and precise like a wind-up toy. The
music reminds me for some reason of the old Mattel
Merlin. More Cabaret Voltaire than Barnes and Barnes.
But the speak-sing, repetition of vocals and post
processing of them as well (see the end of “Blue”
or alien-tweaking voices on “Cows” where Bender’s
then-young song Max sneaks in) adds a spoonful of
sugar to the Surgery. His vocals can sometimes feel
like an old instructional video (“Dance” which you
can crossover to Detroit beats no problem).
Apparently the numbers with the song titles
indicate tapes from his bedroom/sonic laboratory
work. And he clearly likes having fun with the
tape itself, as on “Dance” and Amalgamelon.”
“Glass” is sharp, and a fave, just great sound
construction and a little disarming. “Meat” too
tastes sweet with a hint of cognitive dissonace with
a killer hook, well a meathook. Tracks come fast,
Faust and furious, but biting off two in a row in
a set is alright since it too 3+ decades for KFJC
to connect. -Thurston Hunger

Tapper Zukie – “Man Ah Warrior” – [Kingston Sounds]

Hemroid The Leader   1/11/2019   12-inch, Reggae

1973 debut, 2015 reissue. Badness to rock your body line. Deejay/ toasting wasn’t yet an accepted form. He was the leader of the Zukies. He didn’t leave the ‘enforcer’ lifestyle behind for another 3 years. If you eat pork there is a message here for you. Other messages too! +++

Sizzla – “Praise Ye Jah” – [Xterminator Productions]

Hemroid The Leader   1/11/2019   12-inch, Reggae

Smooth R&B reasonings- but the sentiments are as contemporary as the production is dated. Great vocal performances. Lyrics convey profound deep wisdoms. Now-time meditations – see ‘homeless’. Many others

Released 1997, a month after the classic Black Woman & Child.

Talent Spotting Part Two [coll] – [Twinkle]

Hemroid The Leader   1/11/2019   12-inch, Reggae

1992 compu-rhythms from Nottingham UK’s Dub Judah. Vocalists showcase style with dubs in between. Norman Grant/Twinkle Brothers sound.
A1-4 Perspectives on famine in Ethiopia. B4-5 atypical rhythm.

Sista Monica – “Get Out My Way” – [Mo Muscle Records]

humana   1/10/2019   Blues, CD

This CD is a jewel traveling to us from 1995 and debuts the rich, hearty, nourishing voice of blues singer Sista Monica. Listen to the lyrics and you’ll learn that she moved to Santa Cruz. It’s true that her voice is an instrument, and though she is known for her blues, she stirs in elements of soul and rock and gospel (in the last song you can hear her gospel singing roots). This is a great add for our library. Sista Monica may have left the world, but her voice reverberates on.

These Bastards – “Old and Pissed” – [Self-released]

atavist   1/9/2019   7-inch, A Library

SFBA hardcore/thrashcore punk. These Bastards employ an old-school method of observing our current situation, at ground-zero of big-tech capitalism, and delivering a short-blast fuck-you­—speaking of which, the FCCs abound. But find a way to spin this regardless. The production finds the right balance of clean separation in the instruments and raw vitality. The band fires on all cylinders, pummeling along, even hooking in the occasional shrieking guitar solo. Most tracks are 40 to 60 seconds long, and one outlier clocks in at ~120 seconds, so cueing will require some dexterity.

Voicehandler – “Light From Another Light” – [Humbler]

lexi glass   1/8/2019   A Library, CD


Voicehandler is the Oakland duo of vocalist Danishta Rivero (of Las Sucias) and percussionist Jacob Felix Heule (of Sult, Beauty School, and a collaborator of Bill Orcutt, Tom Djll and many others). This 2018 album is the follow-up to their captivating 2015 debut, Song Cycles. Compared to that record, these three pieces feel fuller and more direct. Heule’s drumming springs out of the gate with rhythms that move from scattered to spare, melding with Rivero’s bubbling electronics and swarming vocals. Her voice bursts with possessed ravings, distorted phrases, throaty utterances, and, at times, resembles free playing on a brass instrument. On T2, Rivero’s electronics gradually transform her voice into an intense, terrifying chorus before vanishing into black static that rumbles into T3. Here, the duo’s conversation is converted into pulses of energy traveling over long-distance lines. But interference creeps in, obliterating everything save for the whispers of a dark spell. Totally magical. (Even more so when witnessed live – they put on one of the best shows I attended in 2018 – so check them out!)