Gorgeous third release from this German producer. Said to be born out of a period of musical exploration in the Swiss Alps, his sounds are often labeled as minimal techno. This is so full of sound though, very earthy and rich. Lush electronics, intriguing dance-able beats, organic instruments, field recordings, bells, tropical flairs. All instrumentals except track 4 which features vocals by Panda Bear (Noah Lennox of Animal Collective), and track 7 also has vocals but I’m not sure who, himself perhaps? It’s optimistic and beautiful!
“Trou” (pronounced trū ), french for “void” is the mysterious and prolific rhythmic noise, harsh industrial project from France ca. 2012 to present. Three gloomy tracks of mind wipingly repetitive dark ambient/industrial fare suitable for the final round of stripping your captive of their ego. Apply liberally to the feeble minded in order to gain control and begin supplanting capitulation for autonomy as you guide them towards self destruction and they bend to your terrible will. Originally self-released on cassette in 2017 this outing is another delectable/detestable disc from Chicago label No Part Of It.
French sound artist Bérangère Maximin transforms an assortment of instruments – percussion, small objects, synths, guitar, and voice – into the Land of Waves on her sixth album. Over two LPs, we visit the imagined corners of this strange land, starting with its terrain: the underground drones and gemlike synths on “Day 41” (A1), idiophonic melodies emanating from deep caverns on “Kalimba Rough” (A2), the swarm of tremors on “The Broken Shoe” (A3). The B side sets out on a night time walk through an unusual wilderness, its sounds of glowing insects, wind-up birds, leaping fish, calls of owls and other unidentified creatures beaming through the darkness. “L’Echappee” (C1) begins at the edge of a dock before unmooring, drifting into a shadowy sidelong journey. The final D side holds some of the most exciting and varied tracks: “Walking Barefoot: Imaginary Quintet” (D1, a collaboration with Fred Frith on guitar and the Swibeckico Quartet on electronics) an eerily beautiful techno piece, “Des Tigres Multicolores” (D2) with its jeweled tones, purrs and growls, and closer “The Thread” (D3) where the most familiar of sounds, like a cell phone notification chime, are absorbed into Maximin’s dreamworld. More of her previous work can be found in our library, here and here.
Eerie Cinematic Vignettes.
Haunting, serene, and at times unnerving like dreams of lovers long passed, entropy, and the death of hope. A collection of modulated strings, samples, and ambient sound collage by Washington state’s Kevin Lewis culled from unreleased selections by this magnificent composer, released August 2020 by the label No Part Of It (Chicago). In a word, perfect.
An outstanding 2019 release from Strut which showcases the popular music of Madagascar during a heyday of Malagasy popular music. Most recordings from Madagascar are traditional instruments and music, this one is not. Salegy is a fast tempo local dance based on 5/8 and 12/8 rhythms [tracks 1, 4]. Soukous is from the Congo, brought into Madagascar’s music in the ‘60’s via the radio, along with music from Kenya, South Africa and Mozambique. At that time the newer styles and instruments replaced many of the traditional ones. Be sure to check out the Behind the Scenes Alefa Madagascar! Video on Youtube. The liner notes give a very rich and well researched guide of music in Madagascar. AArbor
The soundtrack to a documentary movie directed by Miguel Kohan featuring interviews with musicians and singers from Argentina’s Golden Age of Tango ( 1940’s and ‘50’s – before Astor Piazzolla). Uruguay’s Lagrima Rios appears here on the 2nd track on both CDs. Two CDs worth of lovely antique tango music, the grandmother musically speaking of what you hear from Gotan Project, Bajofondo and others these days.
Mohamed (Mohd. for short) Rafi was one of the 4 top playback singers in Bollywood, the others being Asha Bhosle, her sister Lata Mangeshkar and Kishore Kumar. Playback singers do the actual singing in Bollywood movies while the screen actors lip sync. These are some of his best known (and loved) tracks.
slow motion bees swarm
as electric shockwave birds chirp,
and rusted whispers ebb
cartoon sound effects
stretch over a toilet bowl,
and tin cans apologize
Live recordings from their ’98 tour of Japan. Quaint, noisy 7″ limited to 303 copies.
I’ve been sitting on this doulbe CD release for something like 6 years. I don’t know why I never opened it. I don’t know where it sat all these years, but after I found it when I moved back to the Bay, it STILL sat, unlistened, for two years. So sorry, folks…. Simply put, this is amazing. Amazing music from an amazing musician with an amazing story.
This album was recorded well before Mogerman moved from California to British Colombia in 1985, when he ended up having a stroke due to a terrible car accident that made him unable to play guitar for twenty years, making this possibly the only recording/release of music before his accident. He has gone on to become a clinical counsellor, specializing in restoration of self-image after brain injury and trauma. Aside from being a musician, he is also an accomplished author and artist
Half of these 20 tracks are quick, fast-paced acoustic guitar songs with witty lyrics taken from on his wife, Gundula’s, poetry. The other half are improvised, jazz-ic, acoustic, living-room jams. Even the composed tracks have a freeform feel. Enjoy!
a washed out daydream
just beyond the greying clouds
find its way out of the rain.
a hurried pitter patter on
eaves, beating as if a
morse code from the heavens
is finally saying,
“… maybe not one day.”
a knock at the door,
a bird finding sanctuary
underneath your windowsill,
and, now, rain
the moonlight glistens
off the puddles
in the sidewalk.
Mountain View math-rock duo. Beautifully melodic syncopation from Nate Sherman on guitar and Ty Mayer on drums. Delicate, masterful, stunning.
12345 S. El Monte Road Los Altos Hills, California 94022
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