The M’n’M Trio is a clarinet, high tenor banjo and tuba (a couple of the players do vocals as well). Three well-seasoned musicians, great ensemble players and multi-talented (the tuba player is a pediatrician) have fun with 18 songs – some well-known and others not. It’s old timey, it’s klezmerish, it’s just fun – just play it. AArbor
Il Complesso Di Tada is a “super band” directed by Massimo Martellotta some special guests who are true national icons (in Italy) such as Elio from Elio e Le Storie Tese, Nina Zilli and Filippo Timi. Il Complesso di Tadà focuses on the grooviest and hip-shakingest side of Italian mid ’60s Italian TV Shows music. From the opening single, Piero Umiliani’s masterpiece, Mah Na Mah Na to the beat explosion of Il Surf Delle Mattonelle and Ma Che Colpa Abbiamo Noi to classic Italian treasures such as Sapore Di Sale and Guarda Che Luna, it’s a “super cool mid 60s experience”. The sound is tight, poppy and punchy, full of percussive rhythms, wild organs and groovy percussion. There are also some groovy instrumental tracks such as Veloce, Non Troppo, Allegro and Movimentato all composed by Massimo Martellotta, which reflect his admiration for one of the great Italian soundtrack composers Piero Umiliani. AArbor
Salah Ragab was an Egyptian drummer and bandleader. While serving in the Egyptian army, Ragab tried to form a jazz band with American saxophonist Mac X. Spears in the early 1960s, but Spears left the country soon after. At a concert by Randy Sexton, Ragab befriended German diplomat Hartmut Geerken and Eduard Vizvari, and they became the Cairo Jazz Band. In his work for the military’s department of music Ragab selected musicians to join the big band and taught them jazz. The Cairo Jazz Band performed for the first time at American University in 1969, performing original works in addition to music by Count Basie and Dizzy Gillespie, then in Alexandria and Cairo. The band recorded in the early 1970s. Geerken invited Sun Ra, who made a few visits to Egypt. Ragab performed with Ra in 1971 and 1983. Ra recorded two of Ragab’s songs: “Dawn” and “Egypt Strut” (both on this record). This is the Strut re-release of an important record – it’s his first of 3. Like many other jazz recordings made around the world during the 1960s and ’70s “it refracts the language of jazz through the prism of local traditions”, culture, politics, history… AArbor
Five pieces by this Atlanta-based composer: two for solo saxophone (baritone and soprano) and three for saxophone quartet, performed here by the New Thread Quartet. Koh’s music typically explores the intricacies and details of sound, and these pieces can be characterized that way; they tend to be on the quieter side with plenty of space and silence. Track 1 is probably my favorite, with the baritone sax sometimes approaching what might be called drones and spending much of its time in the higher registers. Interesting, varied, well-played compositions that are definitely worth a listen or two or three.
Øresund Space Collective is a music collective from Denmark and Sweden that play totally improvised space rock music. OSC is an improvisational jam band formed in April 2004. Unlike most bands, they do not have any consistent, static line-ups, but rather, as their name suggests, they are a collective with musicians dropping in and out of the band for shows and recordings. Though the central thread of their sound is routed in Psychedelic Rock and Space Rock, the band has explored genres as diverse as electronic and reggae. Spaced out good fun. Black Moon Circle is dedicated to dark psychedelic space rock, driven by prolonged jams. Put them together and you better fasten you seat belts for these four tracks.
Formed in 1996 in Arlington, Texas by guitarist John Perez and drummer Jason Spradlin. The goal: create mind expanding psychedelic sounds for the head! The band also includes current members Alan Wise, Mark Cook, and Ron McCain. Acid Music for Acid People on Nasoni is studio outtakes and two extended live cuts. With a new album in 2021 and live trips in the works, Liquid Sound Company is ready to fly! Really good instrumental psych.
Dr Space, aka Scott Heller, plays in Øresund Space Collective, Black Moon Circle, Doctors of Space and contributes synthesizers to many other bands and projects. Dr Space says of Cosmic Alliances: This compilation CD was specifically produced to help fund my studio on Indigogo. All tracks are unreleased studio or live recordings by bands that I have played with live or done some recordings with in the past. All tracks remastered in 2020 for this compilation by Dr Space and approved by the bands. Thanks to all the great bands… Agusa, Automaton, Bismut, Johan Dahlström, Måneskjold, Phased, West, Space and Love, White HIlls, Yuri Gagarin. This is a CD only release.
Bhajan Bhoy is Ajay Saggar. Dutch alternative rock is how this his first solo album is described. He wrote all the music and the words except on “Strung Out” and “Cascade”. Recorded, mixed and produced by Ajay at Soundation Studio in 2019. Ajay has worked with a lot of other bands (The Bent Moustache, King Champion Sounds and Deutsche Ashram to name a few). Very middle eastern feel to some tracks (“Welcome”) and an orchestral bent on others (“Strung Out”). Moody and moves at it’s own pace. From the press release: “Bless Bless is the fruition of months of Ajay locking himself up in his studio and working days and nights to make this wondrous and beautiful album filled with kosmische guitar psych magick / sonic raga trips / melodic mantras / esoteric electronica that thrill and elevate the listener to a higher sonic plain”. Well worth a listen.
“…if all the members of Devo were going through a divorce at the same time and decided to make a record with Rozz Williams (Christian Death) where they really cut loose and did a lot of amphetamines you’d expect it to come out sounding like ‘Jazz 4 Johnny’ ” – New Noise Magazine
Fashion Pimps and The Glamazons is a side project of various members of the Cleveland, Ohio indie, noise, and hardcore punk scene. The psychotic noise synth-punk they produce is as disturbing as the album cover. It’s loud and chaotic, and from either a long time ago or the future. I can’t stop listening to it. It’s ideal for a fast paced work environment or an all night bender.
Beast of Bourbon
A hypnotic, tribal, psychedelic rumination that will hit you head on and leave you clambering for more of this musical tranquilizer. The Myrrors’ “Invocaciones: Singles and Strays” leads you down mystical instrumental rivers yet unexplored. The Tucson, AZ duo of Nik Rayne and Grant Beyschau employ and array of instruments from bouzouki, violin, harmonium, wooden and brass wind instruments to primitive organs, synths, and percussion of all means. The result will leave you wondering how you ended up in the desert at midnight tripping on the cacti while staring at beautiful milky-way lit sky. Jump on the Myrrors Great Canoe and explore a wave of otherworldly outer body experiences as you float down the hallucinated spiked waterways where consciousness flows freely….
Vaxxines, The – “Never Mind The Pathogens, Here’s The Vaxxines”- [Self-released]
The Vaxxines formed out of the ashes of Oakland, Ca punk supergroup “The Pathogens” (members of Blatz, Econochrist, Tilt, The Twots, and Strychnine). At the start of the 2020 Covid 19 pandemic half the Pathogens moved away so the remaining members brought in vocalist Lizzie Louis and Japanese/Oakland Chef Adachi Hiroyuki on bass/second vocals. The UK style punk rock anthems take on gentrification, class war, police brutality, world tours, and boozing. Two covers from their previous bands are presented as well as a solid cover of Buzzcocks’ “Orgasam Addict”.
Beast of Bourbon
Dear Laika is the phenomenal project of Izzy Thorn of the North Wessex Downs, who has been experimenting with pop music since 2016. Utilizing both digital and analog sounds via the Roland Juno 106, prepared piano, distorted field recordings, and tape-warped vocals, Thorn, at only 23-years-old, seems to have perfected the art of leftfield pop.
Every track on this album is quite striking, hitting themes of loss, anxiety, seclusion, self-identity and self-image, documenting parts of Thorn’s transgender experience. Washes of hypnotic mesmer, swaths of opulent murmurs, tones and drones, warped other-worldly vocals that speak directly to the depths of your ethos.
Absolutely stunning, one-of-a-kind, album. I am very excited to see where she goes next in her compelling musical journey, KFJC will be keeping their ears close.
Released in 2001, ‘We’re Just Waiting For You Now’ was Jon Kennedy’s first and only album for Tru Thoughts. Jon was a drummer and multi-instrumentalist before he began experimenting with samples. His take on downtempo breaks is unique, combining elements of jazz, sitar, ambient techno, live breakbeats, guitars, abstract vocals, and melancholy samples. The album is a chill-out, funky production, laying cool melodies over laid-back beats.
Born and bred in Stockport, UK, Jon was discovered by Mr. Scruff who in turn introduced him to Tru Thoughts. Fast forward 20 years and Jon is now residing in Prague running his label The Jon Kennedy Federation.
Anthropropph – “OMEGAVILLE”
This double LP release from Anthropropph explores nearly every cochlea crevice in your unsuspecting eardrum that will leave you huddled in a drooling pool of psychedelic madness. Starting off with side A there is a relentless barrage of fast, up tempo modern post punk sounds to get the juices flowing. 2-3 minute tracks that set the tempo. Survive that aural attack and you will slowly enter a psychedelic musical underworld with sides B-D that will blow the doors off your hobbit hole abode. This is a listener’s paradise. Every track on this double LP gets longer and longer while each side explores musical realms that push the boundaries of a world you thought you knew. May your consciousness end up up in the cosmic journey in and out of Omegaville.
Another great album from this Hawaiian surf band. (Men in Grey Suits is a surfer term for sharks.) Very well played, composed and arranged. Lots of variety in tempo and mood. Their debut album “Return of the Cnidarians” got lots of play on KFJC and I expect the same for this one.
Greecian, synth punk trio of Babis Sugar, Eleni Mandy, and Lisa Klez. Analog synth, guitar, bass, pedals, vox, drum machine, nagging, gossip, and drama. Each provides vocals, which are really different from each other in the best way. What’s not to love? Witchy, wooshy, twitchy, thumping, bumping, egg-cellent, weird-enough experimentality. Dip in!
Yet another fine compilation, straight outta the northern seaside city of Blackpool. Produced by PUMF records founder Stan Batcow who also performs with Howl In The Typewriter on this comp. A very diverse set of tracks with varying styles consisting of Electronic, NeoFolk, Experimental, Techno, Prog Rock, Spoken word, sound collage, psyche rock, abstract and more. Palate of many colors, surrounded by a considerable amount of melancholy. Bands/Artists: UNIT, AWARE, Nil by Nose, Dr. Awkward, The Golden Gonk, Flux of Yellow Daisies, Shy Rights Movement, Howl in the Typewriter, The Large Veiny Members.
Psych-folk, experimental underground, neo-folk, mystical soundscape,
Red Rose and Obsidian, released in 2017 is yet another genre-bending experimental installation from Million Brazilians, originating from Portland, Oregon, and now thriving in Maine. This is their first release on the Dutch label, Lullabies for Insomniacs, and it is masterfully mixed and recorded by Big Blood’s Caleb Mulkerin. It is an esoteric soundscape influenced by the rugged coastlines of their home in Maine. It is a heart-rending interpretation of a stark, treacherous sonic landscape, that permeates your spirit.
As usual with this group, there is a wide array of instruments of traditional, ethnic, self-made as well as a healthy dose of creative electronics. It’s a fascinating evocative improvisational trip that will leave you wanting more.
Suzanne Stone – voice, bass, khene (Lao mouth organ), Alto Sax
Grant Corum – Tin whistle, balloon flute, conch, Tarka (Andean Flute), trumpet, vocals
Bob New – Drums, keyboard, lap steel, vocals
A1 – When the Ship comes in
Swirling, thick, open, haunting siren-like vocals .. thick luscious beats underscore, woodwinds meandering through the fog. Minimal chaos echoes as the captain attempt to steer the ship through the shrouded fog. Stone on bass and voice is slow and steady, ensuring the ship to safe harbor amongst the jagged cliffs, in the cold stark darkness of the remote port. conch/balloon flute. Slow, steady…mooring.
A2 – Dark Clouds Gather
serves more like an interlude, and the instruments almost create the image of overlapping waves, while Stone’s voice, this time in a more Germanic vein, and seems to hover above it all. Towards the end, Stone’s voice is complemented by a male ethereal voice.
A3 – Red Rose and Obsidian
Slow and steady jamming with a psychedelic intervention. lap steel. Stones voice is yearning for a clear landing, but she is adrift, meandering. (Tarka) sweet, and hypnotic, plays in tune with Stones vocals. Just a sweet, psychic, slow, and steady meandering trip. Calm, reassuring, until the distorted end, radio wave break up.
B1 – Geodelphic Empathies
Khene/alto sax combine opening framing the stark, grey, jagged cliffs.
Toussaint St Negritude’s Poetry is featured, behold, behold…..
Tin whistle meanders along with the mountainscape, stars reflecting on the dark waters.
B2 – Traversing The Violet Skies
Congas, Khene…beautiful starlit Autumnal evening at sunset, orange/red reflections off the granite, a prism of colors illuminate the setting. Deep breaths of cool air blow through the skies,
B3 – Behold
Timing changes, things pick up… trumpet, Bass and drum keep things moving, but not too fast. In fact, it slows down steadily. Stones Vocals once again appear to bring to a close this psychic trip, Chanting echos with Corum joining in, woodwinds, achingly support, voice strong, confident. Once again, things pick up again and fade to a close. The Journey has ended.
Sludgy, slimy and seductive. Noisy experimental excursions from a group that consists of 17 players. Muted vox, hypnotic sax, lofty percussion, soft textures of melody. It’ll sound like a warm-up/tuning then all of a sudden come together in something that sounds delicately planned. Tranquilizing psychedelic journeys across multi-plains. Both sides track seamlessly so chill and enjoy it as one.
Solo electronic outing by Filippo Diana (real name is Joe Drive). They’re calling it mutated library/soundtrack nu-disco, which is pretty on the dot. It’s chill, kinda kick back minimal wave. It’s got that riding your motorbike at sunset through a dystopian future highway… black sunglasses, flat top, leather pants and technicolor sky vibe. Track 3 brings a little goth club vox to the party, most of the others are instrumental with maybe a few words. Some great drum machine beats happening here as well!
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