Weirdo freak-out three piece Hyrrokkin (Yellow Springs, Ohio) join forces with seminal noise project Merzbow (Tokyo, Japan) like an international, sonic sūpā robotto, four separate entities uniting into one electronic ultra-unit, sworn to perforate eardrums and undermine sensible sound appreciation.
Side A consists of two slightly more subdued, though still raucous, tracks with conventional instrumentation employing poly-metered art rock bursts, processed accordion and diminutive electronics. The reverse is a more oblique collection of mid-weight electronic abstraction and sound collage with meandering, buried vocals and apparently is a remix of side A by one Rob Mazurek though without knowing such one might be hard pressed to hear the source material extant in the side long track.
The name Hyrrokkin is taken from Old-Norse mythology. She was a jötunn (an entity that is similar to a frost giant that is not necessarily dissimilar to a god or a troll) who played an important role in the last decades Iceland’s pagan beliefs.
Merzbow or Mertsubau is drawn from the Dadaist, Surrealist, Constructionist, work of Kurt Schwitters who informed Masami Akita’s interest in the junk art aesthetic.
Transglobal – 2021