This CD version of the soundtrack prominently features the
so-so song “”When I’m Coming Home” which in fact just wraps
up the film. But the score itself is what I found compelling,
whereas a song tries to put too pat a package on complexity.
The film itself is a searing study of sibling love and
sibling distrust, involving heavy collateral damage coming
out of war. Thus the emotional tone of the film is often
raging and blaring, and this soundtrack composed by Johan
Soderqvist was needed to reign in, rather than heighten the
impact of some of those moments. It does so sublimely, where
the film battles, Soderqvist wages a sonic peace between icy
Danish resolve and wafting Afghani aromas. Check out the
theme used in “Brothers”, “Afghanistan” and “The Letter”, a
galloping melody that could be nyckleharp, but also takes a
turn on Ahmet Tekbilek’s oud. Many other moments feature
sweetly sulking, floating guitar not far from Loren Mazzacane
but blurred in blue hues. Check the “Sarah & Micheal” cuts.
Again, Sodervist provides a calming vibe to assuage the
agitation that rises in the film. The pizzicato plucking of
nylon guitar and/or harp throughout is another soft promise
of perhaps some hope, even when the film soldiers on past
points of no return. The film and the soundtrack are both
excellent, albeit quite different like the Brothers featured!
Outstanding on both accounts…