Jimmy Soul’s big hit was track 1. Here is some more old school soul from the early 1960’s with rockin’ tunes featuring yakety sax, backup singers, and falsetto. Funny lyrics and a Shakespeare quote in track 12 made me smile. Liner notes are mostly about the producer, Frank Guida, who learned to love calypso while stationed in the West Indies in WW2. Jimmy Soul was a stage name for James McCleese who was also a preacher and gospel singer.
This compilation disc is like the soundtrack to a tropical escape film–I challenge you to sample it and remain still and dour. The calypso rhythms will get you moving and the quirky lyrics will put a smile on your face. There’s a big band sound (20-piece horn and string arrangements) as well as an infusion of Afro-Cuban and Latin percussion, tied together amazingly smoothly by the captivating voice of Miss Cory Daye. Find here the famed “Cherchez La Femme/Se Si Bon” (6) and “I’ll Play the Fool” (1). Revel in the vibes of “Sugar Coated” Andy Hernandez (8). Only the most curmudgeonly will be able to resist this upbeat offering. Throw away those anti-depressants and soak up the “Sunshower” (3) and smile!
From her first song, the?? first note, through both LPs, this girl has some fucking soul. Wendy Rene, born Mary Frierson in Memphis, corralled her siblings and formed the vocal group the Drapels, who got immediately signed to Stax’s subsidiary label, Vox. Mary got signed the same day when she showed Stax cofounder Jim Stewart songs she had written. She recorded her songs with her brother Johhny, Booker T and the MGs and Otis Redding (who coined her stage name, Wendy Rene).
After three singles of her own music, two with the Drapels, and being included on a roster for a French Stax compilation, she retired to take care of her growing family. Made some royalties when WuTang Clan sampled After Laughter. She returned to do one more show in New Orleans in 2010. She currently sings in her local church choir.
Rene has such as strong?? voice, and the power in her voice in the first couple tracks really get you moving. This is all of her recordings, including all the songs recorded with the Drapels. Brilliant liner notes, amazing release. I can tell this is going to be a KFJC favorite, so hit it up before it becomes uncool…
PGM: all songs just fade out slowly
Is this half spy thriller soundtrack and half psychedelic sly and family stone disco funk? For it’s time and day this stuff is on the cuff of bleeding edge advancements achievements of music and accord with these movements in music. All originals for a one-off session in English from the Mexican Grupo Oz. I say it’s soul funk for the density of the arrangements. A1 A2 have vocals. A3 instrumental, a groove is found and they sink deep into it with solos and sustained horn work. A4 is interesting because of it’s romantic style is not far from some other groups at the time such as Camilo Sesto. I see this release as smart musicians
trying to stay out of poverty by applying themselves to a foreign style for a foreign audience to do good business, an idea that makes sense given the fledging Mexican economy, this diversifies exports. B1 instrumental. B2 vocals. B3 reminds me of the theme chosen for the movie Swingers when the whole gang drives their own cars to the club. B4 has an ebb and flow to it, and something like a tunnel rush feel. B5 is the longest track. It starts out like a British concerto for a symphony. It sounds like an Issac Hayes tune.
-Eveningly Infinitely Wipes Scrub Sonny Atoms Grizzly Adam
This edition of Eccentric Soul features radio personality Richard Pegue who wrote, arranged and produced Chicago soul records in the 60s and 70s on the Nickel and Penny labels. As with most of these collections, some tracks are deservedly obscure, some are gems. My favorite is track 19, what’s yours?
Cleveland Ohios Boddie Live Recording Material is Being Released as a Box Set by the Numero Group of Eccentric Soul Fame, and this is a promotional sampler. Womens Choruses, mostly Male Leads. 3 Minute Tune Average. Blues Funk-Soul #1. Urban Soul-Pop with French-Library Music-Soul-Bass #2. Sounds for amusement parks everywhere #3. Slow Blues Reggae-Soul #4. Cocaine and other vices, also a female lead #5. Youll recognize #6 which also has nice recording acoustics. Drive-In teen pop (ala Grease) #7. #8 Instrumental like the Sun Ra and Batman album. #9 Dual guitar Library Music-Psych-Soul. #11 Talk back and forth. #13 Clap along. #14 Jump Blues. #15 Lou Ann Bartons Stop These Teardrops. #16 Oldies. Lastly #17, a Metroid theme.
-eveningly infinitely wipes scrub sonny atoms grizzly adam
This 2-LP set contains 45’s recorded by Louisiana funk and soul artists from 1967-1979. Most sound like they have been strongly influenced by popular artists of the time, many of them by James Brown. A bit of Creole influence from Louisiana can be heard, but is not that strong. The vocals and instrumentals and recording quality are pretty good. Funky beats to make you start dancing.
PGM: side 1/track 3 and side 4/track 2 are all instrumental. My picks: Side 1/track 5, Side 2/track 4, Side 3/track 5, and side 4/track 5.
Virginia soul singer Sir Guy released side B “Let Home Cross Your Mind” in 1972, then re-did it as “I Need You Baby” which is side A. Side A has back-up singers, Side B has a longer instrumental introduction. Not the best recording quality, but fine funky soul on this UK re-issue.
Clarence “Sir Guy” Barron died on June 15, 2010.
“I’m New Here” was Gil Scott-Heron’s first album in 13 years. Jamie XX remixed the vocals from those original sessions, added other recordings and produced this album “We’re New Here”. Scott-Heron’s voice and poetry come through very strong but oddly enough the dance-y music works as well. Fun beats with profound messages.
The subtitle “High School and Collegiate Jazz, Funk, Soul and Psychedelia” sums it up, although to my ear the strongest leaning is toward funk. Not sure who is involved, but they obviously have been scavenging for recordings of high school bands from this period of time and have pulled out some gems. While some tracks have that obvious high school big ensemble sound, quite a few are stand outs including a stunning vocal on Side Four Track 1 for Compared to What and some nice guitar on Side Four Track 2.
Intro (Side One Track 1) and Outro (Side Four Track 4) put us back in the right setting with the teacher’s shouted directions in the noisy high school gym.
Put out on Dunham Records, in association with Daptone, Charles Bradley releases his first full length album here back by the Menahan Street Band. he brings his years of streetwise experience as a dayworker from places all over the US from Alaska to Maine. It is life, love, and heartbreak with a weathered and gritty voice that shows a life of performing and paying his dues has finally paid off. Awesome, super soulful, and definitely worth a listen!
KFJC owns others in this series: Midwest Funk, Texas Funk, Carolina Funk, and this one is as good or better than the others. The compilers Malcolm Catto and Gerald ???Jazzman??? Short examine what happened to the independent ensembles who gigged during Sly and the Family Stone???s Bay-area renaissance. It tells the stories of musicians who worked alongside LA???s Charles Wright and the Watt???s 103rd Street Rhythm Bands. Along with pictures and stories about the artists you???ve got thunderous drums, fuzzy wah-wah, fat basslines, blistering horns and exhortations akin to James Brown and his many disciples. No filler here all tracks are worthy! AArbor
Between 1968 and 1977, Conrad Johnson lead varying groups of kids from a high school in the Houston area – known as Kashmere Gardens – into a wonderful musical world of jazz, funk and soul. During this time, the Kashmere Stage Band competed in forty-six contests, winning all but four of them. They had a sound comparable to many of the contemporary professionals bands – being compared to the likes of the JBs and the Bar-Kays. Since the band’s final year, they have been rediscovered by hip-hop artists who have sampled many of their tracks, and have caused a renewed appreciation – and rerelease of material – from this impressive ensemble.
“Out of Gas But Still Burning” is the class from 1974’s album. Contained within it’s tracks are notable covers – Rhapsody in Blue, When I Fall in Love, amongst others – plus a couple of original pieces – Kash Register (performed with Cold Fire) and The Zero Point (composed by Conrad Johnson himself). All the tracks, with the exception of Angel (which features the vocal talents of Afro Love) are instrumental. While half of the tracks also appear on the CD set Texas Thunder Soul 1968-1974, this appears to be an original pressing
Thirty members of the band reunited in 2008 – at a time when their alma mater was considered to be a “dropout factory” and threatened with closure – to celebrate the fortieth anniversary of the bands creation and pay tribute to Mr. Johnson. The story of the band, and the reunion concert are the subject of an award winning film called Thunder Soul
This legendary gospel album from the South Side of Chicago was self-released in 1971 by pastor and activist T.L. Barrett and then sold at Church sponsored events. Professional quality musicians hold down the rhythm section and keyboards while the very inspiring but authentic soloists and chorus lead us in the words.
The Wave of the West is feeling the spirit. Can I get an amen?!
Soul Harmonies from the S.F. and Oakland Bay Area: Well, I???ll tell ya–a little of this goes a long way. Most of these are love ballads, and sappy ones at that, and there???s a time and a place for them. The last two tracks are more upbeat and fun, while the others drip with romance. Sample and see what you think. Maybe you???ll get a kick out of the guy on 6 saying he weighs 250 but ???under the sheets I???m 110.???
After a San Francisco summer full of foggy 50 degree days, the sun emerged today and the city is baking in 95 degree heat. Could there be a more perfect soundtrack for this change in the weather than this collection of retro funk and soul circa 1967 to 1974. Miami Sound: Rare Funk and Soul from Miami, Florida 1967-1974 was released on Soul Jazz back in 2003, this double LP collection sizzles with funky guys and gals (Helene Smith kills it with her commentary on manhood and womanhood in her tracks “You Got to Be a Man” and “A Woman Will Do Wrong”). Drama, disco, funk, soul, sex, and love gone good and bad.
This is one sexy CD. Read the extensive liner notes to fully appreciate how this songwriter/singer/model was much more than just Miles Davis??? second wife. Her voice may be scratchy and unrefined, but it is true to the music she makes, and she is savvy about arranging the music her all-star musicians play. Funk defines this music, but an open enjoyment of everything sexual propels it (maybe they go hand in hand).
A collection of obscure soul music recordings from the San Francisco and Oakland Bay Area artists and labels that were featured on popular soul and funk stations KDIA in Oakland and KSOL in San Francisco. No earthshaking discoveries here, but solid vocals and instrumentals make the most of some rather “eccentric” material.
KDIA was once owned by Oakland mayor Elihu Harris and CA Assembly Speaker Willy Brown.
PGM: Some very short logos from KDIA and KSOL might be fun to play on KFJC breaks.
All instrumental tracks belong to the soul funk tradition, but also have rock, Afro-beat, and rather cinematic sounds. Not pushy or showy, could work for background or bed. Fun remake of Day Tripper on track 11. Cool organ on some cuts, including track 2.
Maybe the band had something darker in mind when they named the album and tracks and put a cobra on the cover. Soul metal? No, more like instro-soul.
Volume 1 (of 3) CD reissue not just the BEST of, but ALL of the 45’s released by Goldwax and its subsidiaries between 1962 and 1966. A lot of variety, mostly good and often great cuts from this Southern soul label. Tracks are arranged in chronological order, with both the A and B side from the original 45, sound quality is excellent throughout..Really took me back – some novelty songs, “The Day the World Cried” about JFK’s assassination, and a couple of “dance craze” tracks. DJs should note that if any listeners request a “break up” song, this collection has enough for at least 10 handkerchiefs. Some tracks lean toward soul, some have a strong country flavor, others are more pop or blues.
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