Debut solo release originally put out on cassette in 1996 from this Living Legend, Eligh. This is right about the time he moved from LA up to the East Bay and is joined here on a number of tracks by fellow Legends PSC (Luckyiam), Murs and Grouch, as well as some soon to come like Safari/Bicasso and Arata out of Japan. ??Dark, apocalyptic beats set to creepy tone melodies evolve into some more low-key summertime chill grooves for contrast. We get some hard driving, bottom heavy beats and some more glitched, all with a studio focus, not sample heavy, but never redundant and always dynamic. Eloquent off-rhyming and creative lyricism reflect themes of success and lack thereof in the music business, hopes and dreams and ideological turmoil in daily life in the Bay, sociological changes at the dawn of the computer era and a lot of philosophical introspection within Eligh’s abstract,??asymmetrical??phrasing. The multilingual tracks (10, 11, 17) are definitely the highlights, with Arata on 10, Yuki Hara out of Japan on 11, and Kool Savas from Germany on 17 (a track about KALX!). This is a piece of history digitally remastered for our listening pleasure, so hit it! FCC 4, 7, 10, 11, 14, 15, 18
Peanut Butter Wolf, executive producer and DJ, started the Stones Throw label in 1996. This release from 2004, is a mix CD of the hits, misses and unreleased tracks, 42, count them. Wolf’s ability to connect the thick beats togetha in a seamless string of continuous rhymes and shuffles, has the listener asking “is this hip hop or what”? The reviewer says “sometimes”. The term Hip Hop is widely used, but the Stones Throw label is so wide that you could fall head first into Percee P and end up flat on your back with a hazy funk from J Rocc. Hip, yes, very, Hop, yes, on both feet, this 70 minute mix will take you into a blaze of finger snapp’n, toe tapp’n and tongue lash’n verbal assaults, that will convince you that it ain’t all rapp’n. The mix opens with a fifteen year old Charizma, lay’n out hommage to PBW and then blasts into artists like, Dudley Perkins, Lootpack, Jaylib, Madvillain, Quasimoto, and the utterly wild, Gary Wilson. This smooth mix will have you laying down pipes like a plumber. PLUS, there is a DVD with 15 KOOL video’s.
Fresh tracks from hip-hop artists around the world; U.S., U.K., Germany, Canada. Japan and Australia. We have 4 of the 5 artists from the U.S, in our library, but the rest are new to KFJC. The album really takes off on track 4 when we hear four German groups go at it together on “Hip-Hop und Rap,” rapping mostly in German and fucking????laying it down. The tracks on here from artists in the U.S. are kind of overshadowed by the international hip-hop tracks, mostly ’cause of their novelty, but I am a fan of the Defari, J-Live, and the Dilated Peoples tracks.
The Australian group, Def Wish Cast, uses unique samples and sounds, almost a Beastie Boys with awkward Aussie accents.??The Japanese song, by Muro feat. Gore Tex, is the only song without any English, and the German songs are rapped MOSTLY in German. I am a sucker for rap in a British accent, but the beat in “Payin’ the Price” has a little cheese, maybe steer clear.
Lots of cool tracks on this double LP, I marked some good ones. If you’re a hip-hop lover, hit this sheet… but watch fo’ FCC, yo.
I’ll have the Usual, and by that I mean the foggy windows
and the mystery meat of the MC hidden in shadows.
Single-sided 12″ but the song splits into two, the
first part a hyper-abstract self-exam over keyboards
that are oozing sweat, and a slugged out drum kit.
Halfway through the ride the MC has a “Panic” attack
and the story shifts to a crime scene. Might be in
Illadelphia, might be in Detroit, either way familiar
streets and grooves of the gangsta. The drums pick up
perkier on that latter half, but it’s the dirty rub
of the analog synth that give this single, from
MatthewDavid’s Leaving Records label, the sting that
lingers. We all choose the ruse with no excuse…
So what’s Fake…
The Alchemist and Oh-No team up once again to deliver the beats, scratches and psychedelia. The hip hop here has a dark, warped sort of air to it. It wiggles, wobbles, convulses and foams at the mouth. Samplage is heavy and often times bizarre, echoing of fuzz guitar and drug use. This record is saturated with odd sounds and all sorts of static, which makes this listen surprisingly noisy. Check B2 for frog sounds. Rhymes are divine, strung together artfully, bringing home the clever and often speaking of food and other substances. The loops here are infectious, maddeningly repetitious and certainly something to bounce to. Gangrene slathers their art with a thick layer of grit and grime, producing a truly eccentric sound like no other. -Surfer Rosa
An essential item for any Anticon fan, “Man’s Best Friend” is the solo project created by frontman Sole. Produced and arranged by the man himself, this hip-hop gem not only brings lyrically planned out attacks against the government and authority, but also some interestingly obscure background beats. Experimentally crunchy and goth-hoppy, jelly-cloaked sounds serve as ambiance to Sole’s hoarse voice and gut wrenchingly truthful raps on tracks like “Little Bank Anthem” and The Devil’s a Traveling Man”. A light and happy launching pad for such fierce spoken words are aided by soul & funk hooks on tracks”Idol Victim” and “Ode to Clean Air. “Numb” and “Attack Russia”bring the electronic oscillators to Sole’s politically charged discussions about life and warfare as only he can explain best. Some of the tracks can be a bit fuzzy and does sometimes overshadow the rhymes, but overall a fulfilling record to reflext on the 2003-2004 unsteady world climate and a sarcastcally, brutal freestyle that makes Sole one of the best underground rappers around.
Rap compilation from New York-based media/production company Decon Records, featuring a notable roster of Emcees & Deejays collaborating to flaunt a dappled array of verbal and musical acrobatics. Aceyalone, RJD2, Jurrasic 5, Blackalicious, The Alchemist, and Del The Funky Homosapien shine brightest among other heavyweights of the hip hop overground, such as Casual, Lyrics Born, Abstract Rude, Micah 9, Chali 2na, and Dilated Peoples.
Recommend: Track 2 for its smooth flow and rolling groove; Track 3 for its clever production and strong rhymes; Track 6 for it’s uber-collaborative tongue twistage; Track 10 for laid back vibe and strong hook; Track 14…RJD2’s impressively lush theme music for AMC’s Mad Men.
***Tracks 1, 2, 3, 4, 6, 10, 11, & 13 have naughty language!!!***
It’s been a long time since Radioinactive has released new material (Soundtrack to a Book, 2006). The history of Radioinactive begins with Log Cabin Crew in the early 90’s and featuring Murs, Eligh, and Scarab. Later he collaborated with Awol ONE and MC Circus which would turn into the Shapeshifters, releasing The Planet of Shapes (1997), Know Future, and Shapeshifters Was Here (2007). These two collectives, out of LA, were centered around the underground hip hop mecca on the West Coast, the Good Life Cafe . Radioinactive has a distinct West Coast/So Cal style similar to other indie hip hop artists from the era/area. On The Akashic Record, Radioinactive pairs humor and and nostalgia with his a rhythmic, syncopated cadenced rap style. Akashic is a Sanskrit word meaning “aether” or rather “ether” in both its elemental and metaphysical senses. In hinduism, Akasha means the basis and essence of all things. It is the fifth element of life and it’s main characteristic is Shabda (sound). The Egyptian American/LA based artist, takes simple subject matter and merges middle eastern elements to west coast roots.
PGM: Track 3 Insturmental
LA remixed dance/commercials/hip hop out to confuse and amuse. Almost every song starts with a short analog radio dial spin– make listeners think something just popped loose! Some remixes awesomely expand on lyrical content. Tracks 2-12 are the real meat but there’s some decent rap on the outer borders. Favorakkas: #3 wicked sample of some California gal “OMGGGG LET’S GOOOOOO”, #9 smooth groove love & devotion, #12 overpopulation commercialism reaction hysterics, #19 inequality, negritude, sweet spoken in-/outros, #20 expert rap that gets analog-radio-dial spun around a few times
FCC #12, 19, 20
The Money Store was pre-released[500 copies] for Record Store Day 2012. If you aren’t familiar with Death Grips, they a Sacramento outfit consisting of vocalist Stefan Burnett aka MC Ride and Zach Hill of Hella. This has a grime element with out the speed and D&B drops. Burnett vocals are an anthemic force, his delivery commanding attention. Hill produces tracks that merge dub, noise, and industrial. This album is haunted and enchanting in the way that danger is hypnotizing, paralyzing.
Tornoto emcee Fraction teams up with Ontario producer Fresh Kils to form the two’s first collaboration. The beats flow with an itch and a scratch. The rhymes are tight, delivering tales, philosophies and prophecies. Samplage is heavy, with a hats off to that old soul library, amongst others. The art of cut and paste still lives! The production here is artful, clever, never dull and always original. FCC on tracks 2, 3 and 8. -Surfer Rosa
Gagnrene is the west coast hip-hop dou consisting of The Alchemist and Oh No, tow DJ/producers who met via mutual DJ/producer Evidence at a show. Evidence makes an appearance on track 11; other DJ’s are featured on the album, Prodigy, Roc Marciano (hiphop4dahill2), Roc C, and others.Gangrene makes a lovely appearance on Hip Hop for the Hill vol1 with the title track from this album.Badass lyrics and groovy, grindy samplings from a guy getting arrested for a DUI (track11), a person talking about different mental states and consciousness (track7) who comes back to talk about serotonin causing seizures (track14), to other random yelling and hanging out (track8). Piano samples, grinding sounds in background, sometimes groovy.
A lot of talk about alcohol and drugs, which should be apparent from the album title, so check out what’s marked for FCC, or really, what’s not marked… Play it during Safe Harbor so you can really get those gems, I marked my favorite, you should too. 9 & 10 track together. Get nice and fucked up before throwing this in…
Interludes After Midnight
NINJA TUNE [CD 2012]
Blockhead has returned from his solo hiatus. He returns to Ninja Tune to drop layered instrumentals laced with an ever present disquiet. If a modern day Jack the Ripper were stalking bboys, this would be in his iPod. Or it’s for the nostalgic misanthrope yearning for melody and lamenting the technographic age. Blockhead???s production creates refined atmosphere that takes you somewhere else, at midnight. You will find many references but plenty of originality to make it his own. 4 reminsces of the Nobody/Mia Doi Todd track on the KeepInTime No.2 Coll. All good.
This is a 15 track CD release from the three member hip hop team Third Sight on Disgruntled. Roughneck Jihad, D-Styles and Dufunk get together for a bass driven, cut-up, straightforward session and don’t (bleep) around. Each track runs 3-4 mins. with the exception of trac 5 and trac 5 may contain an obsenity. But that’s ok because all the tracs contain some sort of form of a word that you won’t hear in daytime airplay. The subject matter varies from EGO driven tunes about MC’s, and rhymes to the outright vulgar comments on the size of ones male organ, (take me out to the ball game). The beats are bassy and I wished I had a 250 watt system in my car.?? Third Sight is not new to the KFJC hip hop scene as it was Spiderman who brought in the first release “ballsacks” back in 96. Overall, I wanted to hear some good old hip hop beats without the spoken word. But, hip hop really ain’t my thing…so check it out and if need be channel Spidey and see.
Teenburger is Ghettosocks, Timbuktu, and DJ/Producer Jorun Bombay. Timbuktu is a Swedish rapper and runs his own label, Juju Records [www.jujurecords.com]. Ghettosocks is Darren Pyper, member of the Canadian hip hop colective of DJs, MCs, and producers known as the Backburner Collective. DJ Jorun Bombay laid down his chops on the 1&2s in the mid 90s. The essence of this release stems from the era of hip hop directly predating and influencing Bombay’s emergence. The sound can found in the direct reference to the label, Dropping Science. Dropping Science was a Marley Marl and Craig G release in 1988. Ghettosocks and Timbuktu’s style of lyrical cadence and DJ Jorun Bombay’s production style honor Marley Marl & Craig G. To enjoy this release you, must recognize HH history. Marley Marl [haiing from Queens, NY] was known for the sound behind Gangstarr’s Check the Technique[’91], founded of Juice Crew[80’s], produced tracks for Biz Markie, Roxanne Shante, Kool G Rap, Big Daddy Kane, MC Shan, King Tee, and Masta Ace, and started started his career as a radio DJ on NY’s WBLS fm’s show Rapp Attack. Peep history’s influence. This release features many guests, including El Da Sensei.
A collaboration between producer Ill Mondo and emcee Neal Rames. Ill Mondo brings the beat home, chopped up and slow cooked like succulent thanksgiving pot roast. He’s definatly been digging his fingers into his old funk and soul collections of the 70s. The samplage here is heavy, abundant and above all artfully executed and skillfully constructed. Its easy to forget that these guys don’t have a full funk band backing them up. Samples also include plenty of out of context sound clips from some obscure old films, and the occasional appearance of a scratching record. Neal Rames delivers the rhyme, right on the groove, hip with the beat, teasing your taste buds with licorice sticks of linguistics. This here is something to bounce to. ??-Surfer Rosa
Greg Reynaud is Behold the Profit and is also known as “Thieves” in a previous life highlighted by his 2004 hit EP, “You Hold the World Like a Gun”. This is his first release under his current moniker and is eerily similar to “Thieves”. Composed of six dense tracks of trip hop, stutter, fuzz and distortion he doesn’t waste time and effort with monotonous repetitive beats as filler. He has taken great care in choosing samples which blend well his deep tight percussive beats. If you like slow mellow, dreamy, hallucinogenic grooves check out tracks 1 & 5. Track 4 is the heart of this EP highlighted with deep tight stuttering trips. Only thing disappointing with these six tracks of 20 minutes is they are over far too soon and leave you wanting more. Let’s hope we don’t have to wait too long for his next compilation of deep dirty beats.
The album title is so true, for Neila (LA). This southern cali femme fatale has honed her skills for over a decade. She emerged in the mid-late 90’s on underground hip hop tapes. Her style is sing song-y and hypnotic, her material experiential. Her spirit animal could be the Tasmanian Tiger or Giant Walking Stick Insects both not native to our land and on the rise from the verge of extinction*. Her tone is understated, yet tough. Her style unsusual. Better late.. features many guests that KFJC HH heads will find familiar (AWOL, 2MEX, Existereo, & more). If you ever see a Neila tape, get your paws on it and pass it my way.
*NEILA is ALIEN in reverse and is a cancer survivor
Who wouldn’t want a party in their pants? I would have to agree with Romanowski on this one when reviewing this remixed version of his 2004 earlier release. P.I.M.P. is split between two danceworthy discs mixed my some of SF’s best club djs and beyond. The first disc reminds me of the sand soaked beaches of Ibiza with latin vibes shaked out by DJ Smash and J. Glass. A daytime party element flows through the first 12 tracks with songs like, “Dance Dance Dance” and the P.I.M.P. title track by (DJ F). The second disc turns it up and turns you out into the foam party with housey, teched- out tracks filled with glitchy beats. Check out “Taliban Rockers” (Zeph & Azeem Remix) for some comedic praise for the dj or ET’s phone bill feat SF skater/artist Tommy Guerrero. Can’t decide on which song you like? Try out the OG Megamix which samples most of the tracks and gives a fun tribute to the swiss- born Romanowski -like a boss.
This single hit the ground in 2000. A year that hip hop was growing up. Y2k had left a bad taste in the mouths of GenXers and GenYers were running for the hills of humboldt to work out their futures. Well, maybe for many but not everyone. Some stayed in the trenches spitting hard hitting raps with staccato ??cadences. That would account for Sub Contents, the San Jose Duo consisting of Dave Dub and Persevere. This single has two tracks: Death Becomes H.E.R. ??and Moderation Vs. Excess. Those familiar with the movement in HH during these times can empathize with the sentiment -Murder the beat, Hip Hop is dead, and how to strike balance with watching what you love be taken away by the mainstream. Now 12 years later this single still holds ground.
12345 S. El Monte Road Los Altos Hills, California 94022
Public Inspection File