Atmospheres, blips, klangs, noisewashes, vocal samples. Beats drop in like depth charges. Soaring melodic elements establish themselves and fade. Pitches shift up and down, reeling, forms disintegrate and reform. There’s an extraordinary variety exhibited from track to track, and even within tracks. “Krafteno” brings a more traditional sequencer sound, a blend of clean synths with dirtier, grimier electronic beats and textures. The overall vibe here is insistent, present. “Macrobid” establishes hiphop beats with a droning bass track, a canvas for a variety of samples to interlace and juxtapose each other. “Memory” is a majestic cathedral-like synth piece without a drum track. “Treading Water” starts out really quietly, establishes eerie atmospherics, and then overlays audio taken from a visit to the doctor’s office, a discussion of an evolving diagnosis, until the sample becomes manipulated, repeated, mangled…it picks up a theme eluded to in the beginning, in “A Snap of the Neck”. An tour van accident in 2005 left Pierson a quadriplegic; fortunately he continues to craft these works that speak to his experience. The final track starts with a minimal rhythm and progresses into exuberant trance/techno.
Dax Pierson is well-represented in the KFJC library, mainly by his participation in the projects Themselves, Subtle, and 13 & God, projects that dance the line between hip hop and unorthodox genre-bending experimentation. This is only his second entry in the library as a solo performer; Lexi Glass reviewed the 18th Annual SF Electronic Music Festival compilation, on which his track “Live @ Life Changing Ministry” appeared.