A f****** mind blowing interstellar funk exploration. “This is your brain, this is your brain on funk.” There shouldn’t be any questions. An all-star line-up from Herbie Hancock, Brain, Buckethead, Bernie Worrell, Bootsie, etc. just check the liner notes. 2 CDs of funk, baby. The last track on Disk Two has Umar Bin Hasan of the Last Poets ripping out your guts for all the world to see with his spoken word. This is a variety of styles, so check it the funk out. – Written by Vinny Fink, August 2, 1995
Eric Penna is a guitarist and in this release a multi-tasking musician, composer and recording engineer. The album is instrumental and certainly can pass for surf music but is much more giving us glimpses of psych, spaghetti Western, and exotica. Nice touches of the Hammond B-3 and trumpet on some tracks. Interesting, different and well played.
(Trabants are East German automobiles.)
Niyaz Nine Heavens is an Iranian Canadian trio started in 2004, this is their 2nd collaboration of mixing traditional Persian,Indian, Mediterranean folk and mystical poetry as lyrics with electronica.
“Mystical music with a modern edge”.
This is a two disc album, first CD contains their electronica editions. The second CD showcases their songs in their traditional acoustic form to better understand the traditional foundations they blended into modern beats.
Mesmerizing voice of Azam Ali combined with Carmen Rizzo’s beats reverberate to make this album a sumptuous celebration of the ethereal. A must play!
A few notes from first disc—
Track 1-“Beni Beni”- folk singing, strong beat and strings—folk dancing music
Track 3- “Feraghi- Song of Exile”-soft beginning, voice of longing, ethereal electronics, 2nd wave passionate banquet celebration music, lost in trance
Track 4- “Ishq-Love and the Veil”-dulcimer, padded beats, addictive beat and melody
Flirtatious flute… Love trance
Track 5- “Allah Mazare” -strings and beat, calling passionately out for something…
Brazilian Samba legend Elza Soares (pronounced So-Ar-Ez) was married at 12. Lost her first two kids to malnutrition. Then she signed a recording contract in 1954 and has never looked back. She just turned 80, but like James Brown you could not tell that by the wall of sound that escapes from her throat. She is still a big enough star in Brazil that they chose her as one of the opening acts for the recent Rio Olympics.
The current incarnation of Soares’ music is dubbed dirty samba, an in-your-face combination of punk rock rage, with taut Afro-Brazilian backing rhythms coming from her large band of 30 somethings. Soares vocal delivery is percussive, hip hop-like, with an occasional gargle or moan to punctuate the chorus. All the while various drums bang, guitars soar and synthesizers wail out energetic Samba beats.
This album is only available in the States as digital download, so we got the CD from Brazil. So I had a Brazilian relative provide me with the English translation of titles I provide above. She tells me the stories that the songs tell are just as harsh and in-your-face as the vocal delivery. Lots of tales of men treating women badly and women pushing back just as hard. Track 3 Banho” (Shower), tells of various bodies of water churning up in response to life’s oh-so-many injustices. In track two, it is Exú, an Afro Brazilian deity that is doing his women wrong
Oct. 21, 2016 Label: Six Shooter Records Inc.
Tanya Tagaq is an Inuk (Inuit) throat singer who has become a bit of a pop star by taking the techniques commonly used in her genre of native American music and extending it to new genres.
Tagaq honed her throat singing chops as a young woman by participating in throat battles with other woman in the remote Arctic villages she grew up in. These involved 2 women standing nose to nose making ridiculous sounds trying to gross out or break each other up.
1. The fist song , (Ajaaja 2:55) is the only sorta traditional Native American song on the album. Here Tagaq has written a simple call and response between a male and female singers behind a simple Inuk drum beat rather than the complex instrumentals and voicing found in the rest of the album. If you are into indigenous music go for it. If you are looking to see how how throat techniques could be used in Experimental, Ambient, Noise, Metal, Hip Hop or Pop music dive into other tracks.
2. For example, the 2nd song (Retribution 7:57) is perfect for Lauri Anderson fans (Oh Superman) on speed. It starts with Tagaq screeching, quickly moving on to her a recital of her poem about money and God. Meanwhile the underbed of rhythmical background chants and buzzes get more and more frenetic till she sounds like the little possessed girl from the Exorcist. As with most tracks, this one features 2 or 3 other throat singers along with Tagaq.
3. (Nacreous 4:01) comes off as a noise piece that starts and ends with a male throat singer doing that thing where he sings both a high note and low note at the same time with the same set of vocal chords. Then it layers in multiple voices, chanting and screeching into an inter-weaved hypnotic trance.
4. Tagaq screeches like an Eagle at the beginning of (Aorta 3:37) over a heavy metal-worthy drum beat & deranged gnashed-teeth voicings. “Kill or Die”
5. (Centre 3:51) Features Shad’s hip hop and Tagaq’s breathy singing.
6. (Summoning 8:57) starts with Tagaq’s breathy singing over violin, with a whole Greek chorus of 50 voices for a background. The song gets louder and louder and more frenetic as it goes on. This one is lovely experimental music. It would feel right at home in a Lexi Glass show.
7. (Cold 6:53) is a favorite. Another Lauri Anderson-worthy poem-song. Here the poem is about the unique physics of ice and the effects of global warming. Strings saw in the background and a steady rock drumbeat and male voiced drones drive the song steadily forward.
8. (Sivulivinivut 1:49) Is one of of the pretty free-form improvisations Tagaq and her trio of voice, violin and drum like to perform on the road. Short sibilant singing and spare violin.
9 (Sulpher 3:00) Eeery ambient noise. Monks moan, Tagaq nashes and wails, violins saw.
10 (Rape Me 4:46) The one song on this album Tagaq did not write. This one is a Nirvana cover she can relate to given her deep activism trying to help women living in the Arctic deal with sexual assault. No words the FCC might object to, but it does repeat the words Rape me over and over again in Tagaq’s soft breathy singing voice
Three piece surf music band from Southern California headed up by guitarist Bernard Yin (who has been in many bands including Brazil 2001), his wife bassist Rebecca Ramirez, and Derek O’Brien on drums (Social Distortion, Agent Orange). Excellent playing on these tracks, with some Latin, spaghetti Western and country tinges. Good twang and reverb and I hear that these guys actually surf!
The album title says it all. Different genres and parts of genres on every track. Pengo has been around for over ten years and used to be known as “heavy psychedelic” but now can’t be categorized. On File Under WTF Pengo has created its own strange time-space universe. First two tracks noisy, scratchy and spacey. Best tracks 4, 6 & 7. Worst track 5 – long spoken orgasm about a train engine – zzzzzz.
Brendon Whitney, also known as Alias, is one of the founders of the Anticon Label. Fever Dream is 42 minutes of mostly instrumental electronic hip hop beats. Atmospheric landscapes that are tripped out and lush. More on the side of indie electronic music but rooted in early hip hop. A dash of R and B and psychedelia for good measure.
Noise rock with feed back and odd time signatures. Deranged and disturbing vocals. Sludgey and punishing. Angry quartet from Portland. Hardcore.
David Kilgour , founding member of The Clean applies his signature guitar twang to care free tunes. Songs recorded between 2004 to 2006 at the Tin shed and studio one. Out of New Zealand. A hint of country, David Kilgour’s influences are Bob Dylan and Lou Reed. Flows nicely.
Mental Insect is a trio from Chicago. They have an appealing , dark sound. Mental Insect seem to have a preoccupation with the darker side of life and make a lot of noise for a trio. Only 500 copies of this EP were produced.
A collaboration between Mani Neumeier of Guru, as well as Kawabata Makoto and Atsushi Tsuyama of Acid Mothers Temple. Improvisational jazz mingled with psychedelia. Two generations coming together for a jazz/ psychedelic free for all. Mesmerizing chants, exceptional flute playing and a dose of throat singing make a compelling release from this super star trio
Ann Arbor producer Tadd Mullinix fuses abstract beats with classically inspired melodies. Lap top doodling and glitchy electronia, technically sophisticated meanderings accented by piano, harpsichord and syntheizer.
16 space themed songs from some guys who dress up like the Flintstones. Band members include Eddie Angel and Pete Curry from Los Straight Jackets. Also, Johnny Rabb on vocals. Primitive garage surf that rocks. David Bowie, John Lennon, Sheb Wooley covers.
Motrik is a four piece band from Portland, Oregon. Droney, repetitive and colorful extended jams, accented by Motriks. A motrik is a beat in 4/4 time punctuated with cymbal crashes at the beginning bar of a chrous or verse. Motrik takes on a vibe simulator to Kraftwerk, Faust, Neu! and other kraut rock bands.
Koreykojinn is a power trio.The drummer is Yoshida Tatuya, leader of the Ruins. The guitarist is Kido Natsuki and the bass player is Nasuno Mitsuru. This is prog rock meets prog jazz. Their sound is reminiscent of the band “yes”. Koreykojinn translates to “This Giant”.
There are four tracks on this album. Jams that seem to go on forever with swirling guitars, lots of twists and turns. A very busy production. If you’re a fan of F/I, Marble Sheep or White Heaven then you’re in for a treat. The tracks are lengthy and very cool sounding. Outstanding production work.
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