KFJC 89.7FM

Music Reviews

Clusone 3 – “An Hour With… ” – [Hat Hut]

David Richoux   1/15/2005   CD, Jazz

Like the other Clusone 3 recordings we have, this is some fun stuff! More bird inspiration, and I don’t mean Charlie Parker.
Reijseger on cello is WAY out there, but Moore and Bennink don’t do anything to bring him back. Goofy and silly jazz at times but then things settle into a groove – no explanations. *review by David Richoux

Amh Trio – “Live at Field & Frame ” – [Plutonium Records]

David Richoux   1/15/2005   CD, Jazz

Hoonkh, Blurt, Weerrbbble, Scree, Poot, Groan, Grummph, etc.
Fun stuff from the lower register from Albuquerque – Bari Sax, Tuba, Bass Clarinet and some higher things as well – very strange but not really scary when compared with some of the other things we have been getting lately. Seems to be total improvjazz but it is hard to tell these days… Mark Weaver on tuba is showing a lot of chops!
*review by David Richoux

New Orleans Ragtime Orchestra – “Grace and Beauty ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

While Ragtime was not invented in New Orleans, it was very popular and was a major part of the development of jazz in that city. John Robichaux (Row be show) had a band and did a lot of ragtime arrangements in the early 20th century. In 1965 these charts were found and a band was formed in 1967 to play them. The musicians on this 1967-1970 recording also played in the early Preservation Hall bands in the ’60s and some were playing jazz in the 1930s and ’40s.
Not a slick band (check out the New England Ragtime Conservatory band if you want polish) – there is some problem with intonation and the pace is a bit ragged, but these are some sweet tunes. All instrumental and of an era that will not come round again… *review by David Richoux

Jackson, Franz & the Salty Dog – “Yellow Fire ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

A recent recording (not a reissue) of the Salty Dogs, a Chicago style trad band from Purdue that has been around since the late 1950s! Still playing great music (most of the tunes on this CD could have been heard in some Chicago jazz joints since the early 1920s) this is just great, swinging, driving, hot jazz. Some good vocals, just a bit of hokum – but check them out!
*review by David Richoux

Beebe, Jim – Chicago Jazz – “Saturday Night Function ” – [Delmark]

David Richoux   1/15/2005   CD, Jazz

2 LPs in one CD, a bargain pack of great Chicago Style traditional jazz recorded in the late 1970s with an all-star lineup of musicians from the mid-west and west coast. Trombonist Jim Beebe had a great deal of experience before these sessions and the band definitely knows what it is all about. There are two trumpets (or trumpet/cornet) for that unmistakable King Oliver-Louis Armstrong style lead line. There are a lot of different looks here, from boogie-woogie to slow blues, swingers to New Orleans jazz standards. Some well placed vocals, but the important part is how this band really cooks, regardless of the line-up.
*review by David Richoux

Bukowski, Charles Readings, SF ?73 and Iowa City ’73 [N/A]

stingray   1/14/2005   A Library, CD

2 CDs of beat poetry from one of the masters. In his tired, gravely voice, Bukowski holds forth on sex, death, oppression, and whatever else comes to mind. No track titles on the CD, so I made some up after listening. For the most part each CD is a contiguous recording that was divided up into tracks. Whoever did this did a pretty lazy job of picking where to start tracks. Sometimes he will say the title of a poem on the end of the previous track. The sound quality is poor, but you can always understand what he is saying.
I *think* Disk 1, tracks 3-12 are the San Francisco recording (the sound quality is different and there is no discernable audience noise). The first 2 tracks of the 1st disc and the entire 2nd disc sound like they are from the same recording, which I assume is the Iowa City recording. It’s all good and heavy, drop the proverbial needle anywhere and let a couple tracks play (but watch for language!).
Language: Disc 1 – 3, 5, 7, 10
Disc 2 – 1, 3, 7, 8, 11, 16, 19, 20
Stingray

Apostle of Hustle – “Folkloric Feel” [Arts and Crafts]

stingray   1/14/2005   A Library, CD

This three-piece (plus guests) out of Canada delivers well written and produced psychedelic folk. There’s just a touch of electronics and feedback on some tracks. There are some Latin-folk influences (lead singer Andrew Whiteman had recently returned from a trip to Cuba where he learned to play the tres (a Cuban guitar)), especially on tracks 3, 7, 8, and 10. The sound is melodic and shimmery, and the production has resulted in an appealingly full sound.
Favorites: 1 (Prog-rock-influenced folk jam), 3 (great, but still mellow use of bongos and tamborine), 7 (a Latin-influenced contra style ballad), 8 (laid back swing beat, longuey vocals).
Track 11 is a :37 second long very quiet shimmery little chord.
Language: 3 (‘shit?), 4 (‘fuck’),
Stingray

14 Year Old Girls – “Strategy Guide” [Retard Disco]

stingray   1/14/2005   A Library, CD

Imagine that Devo were a bunch of nerds. OK, fine, Devo are a bunch of nerds, but imagine that they were obsessed with video games and gamer culture rather than, umm, whatever it is they were obsessed with. Songs about Megaman, Pac Man, Wario, Tomb Raider, et al. The music is catchy, sometimes punky electro-pop with male and female vocals. It’s well produced and fun, and the lyrics are often quite brilliant. All the songs are very short (none over 2 minutes), but the breaks between the tracks are very short, so you can let it track through and play a couple of them. If you have time, the liner notes are quite hilarious.
Favorites: 3, 6, 7, 8, 10, 12, 18, 21, 22, 24, 25
Language: 3 (‘fucking?), 5 (‘fucking?), 14 (‘shit?), 26 (‘fucking?)
Stingray

Aroah – “The Last Laugh” [Acuarela]

stingray   1/14/2005   A Library, CD

Aroah is lead by Irene Rodriguez a Spanish female singer/songwriter. This album predominantly features her clear, simple voice and acoustic guitar work with occasional appearances by drums, flute, and electric guitar, but always sublimated to the voice and acoustic guitar. She is clearly strongly influenced by John Fahey (and says as much on her website). All songs are in English (including the one with the Spanish name) and she has no discernable accent).
Language: 12 (‘fuck’, though she says it so gently I had to listen a couple times to make sure that’s what she was really saying)
Stingray

99 Hooker?s – “Generica”

stingray   1/14/2005   A Library, CD

Sexually charged beat poetry rants over a bed of bass, guitar, samples, and occasional reeds singing over the top. The words aren’t sung so much as spoken in time. The rants are directed variously at Hollywood (7), religion (3,8), redneck America (4), and, umm, miscellaneous. I really like the last track, but it is quite long. From the label’s copy: ’99 Hooker’s Generica is to pop music as crank is to Michelob?.
Members of Note: M2 (of Chemical Brothers), Donald Miller, Ray Sage.
Language: 3 (‘shit?), 4 (‘fuck’), 6 (‘motherfuckers?), 8 (‘shit?)
Oh yeah, the punctuation is correct. ?99 Hooker? is the name of the band leader.
Stingray

John Berberian and the Rock East Ensemble – “Middle Eastern Rock” [Acid Symposium]

stingray   1/14/2005   A Library, CD, International

Middle-eastern acid rock led by oud player John Berberian (an oud is kind of a fat mandolin). The music incorporates Middle Eastern and Armenian instrumentation and rhythms with western jazz, soul, and funk. Track 3 has some Armenian vocals; other tracks are entirely instrumental. Very groovy, laid back stuff. Break out the hookah, pick any track, and enjoy!
Stingray

The Faint – “Wet From Birth” [Saddle Creek]

stingray   1/14/2005   A Library, CD

It turns out that catchy, hooky, 80’s-style electronic dance-pop didn’t die, it just moved to Omaha! Wet From Birth joins the 2 excellent The Faint CDs already in the library and provides 10 more tracks of music to listen to while wearing black lipstick, black fingernail polish, black boots, and black shirts with black designs. What Depeche Mode could have been if they weren’t so insufferable. My favorites are tracks 1, 2, 6, and 9, but you really can’t go wrong with any track. Play this!
There is ostensibly a video on here in MP4 format, but I couldn’t get it to play.
Stingray

Tracy and the Hindenburg Ground Crew – “Great Day” [Action Box Records]

stingray   1/14/2005   A Library, CD

This is presumably the same band as Ace T and the Hindenburg Ground Crew (for whom we have a 7″ 33), but while that disc is pretty much a novelty, this album is a bit more substantial.
Quirky pop that’s not really hi-fi or lo-fi, but somewhere in between (medium-fi?). Some elements of The Residents, but probably a little more of They Might Be Giants. Songs are by turns thoughtful (2, 8, 10, 13), funny (3, 6, 9, 12), or just kind of strange (1, 4, 7, 8). If there is a space for pop on your show, you should find something to like here.
Language: 12
Stingray

Adams, John – “Road Movies” [Nonesuch Records]

stingray   1/14/2005   A Library, CD

Neo-classical post-minimalism from composer, San Francisco Conservatory of Music mainstay, and 2003 Pulitzer Prize winner John Adams. This CD contains new recordings of several Adams works. Road Movies uses piano and violin, while the others have only piano (2 pianos on Halleluiah Junction).
The music is consonant, beautiful, and warm. It is simple without crossing the line into banality that would classify it as ‘new age.’ My favorites tracks are the slightly more strident ones (1, 3, 6, 8).
Stingray

Roots of Orchis – “Cracked Ceilings” [Slowdance]

stingray   1/14/2005   A Library, CD

A 2 disk set from Roots of Orchis. Disk 1 is their originals. Disk 2 is remixes of old Roots of Orchis tunes.
Disk 1 is beautiful, mellow, instrumental psych-trance created using bass, percussion, keyboards, and occasionally some very minimal guitar.
The Disk 2 remixes are still mellow, but most have a more glitchy feel. Exceptions are track 4, which has an indie-pop feel, track 7, which is more guitar driven, and track 8 (language), which is hip-hoppy.
LANGUAGE: Disk 2, Track 8. Also, this track has a 20 second ‘false start?.

Stingray

[coll] WFMU Radio Archival Oddities Vol. II

stingray   1/14/2005   A Library, CD

A 2 CD set put out by the folks at WFMU. Disk 1 is made up of non-WFMU radio moments that The Professor found ‘compelling, funny, or just plain odd?. Disk 2 is a collection of moments from WFMU broadcasts. The booklet provides an excellent overview of the clips. My favorites are:
1: 7 – The Black Pope; a Texas/Louisiana radio personality who sounds like a less grounded George Clinton (1979). Insane.
1: 14 – It’s Friday! An unknown DJ on an unknown station with a semi-orgiastic paean to Fridays. Awsome.
1: 15 and 16 – Neil Rogers and Bob Lassiter, respectively, taking apart ignorant callers.
1: 20 and 21 – John Lennon schilling for Tower Records and alarm clocks, respectively.
1: 23 – 8/18/1998 Tampa station WFLA manages to get in touch with a man who had shot a cop and was currently holding a hostage in a gas station. Chilling.
1: 24 – 9/11/2001 The first tower falls.
2: 4 (LANGUAGE!) ? WFMU DJ Vanilla Bean calls a phone sex service.
2:22 Call to Henny Youngman during a fundraiser. Hilarious
Language: Disk 1 – 19 Disk 2: 4, 10, 15, 26
Stingray

The Advantage – “The Advantage”

stingray   1/14/2005   A Library, CD

The Advantage is a Canadian 4 piece band that plays covers of music from Nintendo (ORIGINAL NES) games. Is it a gimmick? Sure! But it’s still fun! The band is made up of 2 guitars, bass, and drums. Interesting to hear this synthesizer music played without a keyboard. Tracks are very short (none over 3 minutes, many under 1 minute). Tracks from the same game usually track together.

Stingray

Anonymous 4 – “American Angels” [Harmonia Mundi]

stingray   1/14/2005   A Library, CD

4 woman a cappella versions of American sacred songs of the 18th and 19th century. The voices are good but not spectacular. The arrangements are intentionally very simple, attempting to recreate these songs as they actually would have been sung. The production is probably a bit heavy on reverb, but it makes them sound like they are being sung in a church, which is certainly appropriate. It’s all pretty, simple, and sincere.
Tracks that stand out to me are 1, 7 (Amazing Grace), 10, 13, and 20.

Tanakh – “Dieu Deuil” [Alien8]

stingray   1/14/2005   A Library, CD

Laid back psyche-folk. Pretty ballads with mournful gypsy-style fiddle, guitar, and the strong, clear, calm vocals of Jesse Poe. My favorites:
1 – Features some nice female backing vocals)
2 – A slow build of shimmery intensity using military-style snare drum, flameco-style guitar, and soaring vocals.
7 – Instrumental that showcases a very sad ‘gypsy? fiddle sound over a host of percussion that sounds like it includes a number of ‘found? instruments (i.e. banging on pieces of metal, wind chimes, etc). Despite it’s more percussive feel, it is still very mellow.
8 – Ballad featuring an interplay of Poe’s voice, a very sad and mournful slide guitar, and later in the track, the gypsy fiddle. This track makes me tear up if I attend to it fully.
Tracks 3, 5, and 7 are instrumentals.
Track 6 ends with ~40 seconds of near-silence.

Hypnotech 3 – “Prescription Electronics” [Futursonic]

stingray   1/14/2005   A Library, CD

Mellow, tripped out electronica from Canada. All instrumental, with the exception of some spoken vocal samples on track 1. Tracks 2, 4, and 7 are more ambient, while the others have a bit of a dance beat to them. All very mellow and relaxing, just the thing to listen to during ‘coming down? part of your rave while the light-sticks are fading out and you are eating the candy necklaces.

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