KFJC 89.7FM

Music Reviews

Placenta Popeye/Slicing Grandpa [coll] – [Tanzprocesz]

Louie Caliente   8/14/2016   7-inch, A Library

Slicing Grandpa: Noisey power electronics, low-frequency rumbles, and screeching guitars. Monotonous croaky indecipherable vocals that sound like they were delivered over a department store PA system.

Placenta Popeye: Noise rock trio from Marseilles France. Underwater sonic vibrations and piercing guitar feedback, punctuated by demented screams and moans.

Krube – “Krube” – [I Dischi Del Barone]

Louie Caliente   7/31/2016   7-inch, A Library

Krube is Alexander Schneider, a sound artist working out of Berlin since the late 90s.

Two quick tracks of music concrete. Everyday sounds juxtaposed in new and disturbing ways. Crackling flames, rending metal, billowing wind, and percolating water. Unidentifiable yet strangely familiar machines.

Kichert Mit Freunden [coll] – [Self Release]

billiejoe   7/13/2016   7-inch, A Library

Translates to “giggles with friends.” Came with nice note from <3 Howard mentioning that his group is on On The HiFi Vol. 11 and it is coming soon and thanking us for our support of vol. 10 last year. First tracks on either side are Lo Fi sounds of folk electronic melodies with fuzzy beats and second tracks are straight up rock folk.

Infinite Plastic Internal – “Radioactive Cloud Alert/ Spectrum Studies 1” – [Self Produced]

Louie Caliente   7/9/2016   7-inch, A Library

Released in 2014, this is the debut 7″ from Infinite Plastic Internal, a project of Mark Pino of San Diego. This release incorporates drums, ring modulator, synth pedals, and a unique home-made instrument Pino calls the “Pan Feedback Flute”.

Radioactive Cloud Alert is a free-yet-groovy thumping drum solo over faint warbling synths.

Spectrum Studies 1 is noisy and droney. Heavy machinery sounds: grinding gears, hydraulic forklifts, humming conveyor belts. Bowed metal and screwy scribbly electronics.

World Will Never Know, The [coll] – [Sweet Farewell]

humana   7/4/2016   7-inch, A Library

For some reason this 7″ sat on my counter for weeks (just as it laid dormant somewhere since 2003), and when I finally listened to it, I was pleasantly surprised. Black death, I thought, looking at the titles on this Split EP and viewing the sepia-toned painting on the sleeve. But no, it is industial-type music, although I just think it’s cool. Reutoff, the “cult industrial Russian act,” on Side A and Totenlieder (a project of Sebastien Leduc) on Side B with a cover of a Janitor tune.

KAER/ KEGS [coll] – [Sublevel Epidemic]

Arcanum   5/31/2016   7-inch, Hip Hop

Backpack type hip hop. FCC FREE Each track accompanied by the instrumental fo yah mental. A side instr. 3:30~ Latin.Cubano.Piano.Guitar samples. quantized bass/ drum kit .
B side instr. 4:20~ Harp.Woodwind. Drum Kit shuffle snares. Vocal Sample.

TOADS and BUGS [coll] – [White Rabbit Records]

abacus   5/25/2016   7-inch, A Library

double mini CD release from Feine Trinkers Bei Pinkels Daheim out of Germany and Der Bekannte Post Industrielle Trompeter from Italy. the trumpeteer plays the toad side: a number of short tracks carrying juvenile delinquent flatrumpence with sci-fi lullaby calypso grooves and twisted future jazz industrial breakdown. the trinkers play the bug side: one long track of warped mash into factory-grade steel drone drifting gently through the void carrying echoes of voices and melody trailing behind, monastic memories and creeping carefully to the forefront. haunting oddities for sleepless nights

D.B.P.I.T / F.T.B.P.D [coll] – [White Rabbit Records]

abacus   5/25/2016   7-inch, A Library

experimental post-industrial split between Flavio Rivabella aka DBPIT out of Italy and German duo FTBPD. Flavio has been active since the early 2000s and contrary to name, not particularly well-known despite his huge output and collaborations, having worked with Mushroom’s Patience and others. his side is a warped sleepytime hallucination with echoing trumpet carrying us along, an alien ambient soundscape. FTBPD roughly translates to “the dope drinkers at home” or something… active since the mid-90s and quite a bit active, with extensive touring around Europe. their side starts off significantly more abstract and absent, post-classical drone emanating out of a dank sewer-ambiance, until we creeper deeper down the tunnels and find a rhythmic-concrete ritual grooving by candlelight on the inside that devolves into a non-locked loop fading away. beautiful aural oddities to waste away the day

Crawl Unit – “Tucson Mon Amour” – [Drone Records]

abacus   5/25/2016   7-inch, A Library

second pressing of live performance from Crawl Unit’s only tour played at Big Storage in Tucson, a relic from a criminally underrepresented sound artist. distant wavering tones on the hazy horizon, sparse industrial tinkering litters the foreground, the scattered detritus flickers in the hot desert sun. the B-side has more of a looped rhythmic feel. stroke delusions

Cut Worms – “Don’t Want to Say Good-bye” – [Randy! Records]

humana   5/20/2016   7-inch, A Library

If I were on “Name That Tune” (younger folks–Google it), I would have said this was the Everly Brothers from the first three notes. But this 7″ is the work of one guitarist, Max Clarke, who was in the Chicago band The Sueves. Each of the beautifully plucked ballads deals with love and leaves you feeling fairly mellow, with Side A having a slightly quicker tempo than Side B.

Moloch / Closure [coll] – [King of the Monsters]

abacus   5/17/2016   7-inch, A Library

destructive split from UK juggernauts: moloch from Leicester start of feral and drag themselves through the sludge like a dull blade through flesh, Closure out of Leeds plod and stomp but explode in sporadic bursts of powerviolence and grime. mud hurling, vomit choking goodness; now spit

Bilge Seaweed Orcastrua – “Salty Sea Shanties” – [UBUIBI]

mouthbreather   5/11/2016   7-inch, A Library

experimental pirate radio station operated by Big City Orchestra out of the Bay Area. field recordings, happy/sad drinking songs, consumerist worship all contained on this pretty blue 7″. NPARRR (National Pirate Radio) gives us lo-fi yum, coupled with boot-thumpy, folk instrument driven, shanties.

included is a cd of air checks of 16 tracks, with some great tunes and field recordings that didn’t make the EP. ??put it on continuous and feel the breeze in yer nethers.

 

Brown, Apollo – “Hey Joe/ Make Bread” – [Mello Music Group]

Arcanum   4/26/2016   7-inch, Hip Hop

This is the bonus 45 for Apollo Brown’s album Thirty Eight. Side A and B are both instrumental and FCC free. Crackle and sample hiss run like electric current throughout, giving a retro feel and resonant warmth. some guitar twang with the classic hey joe vibe on side A 2:55~ and a gritty jazz-hop narrative with female vocal laced boom bap drum kit side B Make Bread 3:00~

Fluwelen Koord – “Luxe Poesje” – [Ultra Eczema]

Thurston Hunger   4/15/2016   7-inch, A Library

Spazzy, strident and a little sweet punk.

A-side :Boozy guitar, howled vox (he eventually barks at
the end) and a bassline that wants to be a metronome. Some
times two notes is enough for a bassist, maybe more than
s/he can handle. A little synth whispers on what I guess
passes for a break in this simple art-damaged punk slow-dance.
Other reverby percussion, not really drums, more like
dropping a silverware tray nicely. Beasts from Belgium
and while I thought the title might mean something like
“the light of poetry,” online translating came up with
“luxury pussy.” So kinda the same thing? Both are found
behind a “velvet rope” (which is the apparent translation
of the band name.) On the flip side, “Ingeblikt Miszprijzen”
creepy crawls its way to start then moves into a three chord
charger with more of those yelping vox. Does it translate
as “Canned Disapproval” or is that just what I had for dinner?
Love the flat-tire e-string guitar riff to start and then set
up the climax end of the song.
-Thurston Hunger

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