Oh what fun it is to open a box of 10 7″ discs recorded in 1968- 1970 on the Cotillion label and dance to the soul sounds of artists including Darrell Banks, C and the Shells, Moses Smith, and Lou Johnson. There are ballads on here, too, and the liner notes are a must-read for cool background info. Covers of “Ain’t No Sun” and “Do Right Woman, Do Right Man” are highlights. Pick any disc and get your soul groovin’!
Rotten Fux. The continued comment on many sights is will they last more than a year before they all OD. Not sure if they made it but this 2006 release on Six Weeks Records assured them some infamy with 9 tracks of hardcore punk energy. Bay area punkers from the now defunct Burnt Ramen club scene, taking names like Filthy, Smelly, Inbred and Steve’s Little Brother, one can guess the sound, speed and quality. But that’s the fun of it. They meant it, I’m sure, maybe, I don’t know, but with song titles like “My Rules”, “Sick of Life”, “STD Song” and “I Like Drugs”, you know a good time is guaranteed. Sometimes you just have to sit back and let it happen, not worrying about quality. Just enjoy. Each song under 2 minutes, so commitment is not an issue.
Mike is the lead guitar of the Swedish surf band The Barbwires. Here he gives us a nice single that combines surf, Latin beats, and exotica. All this on a Spanish record label – fun!
Noisy oh my gosh and screaming vocals about veganism and animal rights. Good stuff. Brutalomania is a solo noise artist who has worked under many different aliases such as Cadaverizer Noise, Feral Squat, and Manuel M. Cubas.
Bastard Noise of course is a California group founded by Eric Wood, Henry Barnes, and WT Nelson. They’re discography is quite extensive. They have been making noise since the early 90s and have worked with countless other artists.
Limited edition printing.
Chickens. In stereo.
Dedicated to those lost in Ghost Ship.
Made from a batch of 7″s he got in the mail and farm field recordings.
Veheug is dutch for “looking forward”
— Billie Joe Tolliver
Omaha mid-tempo hardcore, blown to fuck, caustic anxiety. chugging guitar riffs, solid drumbeats, grunt-to-shrill range of echoed vox, squeaky feedback, VERY energetic, infectious. it’s not ‘Pop’ but it does pop out as aggressive, yet accessible.
quick transitions! tk 1 and 2 flow together as one, watch out! or don’t!
Bathe in the warm sonic shower of Rodger Stella, American noise artist and founding member of Macronympha.
Waves of static punches and shattering explosions all crashing on an electronic shore. A full spectrum experience.
Two glorious sides of chaotic electronic blips bleeps blonks. Surachai makes a sort of gloom electronic music.
With this project from Make Noise Records, Surachai created the two pieces using the Make Noise Shared System modular synths made by the independent synth makers. The list of oscillators, pressure points, wogglebugs etc. etc. used is huge. Complicated sounds bending in and out with pitches shooting back and forth in and out. Tweak out.
Luciernaga is a project of Joao Da Silva, a member of the hardcore-punk scene in Santiago during the 90s who now lives in Brooklyn.
This 7″ contains two beautiful guitar-driven ambient drone pieces on clear vinyl. Both tracks are extended versions of songs originally released on cassette. Only 100 of these were pressed, each featuring one of four different photographs on the front.
“Sleeping Green-Eyed Girl” is a study in resonance and (subtle) dissonance. Shimmering feedback like a glass bell, with harmonics coalescing and then slowly melting away.
The B side, “Wandering June”, layers bowed strings, faint whistles, and low guitar rumblings. Very pensive and meditative.
Italy’s most prized confrontational nutters
Hallelujah! is abrasive fast rocknroll punk. think Germs meat Electric Eels.
Holiday Inn is a lo-fi ‘acid minimal synth punk’. droney, word vomit, anti-mafia tirade. nasty aesthetic
Self-described as “trashed pop in Detroit, MI,” Bonehead is the project of Alexandra Lee who wrote, performed, and produced everything on her debut 45. The songs are short and catchy, with her vocals accompanying the guitars and other instruments nicely. More to come from this artist. Keep an eye on her.
This is a great little 7″ of garage rock (I only classify it to be helpful; it’s a class of its own). “Poetics of Space” is a solid musical asking the question of where does time go, and the guitars and vocals of the trio provide the apt setting for such a question. “Like the Fly” is slightly more upbeat and danceable (to us old rock dancers) and makes us wonder about what being a fly on the wall would be like. Do flies dance? Try this out.
Slicing Grandpa: Noisey power electronics, low-frequency rumbles, and screeching guitars. Monotonous croaky indecipherable vocals that sound like they were delivered over a department store PA system.
Placenta Popeye: Noise rock trio from Marseilles France. Underwater sonic vibrations and piercing guitar feedback, punctuated by demented screams and moans.
Krube is Alexander Schneider, a sound artist working out of Berlin since the late 90s.
Two quick tracks of music concrete. Everyday sounds juxtaposed in new and disturbing ways. Crackling flames, rending metal, billowing wind, and percolating water. Unidentifiable yet strangely familiar machines.
Translates to “giggles with friends.” Came with nice note from <3 Howard mentioning that his group is on On The HiFi Vol. 11 and it is coming soon and thanking us for our support of vol. 10 last year. First tracks on either side are Lo Fi sounds of folk electronic melodies with fuzzy beats and second tracks are straight up rock folk.
Released in 2014, this is the debut 7″ from Infinite Plastic Internal, a project of Mark Pino of San Diego. This release incorporates drums, ring modulator, synth pedals, and a unique home-made instrument Pino calls the “Pan Feedback Flute”.
Radioactive Cloud Alert is a free-yet-groovy thumping drum solo over faint warbling synths.
Spectrum Studies 1 is noisy and droney. Heavy machinery sounds: grinding gears, hydraulic forklifts, humming conveyor belts. Bowed metal and screwy scribbly electronics.
Psychedelic instrumental music from Ankara, Turkey. The title track (side A) is a rendition of Mulatku Astatke’s composition. Side B is very trippy. Well played, definite Middle Eastern influence. interesting even without the novelty of being from Turkey, released by Sublime Frequencies.
For some reason this 7″ sat on my counter for weeks (just as it laid dormant somewhere since 2003), and when I finally listened to it, I was pleasantly surprised. Black death, I thought, looking at the titles on this Split EP and viewing the sepia-toned painting on the sleeve. But no, it is industial-type music, although I just think it’s cool. Reutoff, the “cult industrial Russian act,” on Side A and Totenlieder (a project of Sebastien Leduc) on Side B with a cover of a Janitor tune.
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