‘From Belgium to Detroit – with respect’ it says on this LP, a re-release by Belgium’s Buzz Records of this compilation of early Detroit techno music.
It was originally released in 1992 on Derrick May’s Transmat label, and it covers Detroit techno from 1986 to 1990 with tracks from Carl Craig (Psyche, BFC), Juan Atkins (Model 500), and mostly Derrick ‘Mayday’ May (Rhythim [sic] is Rhythim [sic]) who has over half the tracks on this album.
Some of Mr. May’s tracks hadn’t been released before or even been given titles. They show up titled as ‘A Relic’ or ‘Another Relic.’ In between each track is a weird little ‘interval’ less than a minute in length performed by Messrs. May and Craig.
The artists on this album were influenced by Alvin Toffler, and in Detroit in the late 80’s the decline of the Second Wave was more than a abstract concept. Amid the decay they created a musicical version of the Third Wave, in which man and machine (in this case a Roland synthesizer) would merge and form something far funkier than the sum of its parts. The use of the word techno to describe the music was lifted from the techno rebels in Toffler’s book Future Shock.
All tracks are instrumental and entirely synth-generated. The beats are relentless, and everything else – melody, synth-strings, chords – are merely there to support the beat.