Armagedda – “Only True Believers” – [Drakkar Productions]
Straight-ahead Scandinavian Black-metal
Pvre, hermitic Swedish black metal without frills. Cold, grim, and cvlt, all the elements of trve Nordic metal are present with notable exception being the samples culled from final episode of Twin Peaks (original series) pinned to the opening and closing of this album from 2003 and a few fleeting death and doom metal aspects (tempo changes and solos). A bonus track was tacked to the end of this release of wind howling through the trees with a meandering spooky synth. This was the second full-length release by reclusive two-man black metal outfit Armagedda which was comprised of Andreas Petterson and Stefan Sandström (A. and Graav) who haled from the secluded forests of Lapland, the northernmost county of Norrland, itself the northernmost region of Sweden; cold, desolate, unforgiving, dark for half the year. Salient as these young men were so isolated and resolute in their worship of nature that they would ultimately abandon the project and the world of men… barring the inception of Nordvis Produktion 2005, the label run by Petterson which according to interviews is considered to be more of a commune of like-minded spirits, especially their collective reverence of nature and humanity’s insignificance when compared to her power and immensity. The word that A. employs is, vast which adds a desirable element in my opinion. Although Armagedda’s sound is concertedly informed by the Norwegian forefathers of 2nd wave black metal, Mayhem, Burzum, Darkthrone, et al. there is an element of isolation that pervades their releases. Here Andreas describes a German tour that the band left before its end:
“We were young and lived in a world which consumed us, and the other way around. As the tour progressed, I remember a mounting distance between us and the remaining bands. Another memory forever etched in my head is an evening when we found a secluded forest area where we sat down by ourselves with an old tape-recorder, just enjoying the sound of something other than people speaking German. A great relief at the time, to be sure.” – A. Petterson
With Graav retiring from music and A. distancing himself from the black metal genre this album is widely considered to be the apex of Armagedda’s form and, in the opinion of this miserable volunteer, an excellent example of devastating sonic misanthropy.