KFJC 89.7FM

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Hay, Emily – “Like Minds” (pfMENTUM)

outlier   4/10/2005   CD, Jazz

A collection of various projects undertaken over the decade by the phenomenal Emily Hay, experimental vocalist-flutist from SoCal. Pieces range from surging winds and street smart rhythms in experiment (1,5,7,11) to free vocals with percussion and/or electronics (6,8,9,10) to song structures of Dadamah-like magic (3,12) to post-classical virtuoso conversations (2,3). The lyrical phrasing and instrumentation keep the experimentation in the musical dimension. Hay’s vocals are about hearing what the voice can do as an instrument. Infusion of unrestrained vocal energy into the trio/quartet creations thru evocative utterances over and in between flute expressions bring you intimately into her soundspace, moving beyond words to true emotive convergence between artist and listener as the sounds are shared.
3w: Emotive Evocative Expression
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EXIAS-J electric conception – “Balance of Chaos” (PSF)

outlier   4/10/2005   CD, Jazz

Free music exploration of the organic guitar sound with smart electronics in support. Enters the same sonic space as Wired but less orchestral. Cavernous, echoes with deep resonance and some eastern psych meditations (less tribal than Tohosara and less wall of sound than Tsurubami- last two tracks excepted). Flowing sonic energy that reaches climax in an AMM style with 2 gtr-pn/synth-elec-bs-dr. Guitar tones cast the sonic beams by which the unit is led, the path is true and free.
3w:
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Morris, Butch – “Homeing” (Sound Aspects)

outlier   4/10/2005   12-inch, Jazz

Dense tapestry of orchestral sounds that displays wondrous collective cohesion in a multi-directional, multi-dimensional work. Improvised symphonic group exploration led by the master vision of Morris. Cacophony never results from the mass layering of sounds that rise from each wave. 12 musicians that sound like a full orchestra with musicianship that rivals any classical artists. Each movement flows into the next seamlessly, making the sonic voyage an inspiring flight over what would seem an exhausting path of musical destinations. Recorded live in Berlin 1987, this work is an undeniable masterpiece.
3w: STRAVINSKY WOULD DIG
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Milton, Anthony – “Sirens” (Last Visible Dog)

outlier   4/10/2005   A Library, CD

New Zealand acoustic psych folk with an air and wood sound, occasional guitar in distress strumming and solos. Slightly angered, spacey Direen and Morley influenced songs with a serious folk mentality. Occasional early Dead C blownout acoustic sound with clever lo-fi drums that give the vocals an edge of tension accented by steady, sometimes furious strum. Traveling rhythms that have phasing qualities and evolving structures but the center of gravity is on a steady path to psych folk truth.
3w: NZ PSYCH FOLK
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Sandoz Lab Technicians – “Live at MacDougal Art Gallery” (C.PSI.P)

outlier   4/10/2005   A Library, CD

Tim Cornelius, James Kirk, and Nathan Thompson ascend to the heights of drone with a 45m free music piece that ranges from a subway station fuge to flowing rivers of strings and winds in electrified vapor. Sounds billow outward like clouds, surging in a collective waveform flux. Dense textures that move up to cacophony’s edge, stepping back to sense the void of where the sounds have vacated. Similar to Sakada or Organum, always exploring the essence of music in the NOW.
3w: Free Music Installation
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Parker,Evan and Peter Brotzmann “The Bishop’s Move” [Victo]

outlier   3/12/2005   CD, Jazz

A circular breathing round tripper, this sextet aurally pleasures you for 73m and it’s FREE ! Supergroup of two free jazz pioneers’ trios who got together in Quebec in May 2003. 2 saxes, piano-Schlippenbach, bass-William Parker and 2 drums-Hamid Drake and Paul Lytton. Schlippenbach provides the center of gravity but his chords never tie down the soloists moves. E Parker and Brotzmann set their horns on fire with relentless wailing that sometimes never stops to breathe. Dual master blowouts are a RARE event especially when backed by rhythmic GIANTS such as these.
3w: FREE YOUR ASSSSS (mind will follow)
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Bailiff, Jessica w/the.dithering.effect s/t [Resonant] (45 rpm)

outlier   3/12/2005   10-inch, A Library

Drift and reverb drench the haunting vocals of Bailiff while echoes of spacecraft vapors fill the void. The label is well-named, waves of drone are the attendant feature on this release. A slower, hazier, Twisted Village version of Amber Asylum. Or maybe drop Kendra Smith’s vocals in on the Garbage and the Flowers (TW-Deep Funnels of Entry comp), add drone and strum, chill and serve. A very enchanting sound, not quite sirenesque, but of the earth and sky. Some sundown haze and fresh air on the ‘there’ side. Jessica Bailiff is the female half of Clear Horizon (with David Pearce of Flying Saucer Attack), no letup on this release.
3w: HER MAGIC CONTINUES
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Swell, Steve “Slammin the Infinite” [Cadence Jazz]

outlier   3/12/2005   CD, Jazz

HARD BOP with freeish developments, Grachan Moncur (New Africa Suite w/ Roscoe Mitchell, Dave Burrell, Alan Silva and Andrew Cyrille) is my best point of reference. Swell’s compositional style is edgier than Moncur and his trombone work is more modern with a slip and slide delivery. No chatter, some reed screed and blowout ‘bone, but we are slammin the infinite here not regressing to the average. Mateen(tenor sax, alto sax ,clarinet) gives a spirited performance while Heyner-bass and Kugel-drums seriously sustain the energy delivered by the leadmen.
3w: Limitless FREE BOP
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Sun Ra and the Myth Science Arkestra “Live in London” [Blast First]

outlier   3/12/2005   CD, Jazz

The good vibes on this recording are infectious. Sun Ra channels the world’s discord and uses the mystical powers of the Myth Science Arkestra to convert this malaise into musical merriment. Ranging from Afro Jazz chaos to spacey intoxicated big band sounds, this set captures the unorganized cohesion that was the magic of the MSA. 1-3 are astral jazz explorations while 4-6 run the old school stride and ballad routines, singing included on 5,7 and 8. Not as out there as “Concert for the Comet Kohoutek” but nobody goes home disappointed.
3w: Cosmic Party Jazz
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Messthetics #1 “UK 78-81 DIY bands R to Si” [hyped2death]

outlier   3/12/2005   A Library, CD

Three chord punk and English power pop in roughly equal proportion. Leather jackets – Probably, but not the safety pin in the cheek stuff. Angry, jaded, anti-corporate, anti-government and definitely anti-Thatcher songs that brighten your world by telling you how depressingly awful their world is. But they don’t let their emotions get in the way of a good jolt of electric guitar and snotty vocals. Royston (3) and Seize (19) impress with some clever pop and bash respectively. Ripchords (27) and Reekie (29) are also of note. Nothing quite as enraged as Flux of Pink Indians or slick as Gang of Four but then not much is.
3w: buggered blokes bangup
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Sun City Girls “Fresh Kill of a Cape Hunting Dog/ Def in Italy” [Eclipse]

outlier   3/12/2005   12-inch, A Library

1983-85 recordings that reinstall SCG as the grand shamen of anti-pop. 1st LP is a studio release with all the markings of SCG brilliance; a tale of cop corpse desecration, a stunning sound piece, snake-charmer guitar magic, cutup madness, mid-eastern weirdness, destroyed guitar blast and recoil…’I Told You So’ and ‘Nile Hilton Burning’ are destined KFJC classics. 2nd LP is live recordings of 1984 tour including an SF show. If I was Byron Coley I would drop in something about a cherry enema right about here.
3w: DON’T FUCK WITH
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Valentine, Matt & Erika Elder “Ragas & Blues” [Idea] LP (33rpm)

outlier   3/12/2005   A Library

Valentine brings his anachronistic acoustic sound to the east, soaring in the winds of Erika Elder. Sundown haze, third-eye bliss…plenty of fresh air. Not as old school folk as Valentine’s recent solo release, this takes you on a subtle carpet ride over regions of underexplored sound. Music travelers journey to the exotic and enchanting mysticism of shambhalan cosmic harmony. Take a trip and never leave your living room !
3w: Hypnotic Healing Harmony
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Gang Gang Dance “Revival of the Shittest’ [Social Registry] LP (33 rpm)

outlier   3/12/2005   A Library

More structured, shorter pieces than the musical melange of their previous release. GGD explore possibilities of ultra-drum percussion using rhythmic techniques in melodic instrument spaces. Variety of approaches to the purpose of percussive pursuits; Quaalude electro-clash, tribal sample mix, vocal musings with a residents-type march, niobe-like beats, vocals over two-note piano steps with echo-noise-beats mix, fake symphony synth and an electronics soundscape. All pieces have a distinctive signature sound that GGD have claimed as their own.
3w: Snap CRACKle POP
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Invisible Cities s/t [Drimala]

outlier   3/12/2005   A Library, CD

Trombone and clarinet improv interplay that sounds like bird communications. Duo of Steve Swell-trb and Perry Robinson-cl. Musical wandering phrases that alternate and interlace to create swells of lyrical runs that carry the listener to a nature space. First half stays in the pure improv space, last half uses more motifs and set timing to move the pieces. Trombone and clarinet have a playful sound that mimics a conversation in music. Admirably avoids the dixie deathtrap of which trombone and clarinet are vulnerable.
3w: lyrical musical conversations
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Rara Avis s/t [Generate Records] CD

outlier   3/12/2005   A Library

Consonant, flowing improv of tenor sax-electric piano-drums that never gets out of control. Anchored by chords and breathing patterns, this improv effort has a ‘jazz fantasy’ composition feel. Tenor phrases lead the way thru dense piano chords with drums extending the interplay once a chord is traveled. Space is colored by mutating sax phrases and ‘in key’ piano accents that give each piece a sustained tonal and timing character. Though collectively an outside sound setting, interaction seeks the inside sound, interlocking each instrument with complementary expressions. Complex rhythms that seem to suspend in space give a pleasant updrift to the wind and chime of tenor sax and electric piano.
3w: consonant flowing improv
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Drekka “Extractioning” [Blue Sanct] CD

outlier   3/12/2005   A Library

Acoustic guitar with hum drone and landing spaceship textures, ranging from lo-fi strum to dreamy drift, vocals are mixed down giving a deep almost somnolent sound to the songs. A sound and timing between Sferic Experiment (NZ) and Clear Horizon (sorta 500mg) but spacier than all three. Structures blend into form and dissipate without concern for musicality. Very honest sound that gets its heavy feel from the layered harmonics from guitar and drone/reverb. Occasional organ add to the spacey NZ-like sound and they throw in Cat Power and Donovan covers as well as a hymnal piece.
3w: Dreamy Drone Drift

Wired – Free Improvisation (MYA – Europe)

outlier   2/9/2005   12-inch, A Library

Wired – Free Improvisation (MYA – Europe)
Legendary free music release on Deutsche Grammophon, recorded between 1970-73. Gtr-org-bs-perc-elec combine spontaneously, transporting you to a destination of sonic bliss. A rather consonant free music exploration of the acoustic analog variety with smart electronics in supporting role. Not afraid of space, the quartet’s delicate communications interchange and disperse with timeless agility. Rare moments of clash mark climax and redirection that is woven into a fabric of sonic wonder. Subtle yet powerful- Dense yet never cluttered. Final recording opens with war sirens to marvelous dramatic effect. Ranta collaborated with Harry Parch, Bottner played in Stockhausen’s ensemble, Lewis studied under Dvorak and Plank is considered among the premier German producers. This document is the work of masters in an offering to the Gods – and the Gods looked down and smiled.
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Smith, Wadada Leo – Light Upon Light (Tzadik)

outlier   2/9/2005   CD, Jazz

Wadada Leo Smith – Light Upon Light (Tzadik)
A fucking masterpiece of sophisticated psychedelia that transcends being a hybrid of jazz and classical. Dreamy, transporting tones wind and mesh through space as a sonic counterbalance. (3,5) Trumpetronics, (1,2,4) String pieces. (3,5) Toshinori Kondo’s ‘Nerve Tripper’ sound – beats + master composer’s awareness of passages’ natural spaces = Wadada Leo Smith ! Proof left to the listener as an exercise. (1,2,4) Similar to Once Festival material (see Tyke), searching phrases unfolding clusters, mid and low-register cello sound, intense minor key stuff but not dark. Stravinsky/Bartok moves with an AMM sense of space, very powerful yet subtle. (4) is like a psychedelic symphony only with a small ensemble. (3) gets to Japan psych chant rock spaces but from an African jazz point of origin.
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Sixes – Organ Cuts

outlier   2/9/2005   A Library, CD

Sixes – Organ Cuts
Not chainsaw stuff ! Soundscapes from the noise quadrant. Reminds of early Merzbow (singles, Rainbow Electronics) bu with more continuity, less dense and less harsh. 2 tracks about 30m each but with 8-10 m passages in each. (1) Noisetronics / sirens, wind, tracers-vapors of notes / merzbow under tuvan influence, note factory stuff. (2) organ treatments, minor key stuff / minimalist handsaw, tronix bikers / galactic awareness through better electronics.
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Montoya, Robert – Robert M (Accretions)

outlier   2/9/2005   A Library, CD

Robert Montoya – Robert M (Accretions)
A dialectical synthesis of drone and beats with timing that is resolute yet spacey and textures that are synthetic yet lush. Anomalous and amorphous soundscapes (like euro-movie soundtracks at the moment of denouement) give a feeling of train travel through a foggy mountainous landscape. Montoya compiles sounds from television and layers them into soundscapes that transcend the medium and consciousness altogether. Tio Mate (5) is a compelling piece of pulsing soundwaves under Burroughs soundbytes. Sinestre (2) is a sonic colossus that attempts to communicate with other forms of intelligence – let them know you get the message- Play the shit out of this !
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