Folk fiddle: Admittedly I have a soft spot for traditional fiddle music, and these polkas, hornpipes, and dances from Ireland, Scotland, America, and the Balkans fit the bill quite nicely. The team of Hal Hughes and Jill Kjompedahl complement each other nicely on fiddle with these upbeat, clearly bowed tracks. Inject some cheerful fiddle mastery into your sets with this fine addition to our library. Read the liner notes for excellent info about each track.
One of the great things about the songs on this 7??? is their origin and lyrics. ???Malaria??? sounds like a mosquito (the guitar and voice are buzzes). ???MASH??? is about the TV series–listen for familiar names like Hot Lips Houlihan and Klinger. ???Good Money??? is the standout for me, because the guitar work and vocals are more jaunty and upbeat. ???Cosmic Man??? is a short ditty–read the liner notes for the origins. Charming punk from Australia.
Rock N??? Roll (2008)
This garage, post-punk band from San Diego sounds low-fi, driving, and somewhat distorted on Side A, ???Parasites,??? but Side B picks up momentum and peppiness with ???Walking With Jesus.??? Energetic guitar throughout.
San Francisco???s Matt Hartman, Mike Donovan, and Ty Segall offer ???L. Mansion??? and ???Superlungs (My Supergirl)??? (penned by Donovan, not Mike) on this pink vinyl find. Simple, low-fi garagey sound harking back to yesteryear with its upbeat guitars, drums, and vocals. Pleasant.
This German quartet delivers three short tracks that feature Bunker Wolf???s vocals that sound like they???re coming through a fog, Boy True???s bass which is reminiscent of the 007 Theme Song, Edmund Xavier on guitar and electronic devices, and Catholic Pat on drums. Sort of persistent and dark sounding.
Garage Rock: Two nice little songs that take you back in time to the 60s, when dune buggies were what summer was all about. Side A is fast-paced and fun, as is Side B, although B is more nostalgic, wishing for a more innocent time. Bass, guitar, drums, and vox combine as a worthy tribute to the Frontier Villagers. Packaged along with the 7??? is a ticket for the all-night graduation party of the Camden High Senior Class of 1968–some things never change.
The cool artwork on the handmade CD sleeve is in keeping with the two songs on this CD from a California outfit offering noise/industrial/ambient music. Ocean, Sympathetic Response (1) has guitar, vocalizations, and field noise sounds. It is very weird but not annoying at all, more like a droning with a lot going on in a comforting white noise sort of way. Sough—Warm Winter (2) starts out very differently, with a piano and single string working out a classical conversation in a very spare environment to which percussion, percolation, something that sounds like bagpipes or an accordion, and moaning vocalizations are layered to give a MiddleEastern feel. Very nice and my preferred of the tracks.
Folk: Spare and simple is the music packaged in this artful CD release, containing a card for each of the 7 songs, complete with Japanese and English lyrics on one side with artwork on the flipside. Reiko sings in a clear, plaintive voice, while Tori accompanies her on piano (an occasional harmonica and viola  and a mandolin?  join in). It is the way the piano takes off into jazzy and classical terrain that makes some songs more interesting. 1, 2, and 7 are sad and lovely. 4, 5, and 6 are more jazzy and less melancholy. 3 is like a crossover between the two types of songs.
Wow! I love this. It rocks, literally. The energy packed into these 9 tracks is infectious and gets you moving, whether it be in a funk (1, 8), or blues (4, 6), or just rockin??? (2, 9) way. At the beginning I was reminded of Steppenwolf, but this band has a character all its own. The only slow one of the bunch is 7. The change-up in tempos of 6 shows off the bass, guitars, and drums to good effect. Rock out, turkey!
Rock/punk from London delivered in a driving but not thrashing way, with guitar, bass, drums, male vocals, and organ keeping up the rhythms. ???Corpse Life??? is my favorite, with ???ICU??? a close second and ???Doomsday Parade??? coming in third. Nice guitarwork and momentum.
This rock band from southern California formed in the early 90s and continues to offer music that does what the second song on this 7??? advises: ???Keep it easy, yeah! No complications, yeah!??? Guitar, bass, and drums, plus some type of horn (sax?) set the scene for the vocals. ???Oh Jena!??? is simpler and a little less peppy than ???Keep it Easy.??? Both songs are expressions of the band???s youthful spirit.
This is a charming tribute by this Portland, Oregon band to Nicola Tesla, inventor of the radio and the band???s ???patron saint.??? This EP was recorded for $1.72, and as such is a supreme value, what with its offering of well-penned lyrics (see the CD inserts) set to an array of instruments including accordion, guitar, church organ, wind chimes, toy piano, harpsichord, mandolin, glock, typewriter, and varying percussion. Their most treasured instrument is the Yamaha MT 50 four-track machine. It???s all pleasant music from dreamers and believers in the occult.
His Myspace page describes Dalmacio Von Diamond???s music as ???melodramatic popular song,??? and I???d say that???s pretty much on the mark. His deep vocals and somber lyrics are accompanied by guitar, drums, violins, and organ. Most of the songs are somber, but there are some upbeat-feeling ones, even though the subjects are not the sunniest. 3, 7, and 10 are the peppier songs. My favorite lyrics are in 4: ???Let???s throw a party and show the world we???re not afraid to get old.??? Love and life are not light matters on this album, but 10 hints that Von Diamond makes it to the other side of darkness and survives.
Che Guevara Memorial Marching (and Stationary) Accordion Ban – “Che Guevara Memorial Accordion Band” – [Public Eyesore]
A sextet of accordion players–Bob Marsh, Dan Cantrell, David Slusser, Ernesto Diaz-Infante, John Finkbeiner, and Ron Heglin–make up this unique ???marching??? band. Minimalist improv is the best way I have to describe the five tracks on this CD. Instead of a riot of noise, there seems to be careful conversation among the musicians. Track 2 is the closest to chaos that these songs get. Track 5 includes some percussive moves (executed on the accordions, I presume) that mimic the pitter-pat of feet.
Wisp is R.W. Dunn. He wrote and recorded the 14 songs on this CD. The genre is electronica/intelligent dance music, and each of the tracks is solid in its presentation of shimmering beats and energy, whether they be mellow or frenetic. You can???t go wrong with any of them, but the standouts are 10 for its eerie, cave beginning and scrambled spooky voice and jungle drums, and 11 for its flute-like, medieval feeling. Track 9 features ocean waves, birdsong, and crickets chirping. Try 3 as well, just because it???s pretty.
Pop: This band out of Los Angeles has a really interesting story. Three whiz kids went their separate ways, the girl traveling to Glasgow where she united both musically and romantically with her long-lost pen pal. The two made their way back to Disneyland, where they were reunited with the other two wunderkinder in Alice???s teacups, and a band was born! I prefer Side A to Side B. Bass, drums, minimal keys, and female vox contribute to the upbeat, low-fi haze.
Rock/pop: This is a cool repressed EP, one of 300 available in pink vinyl from Chuffed. This San Francisco band has chosen an apt descriptor in ???fresh???–offering upbeat, organic tunes with guitars, xylophone, harmonica, toy piano, subtle percussion, and male voices singing interesting lyrics about innocent topics. Every song is good, but ???Endless Love??? is the standout with its energetic guitar start and solo.
Jason Robert Quever pens some fine pop songs dealing with subjects such as the transition from lover (?) to employee (1), nostalgic questions about whether you can wait all summer long (3), wishing you could hold onto people (7), how things and people become ???just another thing to dust??? (8). The overall vibe is mellow and poppy, with a delightful foray into a honky-tonk treatment of love taking a wrong turn (5). Pretty and cute and appealing all around.
This collection of 7??? releases celebrates the 10-year founding of the Generate label. Opening with two accessible jazz tracks by Gordon Beeferman???s Imaginary Band, transitioning to atmospheric with the fabulous Ernesto Diaz-Infante and Jeff Arnal, and finishing off with the experimental minimalism of Aperiodic, this is a tasty sampler of what Generate has to offer. Instrumental save for enthusiastic vocalizations on 1 and distorted vox on 5.
The Committee to Keep Music Evil compiled these Telescopes songs that are no longer available on record store shelves. The United Kingdom quintet delivers screaming vocals and thrashing guitars and drums on Side One, but they settle down into a fine trippy haze on Side 2, where the male and female vocals sound like a choir on B2. Check out the cool guitar moves and rare clarity of some of the vox on A4. Psychedelia is the unifying element between the two sides.
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