Killer martial arts mix by producer DJ Paul Nice. Originally from Poughkeepsie, he relocated to Manhattan in the ’90s and eventually spent some time out here making a big name for himself, “one of the more sought after beatsmiths during the thriving indie hip hop scene of the late 90’s.” This is funky, instrumental hip hop beats with sample clips from various kung fu films. Fun, upbeat and black belt worthy!
A musical journey sculpted from many different genres, creating an interesting soundscape. There’s twinges of soft country-surf, loungey bar Lynch’s, electronica, whirli-gigs, xylos & violins…. an overall dark vibe. The film tells the story of identity and deception in a near-future dystopia constantly under intrusive high-tech police surveillance in the midst of a drug addiction epidemic… so that sets the tone. There’s whimsical sounds, dark brooding ventures and tripped out tracks. Music made by Graham’s Golden Arm Trio, and the last 2 are one each from Jack Dangers (Meat Beat Manifesto) & DJ Spooky!
Solo project of Brian Chippendale (Lightning Bolt, Mindflayer). This was actually started back in 2007, but various elements kept it from being finished… until covid hit and there was ample time. It’s all Chip’s mastermind, but there’s others listed such as percussion- TIME, LORD SUN SON, vocals – PRINCE PRANCE, keyboards – INSPECTOR BASS & other stuff – YABO JAGAIMO. Who knows if those are really other people or made up personas of Brian’s. Ha. It’s frantic drumming of course, with crunchy vox, oscillators vibrating, fuzzed bass, sometimes heavy… sometimes the drums sound super hollow. It’s manic and spazzy!
Third release from Texan trio guitarist Craig Clouse (Shit and Shine), bassist Nate Cross (Marriage, Expensive Shit), & drummer King Coffey (Butthole Surfers). It also features monster vox from Colby Brinkman (Taverner). It’s loud, noisy, sludgy, dirgy, and distorted as fuck. Crunched out efx, gritty layers, rough edges. Abrasive.
Collab noise release from Risa Reaper (Japan) & Takeshita (Pronounced TA-KESH-TA, Seattle). Electronics crunch and churn, while whimsical demented toys are pulverized in the giant industrial steel grinder. Unbellies of childlike rhythms & demonic possessed vox try to escape through the harsh, scorching fire of hell.
An intensely meditative duo of Mike Tamburo and Galina Haralambova. This release is a musical journey through 11 gongs and over 60 bells, sound plates, singing bowls and tuned metallic instruments that transfuse into your inner lamb and soothe your soul. The reverb you hear from each tap of the gongs/bowls/bells is like a deep relaxing breath. Could definitely lay in a giant flower field, staring up at the sun peeking through the clouds listening to this. It’s like a giant, mythical wind chime. Would mix excellently next to Tom Heasley’s droned out tuba.
An expanded version of Catherine Christer Hennix’s mind-altering ensemble. CCH is Swedish musician, poet, philosopher, mathematician and visual artist who is known for being associated with the early minimalist movement. Active since the 1960s, her drone interest intertwines with her love of jazz, Arabic music, Sufi Islamic art, and the blues. This one, hour+ long piece includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, brass sounds of Paul Schwingesnschlögl and Elena Kakaliagou, & Marcus Pal and Stefan Tiedje on electronics. It’s a hypnotic, mesmerizing psychedelic trip through the high desert. Indian style drones morph with wafting chants that cocoon around your core and tendril out your solar plexus like glowing comets. It’s a meditative journey, drop in anywhere!
Gavilan grew up in Providence, Rhode Island in the 70s and 80s. This release is recorded in remembrance of East Side Rail Tunnel, which ran for one mile underneath the city, and the people she spent time with there (the names included on each track). It’s synth heavy, in the experimental, explorative way. Woven throbs, haunting undertones, tape hiss, pulsing swells and echoed swirls. The tunnel had a bend in it, creating total darkness if you were to get to the middle of it, which often resulted in hallucinations as you lost sense of any surroundings. The acoustics also played a big part of her liking – “long natural delays and harmonic reinforcing reverberances.” Unfortunately, the tunnel has been inaccessible since the 90s, the result of urban development and gentrification….booo.
Is the synth player from LCD Soundsystem
Played/jammed a lot in the earlier years with Brian Chippendale of Lightning Bolt (track 4 is for him)
Came out as transgender in 2017
Did a few releases with Delia Gonzalez on DFA
Underground Oaklander, Dax Pierson’s debut solo release. He lives life as a quadriplegic, but that doesn’t stop him at all at slaying the electronic sounds! The vibes here are like a mash of gurgled up computer processed bloops and bleeps, with vigorous rhythms, semi cinematic flairs, shards of trap style beats, and tough edges. A bit of Pantha Du Prince meets Autechre… last track turns the notch down a bit and voids out. Cover art by Pierson’s partner, artist Chuck Nanney, and the back is a photo of his wheelchair.
*’Dax’s guiding mantra throughout this journey has been a quote from choreographer Martha Graham: “No artist is pleased… There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”’
A 2019 release from Swiss power-acoustic musician, Francisco Meirino. Unsettling high pitches that induce migraines (half of side A), mixed with field recordings from a martial arts dojo in his hometown of Lausanne. Electro acoustic rumblings, electronics in a subdued state. Creaking floors, rotating and rustling sounds. Slaps, hits and cheers & jeers from fights linger in the background. Experimentally visual. Cobra Kai!
This being a collab between Silent Servant (John Juan Mendez) and Svreca (Enrique Mena). The first track opens like a foreshadowing into a nightmarish dream. A dark, guitar drone ala Sun O))). Then the struggle in your dreams begin. The next track brings a bass heavy techno beat, that runs repeatedly through your head as you run through the fog filled forests at midnight, escaping what lurks in the shadows. Side B has that foreboding drone feel again, as if you’ve been stopped cold in your tracks…something is whispering your name, pulling at your soul, but you can’t see it. The final track – you race like hell to find shelter and hope that your sweat drenched smell doesn’t attract the steaming behemoths that stalk.
A release from 2012 from Children Of The Apocalypse.
Dark ambient journeys through mystical, neofolked fantastical lairs.
Rustling sounds, crackling fires, deep water currents, cult like vibes, possible witchcraft, spiritual dives.Each track takes you on a quest, almost theater/radio story style with all the specific sound effects and foley.
female vocals/singing/casting spells on 3 tracks, the rest are instrumental.
Ambient electronic project of Vancouver Canadian, Scott Morgan. He chose the name Loscil from the ‘looping oscillator’ function in Csound (some computer language programming thing). This is a release from 2011, looks like originally on Glacial Movements, but re-released on Kranky. Gorgeous, lush tones, drift and wave like soft fluffy clouds after a winter storm. Rays of light bursting through. Mellow, relaxing, and dreamy. Planetarium vibes.
A duo of Matthew Riley and Aaron Diko. For their debut release, they’ve used a collection of classic and reissued analog equipment: Juno 60, Prodigy, Mono/Poly, Minimoog, SH-01A, MS20, Minilogue, Volcakeys, & a TR-08. It’s a fantastical journey through the cosmos, with an edge on the rainbow crystallized comets and colorful oil hues of the horizons. Happy and optimistic. Definitely has a Kraftwerk vibe. Synth-tastic!
Slow pulse droneage from Vincent Presley (Those Poor Bastards, Zebras). Quarantine apparently had him going mad, and he ended up expanding on his vintage synthesizer collection, creating this lovely hazed out release. The A side brings low ambient drones, giving you the feeling of waking up on an unknown alien desert, the sun so bright it blurs your vision. Side B’s first track has a more lighter essence to it, still low but also hopeful. The final track takes you straight into Blade Runner, with that sci-fi score vibe. Love it. Only 100 copies made on vinyl!
Two sidelongs each from Wolf Eyes and Blank Hellscape. Sludgy, dark, ominous, dirgy, muddy and ghostly. The Wolves sound like a sad horn trying to make its way through an industrial damp warehouse, stuck in a mucky mess. Pulsing sets in about halfway through, before the horn is devoured under the lava and words arise from the molten. But alas, the horn returns. Blank Hellscape brings has more of a sizzling rhythmic cacophony of sound. Effected vox lay inbetween layers and twisted wires, also pulsing with disastrous intentions.
Andrea Borghi (Italiano!) graduated from the National Academy of Fine Arts in Carrara and studied electronic music, piano and composition at the Giacomo Puccini Music Conservatory in La Spezia. His work focuses on creating sound from inanimate things such as sculptural objects, installations, obsolete media and electronics. This album consists of audio recordings that were produced through an open VHS Recorder using manipulated videotapes. Most of the sounds you hear were taken from background parts, edited from old tapes of obscure and underground cinema. It’s scratchy, creepy, noisy, static-y, weird, strange and very analog in sound. Looking at the album art, I can image watching this & other ideas he’s created, performed live would be so intriguing – a totally unique auditory sensation. Mastered by Giuseppe Ielasi, limited to 100 copies on LP!
A live recording of sorts from home and Los Angeles radio station Dublab. This round, Smegma consists of Ace Farren Ford, Dennis Duck, Ju Suk Reet Meate, John Wiese and Rock N Roll Jackie, among a few others. Sissy Spacek is coming from both John Wiese (og member) & Charlia Mumma, a member since 2008. Two side longs of twisted sound collage. Effected guitars, pedals, wires, strings, crashing cymbals, random vox pop up like a groundhog in Spring. Rolling, crunching industrial noises. Spazzzzstic & skittering. Sounds akin to a Teleki-NotoMotors Noisehaus improv sesh!
Spiral Galaxy is the project of flautist/painter Sara Gossett and guitar/machines manipulator Plastic Crimewave (of Plastic Crimewave Syndicate/Galactic Zoo Dossier magazine/KFJC artist hoodie designer!). Cosmic voyages through the galactic sun drenched desert temples. Special guests include Kawabata Makoto of Acid Mothers Temple giving some chants and spoken word in Japanese, Alisha Sufit of UK 70s eastern-folk band Magic Carpet also with some words… Ryley Walker plays a guitar backwards, Taralie of Spires that in the Sunset Rise on Terry Riley-ish circular sax, sitar-player Hands of Hydra, Moog-maestro Will MacLean of Protovulcan, and Christian Luke Brady of meditative cosmonauts, Fargon. A rhythmic pulsing ritualistic beat on track 2 with some effected French words, puts you into a hazy trance. Side B starts with a super krauty mellow prog excursion with a folky flute and Neu/Cluster/early Kraftwerk looping rhythms. The final track ends with a darker, mysterious feel. Trek across Death Valley and trip on this!
First in a series of 3 LPs of Library Music from composer and multi-instrumentalist Daniel O’Sullivan (Æthenor, Ulver, This is Not This Heat, etc). It’s not the cheesy, lounge-y type of music you’d think when you hear the term Library Music (although that stuff is super fun!), these are newer sounds… lush, pretty, dreamy and sort of cinematic in feel. Synths, piano, softness. 18 tracks, specifically made in shorter lengths (longest is about 3:30 long). Drifty, optimistic, thoughtful and sublime.
12345 S. El Monte Road Los Altos Hills, California 94022
Public Inspection File