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Album Review

Watch How The People Dancing [coll] – Unity Sounds from the London Dancehall 1986-1989 [Honest Jon Records]

Thee Opinataur   9/22/2021   12-inch, Reggae

These singles and instrumentals show no-name locals rocking mics over the toy-store electro-beats that marked reggae’s transition into modern-day digital dancehall. 

Presented as a next-generation companion to London Is The Place For Me: the mood is more defiant — a Jamaican secession from London — with themes of inner-city sufferation running alongside hymns to the dancehall & herb. Spot-on mastering from Moritz von Oswald. 

Tunes you would expect at the closing hours of the afterparty of a Jamaican dancehall mix. 

In the ’80s, when reggae was changing from roots to dancehall, the Unity sound system was already a big player in London. And when the digital sound started, they were inspired to start making their own tunes, instead of simply playing others. Using a Casio and a four-track cassette recorder, they laid down the rhythm tracks, then went into a real studio to add vocals and overdubs. On the majority of the vocal cuts, an instrumental “version” is appended (just as it would have played on a sound system). The result is true street-level British reggae from the dawn of the digital era, and all surprisingly good, given that none of the people involved were musicians — they all worked for Unity Sound, except for some of the singers. – Thee Opinataur

you heard it 39 times on kfjc! most recently:
  • 6 days ago, Ras Babo played Chuck It
  • 9 days ago, Sir Cumference played Ready For The Dancehall Tonight
  • 15 days ago, Avakhov played What a Wonderful Feeling
  • 16 days ago, Ras Babo played Ready For The Dancehall Tonight
  • 20 days ago, Ann Arbor played Control The Dancehall
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