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Album Review

Tomb Mold – “Planetary Clairvoyance” – [20 Buck Spin]

atavist   3/4/2020   A Library, CD

album cover for Planetary Clairvoyance by Tomb Mold

Death metal from Toronto. Tomb Mold can deliver mind-hammering heaviness with highly technical aptitude. What keeps me enthralled is the proggy inventiveness applied to the medium. A proper base of brutality is cut through with creative twists on familiar riffs and tropes, often producing what some might call “grooves”.

Track 5 might be the most straight-ahead/conventional track on the album. Elsewhere, you’ll find twists and turns in each track. The first track starts out quietly before delving into the chasm, with a quieter acoustic guitar interlude in the middle. Early favorites: tracks 1, 2, 4, and 7. Track two induces involuntary head nodding with iron-clad riffing. There simply are no flaws in this dual guitar attack. Track 3 is one of those instrumental, atmospheric pieces found on death metal records these days to further the overall narrative. There are glitchy samples with a beautiful, forlorn guitar part playing underneath. If you must know, the lyrical themes and concept for the album cover artwork orbit around extra-terrestrial invasion, death serving as a portal to other dimensions (or perhaps additional, miserable lives), horrific death. Track 7 is a proper way to close out this album—the attack is sustained, unrelenting, the bass and guitars create interesting (dis)harmonies in the riff architectures, and there’s even a massive guitar solo if you’ve found that lacking in your life. Similarly, in a breakdown halfway through track 4, Tomb Mold exhibits the type of riff construction that simultaneously soars and crushes, writhing in that tension between destruction and transcendence.

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