Wulkanaz – “Wulkanaz” – [Helter Skelter (Sweden)]
A barrage of 14 crushing Scandinavian rock-falls from Wagner Odegard aka Kumulonimbus of Tomhet and 1 dark ambient soundscape.
These short and not so sweet offerings are a concise distillation of black metal with ugly rock hooks. All the fat has been trimmed, excising the often monotonous drone of double kicks and buried, over-driven trem picked guitars in favor of a variety of tempos, melodies, and tonal pallets that coalesce in to a furious volley of catchy cvlt black metal-literate rock. It feels like a gauntlet being hurled down by Odegard, as if to say, I have more scope and breadth than our progenitors, more talent than the commercial black metal behemoths, more vision than the throngs of mimics and emulators, more fury than a Valkyrie during Ragnarök, and potentially much more fuel in the fire. A vehement onslaught of short-form black metal but there is so much more to Wulkanaz; finger picking, strumming, galloping palm-mutes, growling and rending guitars, spoken word, shrieking, slaughter, battering and pummeling. In tight, short succession and very little repetition. Almost as soon as a theme is established it is resolved, leaving us gasping for breath and begging for more. And there is plenty to go ’round as the replay value is concertedly high. Though the compositions and performances stand out on this album the recording and mixing are excellent as well. And the drums… Odegard’ employs the drumming of Daniel Rockmyr to glorious effect, allowing him the space to rule on his throne, unleashing a fusillade of percussive devastation. This album is an axiom of power and, in the opinion of this miserable volunteer, a new apogee in the genre as it continues to fracture, expand, and evolve.
you heard it 25 times on kfjc! most recently:
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