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Album Review

Mercure, Michele – “Eye Chant” – [Freedom to Spend]

lexi glass   4/9/2019   12-inch, A Library

Composer and synth musician Michele Mercure developed her sound through the 1980s in Pennsylvania, releasing the results on a handful of traded cassettes (under her married name Michele Musser) and on this sole 1986 LP, recently rereleased in 2017 by the RVNG sub-label Freedom to Spend. At first, Eye Chant seems deceptively accessible – with “Tour de France (Day 2)” (T1), that sounds like an extra stage of the Kraftwerk single, and the new-agey “In the Air” (T2) – but then, the album dives into the murky depths. A meditative mood – of drumming, flute, birds’ calls and wolves’ howls – is suddenly, violently shattered in “The Intruder” (T3). That shock launches directly into “100% Bridal Illusion” (T4), a nightmarish synth piece collaged with fragments of uncomfortable conversations with your relatives and the screams of their whining kids, that is altogether a hilariously accurate expression of all of the anxieties I have about marriage. Mercure’s processed vocals are layered to build “Eye Chant” (T5), and “Dream Clock” (T6) ticks over unusual melodies before arriving at the truly bizarre “Proteus and the Marlin” (T7), a tale of a woman who develops a lifelong psychosexual bond with a stuffed fish after her boyfriend jumps off the Golden Gate bridge. “Too Much” (T7) returns us to the surface with spare funk guitar riffs and downbeat dance rhythms.

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