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Album Review

Matmos – “Plastic Anniversary” – [Thrill Jockey Records]

lexi glass   3/19/2019   A Library, CD

Drew Daniel and MC Schmidt are still going strong after 25 years of partnership, and they’re celebrating the milestone with a new album. This work follows the blueprint of many previous Matmos releases: the duo choose a theme and a limited range of sounds, and build the album within those constraints, often finding creative and surprising solutions to the strict boundaries they’ve set for themselves. This time, they’ve crafted an album entirely from the sounds of plastic objects. Throughout Plastic Anniversary, there’s hints of past works – the latex squeaks from Supreme Balloon or the fleshy-tones of A Chance to Cut is a Chance to Cure – in the yelps from plastic tubing and squeals of synthetic fat and silicone breast implants. One element that sets this album apart for me is its powerful percussion. Members of a Montana high school drumline whale on trash bins in “Fanfare for Polyethylene Waste Containers” (T8) and solo on a “Thermoplastic Riot Shield” (T7, with added police state synths from Professor Cantaloupe). I outgrew my teenage crush on Deerhoof, but never my respect for their staggering drummer, Greg Saunier. Here, he contributes to several tracks, including the standout “The Collapse of the Fourth Kingdom” (T10), and the opener “Breaking Bread”(T1), where the trio plays the smashed fragments of old Bread LPs (a live performance of this track at the 2017 WFMU Record Fair caused a hilarious uproar from attendees). I could go on – the final track is synthetic soundscape of a teeming forest! (T11) – as this album overflows with unlikely sounds and ideas. Dead serious about their craft but never taking themselves too seriously, Matmos consistently rise far above the great garbage gyre that is the current musical landscape. Here’s to many more!

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