Sarvestani, Razavi & Talaei, Darioush – “National Vocal Radifs of Iranian Music” – [Meshkat]
Razavi Sarvestani was a master singer and interpreter of Iranian music. Darioush Talaei (more commonly spelled Dariush Talai) is an Iranian tar player of international status. This recording of vocal radifs of Iranian music is volume one of an extensive survey of radifs. From my research I have found 18 volumes on this label. A radif “is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called Dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master’s own interpretation has shaped and added new melodies to this collection, which may bear the master’s name. The preservation of these melodies greatly depended on each successive generation’s memory and mastery, since the interpretive origin of this music was expressed only through the oral tradition. To truly learn and absorb the essence of the radif, many years of repetition and practice are required. A master of the Radif must internalize the Radif so completely to be able to perform any part of it at any given time.” And that’s just the beginning of the explanation. The radifs are so culturally important that UNESCO has declared them part of the UNESCO Oral and Intangible Heritage of Humanity. This recording of 22 radifs, possibly in a specific order, start off with a spoken word, possibly the title of the radif, and then the interpretation. It is just Sarvestani singing and Talai playing the tar. I have limited knowledge with this type of music but what I hear is thrilling, mesmerizing and wonderful. The interplay between the two is flawless, each complimenting and guiding the other. I am taken by this so much, especially with my beginners knowledge of it’s significance. We can always learn.
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