Fundraiser 2018 — Donate now!
KFJC 89.7FM

Dawson, Richard – “Nothing Important” – [Weird World Record Co]

Naysayer   8/1/2018   12-inch, A Library

Richard Dawson is a an English folk/blues singer, songwriter and guitarist whose unique approach pushes definitions of style. Hailing from Newcastle Upon Tyne, Dawson’s work approaches heartache with a hammer, a subtle hammer but consistent and relentless yet achingly beautiful. Supposedly he accidentally broke the guitar he uses, liked the sound and so kept it. The guitar playing is like Eugene Chadbourne or Bill Orcutt, prolific style and skill with luxuriant and dynamic finger work. Moments of pure beauty will be attacked… attacked… with pulling, stretching, almost destroying the guitar. Dawson does collaborate with harpist Rhodri Davies, whose harp playing style is the same of reconstructing/deconstructing how the harp could be played. Davies performs on track 3 of this album.
“Nothing Important” came out in 2014 and pushed Dawson forward in his work. These are four tracks that I can not get enough of. Track 1, “Judas Iscariot” and track 4, “Doubting Thomas”, bookend the album. They are glorious solo guitar instrumentals which showcase Dawson’s skill and emotion. Judas and Thomas, both who chose to question, challenge and make mistakes, besides feeling left out, begin and end a theme that is present in the album.
The two tracks with vocals, “Nothing Important” and “The Vile Stuff” showcase all the greatness that is Dawson. “Nothing Important” is a series of vignettes from the narrator’s life, from birth through family experiences, the passing of family, the loss of a newborn. Dawson describes objects from the time as pieces of remembrance but questions why he can’t remember the faces of the loved ones. In “The Vile Stuff”, the narrator describes experiences of friends and of himself, snippets of experience filled with detail that may appear mundane to others but hold significance to the narrator. Yet there is a sense of loneliness, weariness and longing embedded with the celebration of friends. Dawson’s singing style is so unique: stretching out words to uncomfortable lengths, odd phrasing and emphasis, paring sentences together in ways not expected. His lyrics, his playing, his singing breaks me when I hear it. You’ll need a kleenex. This is a highly welcome addition to our collection.

comments

add comment

Your comment may be revised by KFJC editors.