Pro Et Contra – “Pro Et Contra” – [Pataphysique Records]
Live recording from a February 2018 performance from this new experimental Japanese quartet. Fronted by Fukuoka Rinji (guitarist/vocalist from the psych bands Overhang Party and Majutso no Niwa, both in our library, and founder of the Pataphysique label that released this recording), with vocals and theremin by Koichi Nakaya (Nasca Car and Hijokaidan), bass by Luis Inage and keyboards/samples/vocals from Itsuro Sugiyama.
The four pieces here center on text borrowed and translated into Japanese from Antonin Artaud (T1), The Velvet Underground (T3), Suicide (T4), and Guy Debord (T4), performed as a “respiration of poetic oscillation” by Rinji. “Pour en finir avec le jugement de dieu” (T1) is a reworking of a 1947 radio broadcast, the final crazed work of the French poet Artaud, accompanied by rumbles of bass guitar, electronic chirps and theremin wails, the swell of a chorus singing the opening verses of the American nation anthem. Heavy, plodding electronic rhythms and bass thumps drive T2 with lyrics from the Japanese group Dowser. The final two tracks are more straightforward covers: “The Gift” (T3) sets Lou Reed’s comedic tale to an electric keyboard/bass groove, and the final medley track is a Suicide seance. All the meaning of the lyrics is lost (to me) in translation, allowing the language and sound to flow into a continuous stream of nothingness.
you heard it 8 times on kfjc! most recently:
- 341 days ago, Zoltan played Opening - Pour En Finir Avec Le Jugement De Dieu
- 348 days ago, Cynthia Lombard played The Gift
- 352 days ago, Grawer played Opening - Pour En Finir Avec Le Jugement De Dieu
- 378 days ago, Katie 2 played Opening - Pour En Finir Avec Le Jugement De Dieu
- 381 days ago, Fox Populi played The Gift
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