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Susumu Yokota is in ambient, electronica mode more than house mode in this 4/2005 release called Symbol, his 25th.
In this vibrant and beautiful album, he is creating electronic music and using the entire field of classical music as a sort of music whole cloth to cut from and stitch into his compositions. Sometimes the themes are buried in the music; other times it is holding the piece together.
‘I’m sure I missed at least half of the themes, but I was able to pick out Saint Saens, Beethoven, Chopin, Tchaikovsky, and Debussy. This filled me with anxiety because it reminded me of a music appreciation class that was my first ‘B? in college. Stupid, damn electives.
The beautiful female voice heard on some tracks in Meredith Monk. I had to find this out on the web. It wasn’t on the CD packaging.
This is the kind of music that you put on in the background, and when the CD has ended you’ve forgotten what you were doing and you’re sitting down transfixed.
What references my ears detected:
That’s what that was. It was driving me crazy.
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