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Amber Asylum – “Garden of Love ” – [Self Release]

Bio-fidelic biofeedback from the living dead? Amber Asylum has
always had the prettiest corpses, whether suspended in amber,
or glimpsed ghostly in mirrors, or shrouded in white water
lillies on a black river. This self-released 10″ starts of
with a cello “death” march while Kris Force’s violin gathers
overhead. Actually the morbidity seems diminished on this
aspect of the Asylum. Instead the feeling of a fantastic
dream state is more in focus. The pace is very deliberate,
as in a dream when you cannot move your feet. It quickens
a bit in sections of the “Autonomy Suite” (which has a nice
gladiator stand-off contained within it…) Eventually vox
do arrive fashionably late on the first and final track of
this three song record. On the latter, “Still Point” while
Force’s counter-vocals still soar, Lorraine Rath’s lead has
a sort of jazzy croon to them. Sort of a strange contrast
for me, but surely KFJC’ers will eat this up like kids eat
up Halloween candy. One cautionary word about that last
track, it really does hit a “still point” about 2/3 of the
way into it. We get a death knell, someone says faintly
“that sounded okay” and then a reprise of dripping piano
and instead of a violin flying above it, it’s Liz Allbee
on trumpet at first. But then the Force is with us again,
some string jags and then breathless shrieking (looped?).
Could Amber Asylum be in the midst of a sea-change, what
waits beyond the pale silence at this ep’s end?

  • Reviewed by Thurston Hunger on July 23, 2005 at 9:58 am
  • Filed as 10-inch,A Library
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